Where to give his fame this, be not afraid:
Here lies the best Tragedian ever plaid.
Here lies the best Tragedian ever plaid.
John Donne
The chief interest of the collection is that it
comes from a commonplace-book of Sir Henry Wotton, and therefore
presumably represents the work of the group of wits to which Donne,
Bacon, and Wotton belonged. I have found only one of them in other
MSS. , viz. that which I have called _Life a Play_. This occurs in
quite a number of MSS. in the British Museum, and has been published
in Hannah's _Courtly Poets_. It is generally ascribed to Sir Walter
Raleigh; and Harleian MS. 733 entitles it _Verses made by Sir Walter
Raleigh made the same morning he was executed_. I have printed it
because with the first, and another in the _Reliquiae Wottonianae_, it
illustrates Wotton's taste for this comparison of life to a stage, a
comparison probably derived from an epigram in the Greek Anthology,
which may be the source of Shakespeare's famous lines in _As You Like
It_. The epitaph by Jonson on Hemmings, Shakespeare's fellow-actor
and executor, is interesting. A similar epitaph on Burbage is found in
Sloane MS. 1786:
An Epitaph on Mr Richard Burbage the Player.
This life's a play groaned out by natures Arte
Where every man hath his alloted parte.
This man hath now as many men can tell
Ended his part, and he hath done it well.
The Play now ended, think his grave to bee
The retiring house of his sad Tragedie.
Where to give his fame this, be not afraid:
Here lies the best Tragedian ever plaid.
III. POEMS FROM VARIOUS MSS. PAGE =443=.
Of the miscellaneous poems here collected there is very little to be
said. The first eight or nine come from the O'Flaherty MS. (_O'F_),
which professes to be a collection of Donne's poems, and may, Mr.
Warwick Bond thinks, have been made by the younger Donne, as it
contains a poem by him. It is careless enough to be his work.
They illustrate well the kind of poem attributed to Donne in the
seventeenth century, some on the ground of their wit, others because
of their subject-matter. Donne had written some improper poems as a
young man; it was tempting therefore to assign any wandering poem
of this kind to the famous Dean of St. Paul's. The first poem, _The
Annuntiation_, has nothing to do with Donne's poem _The Annuntiation
and Passion_, but has been attached to it in a manner which is
common enough in the MSS. The poem _Love's Exchange_ is obviously an
imitation of Donne's _Lovers infinitenesse_ (p. 17). _A Paradoxe of a
Painted Face_ was attributed to Donne because he had written a prose
_Paradox_ entitled _That Women ought to paint_.
comes from a commonplace-book of Sir Henry Wotton, and therefore
presumably represents the work of the group of wits to which Donne,
Bacon, and Wotton belonged. I have found only one of them in other
MSS. , viz. that which I have called _Life a Play_. This occurs in
quite a number of MSS. in the British Museum, and has been published
in Hannah's _Courtly Poets_. It is generally ascribed to Sir Walter
Raleigh; and Harleian MS. 733 entitles it _Verses made by Sir Walter
Raleigh made the same morning he was executed_. I have printed it
because with the first, and another in the _Reliquiae Wottonianae_, it
illustrates Wotton's taste for this comparison of life to a stage, a
comparison probably derived from an epigram in the Greek Anthology,
which may be the source of Shakespeare's famous lines in _As You Like
It_. The epitaph by Jonson on Hemmings, Shakespeare's fellow-actor
and executor, is interesting. A similar epitaph on Burbage is found in
Sloane MS. 1786:
An Epitaph on Mr Richard Burbage the Player.
This life's a play groaned out by natures Arte
Where every man hath his alloted parte.
This man hath now as many men can tell
Ended his part, and he hath done it well.
The Play now ended, think his grave to bee
The retiring house of his sad Tragedie.
Where to give his fame this, be not afraid:
Here lies the best Tragedian ever plaid.
III. POEMS FROM VARIOUS MSS. PAGE =443=.
Of the miscellaneous poems here collected there is very little to be
said. The first eight or nine come from the O'Flaherty MS. (_O'F_),
which professes to be a collection of Donne's poems, and may, Mr.
Warwick Bond thinks, have been made by the younger Donne, as it
contains a poem by him. It is careless enough to be his work.
They illustrate well the kind of poem attributed to Donne in the
seventeenth century, some on the ground of their wit, others because
of their subject-matter. Donne had written some improper poems as a
young man; it was tempting therefore to assign any wandering poem
of this kind to the famous Dean of St. Paul's. The first poem, _The
Annuntiation_, has nothing to do with Donne's poem _The Annuntiation
and Passion_, but has been attached to it in a manner which is
common enough in the MSS. The poem _Love's Exchange_ is obviously an
imitation of Donne's _Lovers infinitenesse_ (p. 17). _A Paradoxe of a
Painted Face_ was attributed to Donne because he had written a prose
_Paradox_ entitled _That Women ought to paint_.
