Perchance she died in youth: it may be, bowed
With woes far heavier than the ponderous tomb
That weighed upon her gentle dust, a cloud
Might gather o'er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites--early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.
With woes far heavier than the ponderous tomb
That weighed upon her gentle dust, a cloud
Might gather o'er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites--early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.
Byron - Childe Harold's Pilgrimage
C.
But who was she, the lady of the dead,
Tombed in a palace? Was she chaste and fair?
Worthy a king's--or more--a Roman's bed?
What race of chiefs and heroes did she bear?
What daughter of her beauties was the heir?
How lived--how loved--how died she? Was she not
So honoured--and conspicuously there,
Where meaner relics must not dare to rot,
Placed to commemorate a more than mortal lot?
CI.
Was she as those who love their lords, or they
Who love the lords of others? such have been
Even in the olden time, Rome's annals say.
Was she a matron of Cornelia's mien,
Or the light air of Egypt's graceful queen,
Profuse of joy; or 'gainst it did she war,
Inveterate in virtue? Did she lean
To the soft side of the heart, or wisely bar
Love from amongst her griefs? --for such the affections are.
CII.
Perchance she died in youth: it may be, bowed
With woes far heavier than the ponderous tomb
That weighed upon her gentle dust, a cloud
Might gather o'er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites--early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.
CIII.
Perchance she died in age--surviving all,
Charms, kindred, children--with the silver grey
On her long tresses, which might yet recall,
It may be, still a something of the day
When they were braided, and her proud array
And lovely form were envied, praised, and eyed
By Rome--But whither would Conjecture stray?
Thus much alone we know--Metella died,
The wealthiest Roman's wife: Behold his love or pride!
CIV.
I know not why--but standing thus by thee
It seems as if I had thine inmate known,
Thou Tomb! and other days come back on me
With recollected music, though the tone
Is changed and solemn, like the cloudy groan
Of dying thunder on the distant wind;
Yet could I seat me by this ivied stone
Till I had bodied forth the heated mind,
Forms from the floating wreck which ruin leaves behind;
CV.
And from the planks, far shattered o'er the rocks,
Built me a little bark of hope, once more
To battle with the ocean and the shocks
Of the loud breakers, and the ceaseless roar
Which rushes on the solitary shore
Where all lies foundered that was ever dear:
But could I gather from the wave-worn store
Enough for my rude boat, where should I steer?
There woos no home, nor hope, nor life, save what is here.
CVI.
Then let the winds howl on! their harmony
Shall henceforth be my music, and the night
The sound shall temper with the owlet's cry,
As I now hear them, in the fading light
Dim o'er the bird of darkness' native site,
Answer each other on the Palatine,
With their large eyes, all glistening grey and bright,
And sailing pinions. --Upon such a shrine
What are our petty griefs? --let me not number mine.
CVII.
Cypress and ivy, weed and wallflower grown
Matted and massed together, hillocks heaped
On what were chambers, arch crushed, column strown
In fragments, choked-up vaults, and frescoes steeped
In subterranean damps, where the owl peeped,
Deeming it midnight:--Temples, baths, or halls?
