Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight 40
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood 45
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight 40
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood 45
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
William Wordsworth
No poem of mine was composed under circumstances more
pleasant for me to remember than this. I began it upon leaving Tintern,
after crossing the Wye, and concluded it just as I was entering Bristol
in the evening, after a ramble of four or five days, with my sister. Not
a line of it was altered, and not any part of it written down till I
reached Bristol. It was published almost immediately after in the little
volume of which so much has been said in these Notes, the "Lyrical
Ballads," as first published at Bristol by Cottle. --I. F. ]
Included among the "Poems of the Imagination. "--Ed.
Five years have past; five summers, with the length
Of five long winters! [C] and again I hear
These waters, rolling from their mountain-springs
With a soft [1] inland murmur. [D]--Once again
Do I behold these steep and lofty cliffs, 5
That [2] on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view 10
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. [3] Once again I see
These hedge-rows, hardly hedge-rows, little lines 15
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees! [E]
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods, 20
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me [4]
As is a landscape to a blind man's eye: 25
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind, [5] 30
With tranquil restoration:--feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence [6]
On that best portion of a good man's life,
His little, nameless, unremembered, acts 35
Of kindness and of love.
Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight 40
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood 45
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 50
If this
Be but a vain belief, yet, oh! how oft--
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world, 55
Have hung upon the beatings of my heart--
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods, [7]
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought, 60
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts 65
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides 70
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days, 75
And their glad animal movements all gone by)
To me was all in all. --I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood, 80
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor [8] any interest
Unborrowed from the eye. --That time is past, 85
And all its aching joys are now no more,
And all its dizzy raptures. [F] Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned 90
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor [9] harsh nor grating, though of ample power
To chasten and subdue. And I have felt 95
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 100
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods, 105
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,--both what they half create, [G]
And what perceive; well pleased to recognise
In nature and the language of the sense, 110
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more 115
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read 120
My former pleasures in the shooting lights
Of thy wild eyes, [H] Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister!
pleasant for me to remember than this. I began it upon leaving Tintern,
after crossing the Wye, and concluded it just as I was entering Bristol
in the evening, after a ramble of four or five days, with my sister. Not
a line of it was altered, and not any part of it written down till I
reached Bristol. It was published almost immediately after in the little
volume of which so much has been said in these Notes, the "Lyrical
Ballads," as first published at Bristol by Cottle. --I. F. ]
Included among the "Poems of the Imagination. "--Ed.
Five years have past; five summers, with the length
Of five long winters! [C] and again I hear
These waters, rolling from their mountain-springs
With a soft [1] inland murmur. [D]--Once again
Do I behold these steep and lofty cliffs, 5
That [2] on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view 10
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. [3] Once again I see
These hedge-rows, hardly hedge-rows, little lines 15
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees! [E]
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods, 20
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me [4]
As is a landscape to a blind man's eye: 25
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind, [5] 30
With tranquil restoration:--feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence [6]
On that best portion of a good man's life,
His little, nameless, unremembered, acts 35
Of kindness and of love.
Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight 40
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood 45
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 50
If this
Be but a vain belief, yet, oh! how oft--
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world, 55
Have hung upon the beatings of my heart--
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods, [7]
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought, 60
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts 65
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides 70
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days, 75
And their glad animal movements all gone by)
To me was all in all. --I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood, 80
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor [8] any interest
Unborrowed from the eye. --That time is past, 85
And all its aching joys are now no more,
And all its dizzy raptures. [F] Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned 90
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor [9] harsh nor grating, though of ample power
To chasten and subdue. And I have felt 95
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 100
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods, 105
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,--both what they half create, [G]
And what perceive; well pleased to recognise
In nature and the language of the sense, 110
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more 115
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read 120
My former pleasures in the shooting lights
Of thy wild eyes, [H] Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister!
