_212 emotion, a swift
editions
1824, 1839;
emotion with swift Bodleian manuscript.
emotion with swift Bodleian manuscript.
Shelley
_124 [1. The Author was pursuing a fuller development of the ideal
character of Athanase, when it struck him that in an attempt at
extreme refinement and analysis, his conceptions might be betrayed
into the assuming a morbid character. The reader will judge whether he
is a loser or gainer by this diffidence. [Shelley's Note. ]
Footnote diffidence cj. Rossetti (1878); difference editions 1824,
1839. ]
_154 beneath editions 1824, 1839; between Bodleian manuscript.
_165 One Bodleian manuscript edition 1839; An edition 1824.
_167 Thus thro' Bodleian manuscript (? ) edition 1839; Thus had edition 1824.
_173 talk they edition 1824, Bodleian manuscript; talk now edition 1839.
_175 that edition 1839; the edition 1824.
_182 So edition 1839; And edition 1824.
_183 Or on Bodleian manuscript; Or by editions 1824, 1839.
_199 eve Bodleian manuscript edition 1839; night edition 1824.
_212 emotion, a swift editions 1824, 1839;
emotion with swift Bodleian manuscript.
_250 under edition 1824, Bodleian manuscript; beneath edition 1839.
_256 outstrips editions 1824, 1839; outrides Bodleian manuscript.
_259 Exulting, while the wide Bodleian manuscript.
_262 mountains editions 1824, 1839; crags Bodleian manuscript.
_264 fountains editions 1824, 1839; springs Bodleian manuscript.
_269 chasms Bodleian manuscript; chasm editions 1824, 1839.
_283 thine Bodleian manuscript; thy editions 1824, 1839.
_285 Investeth Bodleian manuscript; Investest editions 1824, 1839.
_289 light Bodleian manuscript; bright editions 1824, 1839.
***
ROSALIND AND HELEN.
A MODERN ECLOGUE.
[Begun at Marlow, 1817 (summer); already in the press, March, 1818;
finished at the Baths of Lucca, August, 1818; published with other
poems, as the title-piece of a slender volume, by C. & J. Ollier,
London, 1819 (spring). See "Biographical List".