[37] Jonson refers to Machiavelli's
political
writings in
_Timber_ (ed.
_Timber_ (ed.
Ben Jonson - The Devil's Association
With the latter's monologue
(Text, 5. 2) compare Robin's exclamation:
Zounds, I had rather be in hell than here.
Neither Pug (Text, 2. 5. 3-4) nor Robin dares to return without
authority:
What shall I do? to hell I dare not go,
Until my master's twelve months be expir'd.
Like Pug (Text, 5. 6. 3-10) Belphegor worries over his reception in
hell:
How shall I give my verdict up to Pluto
Of all these accidents?
Finally Belphegor's sensational disappearance through the
yawning earth comes somewhat nearer to Jonson than does
the Italian original. The English comedy seems, indeed,
to account adequately for all traces of the Belfagor story
to be found in Jonson's play.
[36] A paraphrase of _Belfagor_ occurs in the Conclusion of
Barnaby Riche's _Riche his Farewell to Militarie Profession_, 1581,
published for the Shakespeare Society by J. P. Collier, 1846. The
name is changed to Balthasar, but the main incidents are the same.
[37] Jonson refers to Machiavelli's political writings in
_Timber_ (ed. Schelling, p. 38).
[38] _Eng. Dram. Lit. _ 2. 606.
6. _Summary_
It is certain that of the two leading ideas of Jonson's comedy, the
sending of a devil to earth with the object of corrupting men is
derived from the Rush legend. It is probable that the no less important
motive of a baffled devil, happy to make his return to hell, is due
either directly or indirectly to Machiavelli's influence. This motive,
as we have seen, was strengthened by a body of legend and by the
treatment of the devil in the morality play.
7. _The Figure of the Vice_
It is the figure of the Vice which makes Jonson's satire on the
out-of-date moralities most unmistakable. This character has been
the subject of much study and discussion, and there is to-day no
universally accepted theory as to his origin and development. In the
literature of Jonson's day the term Vice is almost equivalent to
harlequin.
(Text, 5. 2) compare Robin's exclamation:
Zounds, I had rather be in hell than here.
Neither Pug (Text, 2. 5. 3-4) nor Robin dares to return without
authority:
What shall I do? to hell I dare not go,
Until my master's twelve months be expir'd.
Like Pug (Text, 5. 6. 3-10) Belphegor worries over his reception in
hell:
How shall I give my verdict up to Pluto
Of all these accidents?
Finally Belphegor's sensational disappearance through the
yawning earth comes somewhat nearer to Jonson than does
the Italian original. The English comedy seems, indeed,
to account adequately for all traces of the Belfagor story
to be found in Jonson's play.
[36] A paraphrase of _Belfagor_ occurs in the Conclusion of
Barnaby Riche's _Riche his Farewell to Militarie Profession_, 1581,
published for the Shakespeare Society by J. P. Collier, 1846. The
name is changed to Balthasar, but the main incidents are the same.
[37] Jonson refers to Machiavelli's political writings in
_Timber_ (ed. Schelling, p. 38).
[38] _Eng. Dram. Lit. _ 2. 606.
6. _Summary_
It is certain that of the two leading ideas of Jonson's comedy, the
sending of a devil to earth with the object of corrupting men is
derived from the Rush legend. It is probable that the no less important
motive of a baffled devil, happy to make his return to hell, is due
either directly or indirectly to Machiavelli's influence. This motive,
as we have seen, was strengthened by a body of legend and by the
treatment of the devil in the morality play.
7. _The Figure of the Vice_
It is the figure of the Vice which makes Jonson's satire on the
out-of-date moralities most unmistakable. This character has been
the subject of much study and discussion, and there is to-day no
universally accepted theory as to his origin and development. In the
literature of Jonson's day the term Vice is almost equivalent to
harlequin.
