No More Learning

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XXI

'Not he the threatening texts who deals
Is highest 'mong the preachers,
But he who feels the woes and weals
Of all God's wandering creatures.
He doth good work whose heart can find
The spirit 'neath the letter;
Who makes his kind of happier mind,
Leaves wiser men and better.


XXII

'They make Religion be abhorred
Who round with darkness gulf her, 170
And think no word can please the Lord
Unless it smell of sulphur,
Dear Poet-heart, that childlike guessed
The Father's loving kindness,
Come now to rest! Thou didst his hest,
If haply 'twas in blindness! '


XXIII

Then leapt heaven's portals wide apart,
And at their golden thunder
With sudden start I woke, my heart
Still throbbing-full of wonder. 180
'Father,' I said, ''tis known to Thee
How Thou thy Saints preparest;
But this I see,--Saint Charity
Is still the first and fairest! '


XXIV

Dear Bard and Brother! let who may
Against thy faults be railing,
(Though far, I pray, from us be they
That never had a failing! )
One toast I'll give, and that not long,
Which thou wouldst pledge if present, 190
To him whose song, in nature strong,
Makes man of prince and peasant!



IN AN ALBUM

The misspelt scrawl, upon the wall
By some Pompeian idler traced,
In ashes packed (ironic fact! )
Lies eighteen centuries uneffaced,
While many a page of bard and sage,
Deemed once mankind's immortal gain,
Lost from Time's ark, leaves no more mark
Than a keel's furrow through the main.

O Chance and Change! our buzz's range
Is scarcely wider than a fly's;
Then let us play at fame to-day,
To-morrow be unknown and wise;
And while the fair beg locks of hair,
And autographs, and Lord knows what,
Quick! let us scratch our moment's match,
Make our brief blaze, and be forgot!

Too pressed to wait, upon her slate
Fame writes a name or two in doubt;
Scarce written, these no longer please,
And her own finger rubs them out:
It may ensue, fair girl, that you
Years hence this yellowing leaf may see,
And put to task, your memory ask
In vain, 'This Lowell, who was he?
'



AT THE COMMENCEMENT DINNER, 1866

IN ACKNOWLEDGING A TOAST TO THE SMITH PROFESSOR

I rise, Mr. Chairman, as both of us know,
With the impromptu I promised you three weeks ago,
Dragged up to my doom by your might and my mane,
To do what I vowed I'd do never again:
And I feel like your good honest dough when possest
By a stirring, impertinent devil of yeast.
'You must rise,' says the leaven. 'I can't,' says the dough;
'Just examine my bumps, and you'll see it's no go. '
'But you must,' the tormentor insists, ''tis all right;
You must rise when I bid you, and, what's more, be light. ' 10

'Tis a dreadful oppression, this making men speak
What they're sure to be sorry for all the next week;
Some poor stick requesting, like Aaron's, to bud
Into eloquence, pathos, or wit in cold blood,
As if the dull brain that you vented your spite on
Could be got, like an ox, by mere poking, to Brighton.

They say it is wholesome to rise with the sun,
And I dare say it may be if not overdone;
(I think it was Thomson who made the remark
'Twas an excellent thing in its way--for a lark;) 20
But to rise after dinner and look down the meeting
On a distant (as Gray calls it) prospect of Eating,
With a stomach half full and a cerebrum hollow
As the tortoise-shell ere it was strung for Apollo,
Undercontract to raise anerithmon gelasma
With rhymes so hard hunted they gasp with the asthma,
And jokes not much younger than Jethro's phylacteries,
Is something I leave you yourselves to characterize.

I've a notion, I think, of a good dinner speech,
Tripping light as a sandpiper over the beach, 30
Swerving this way and that as the wave of the moment
Washes out its slight trace with a dash of whim's foam on 't,
And leaving on memory's rim just a sense
Something graceful had gone by, a live present tense;
Not poetry,--no, not quite that, but as good,
A kind of winged prose that could fly if it would.
'Tis a time for gay fancies as fleeting and vain
As the whisper of foam-beads on fresh-poured champagne,
Since dinners were not perhaps strictly designed
For manoeuvring the heavy dragoons of the mind. 40
When I hear your set speeches that start with a pop,
Then wander and maunder, too feeble to stop,
With a vague apprehension from popular rumor
There used to be something by mortals called humor,
Beginning again when you thought they were done,
Respectable, sensible, weighing a ton,
And as near to the present occasions of men
As a Fast Day discourse of the year eighteen ten,
I--well, I sit still, and my sentiments smother,
For am I not also a bore and a brother? 50

And a toast,--what should that, be? Light, airy, and free,
The foam-Aphrodite of Bacchus's sea,
A fancy-tinged bubble, an orbed rainbow-stain,
That floats for an instant 'twixt goblet and brain;
A breath-born perfection, half something, half naught,
And breaks if it strike the hard edge of a thought.
Do you ask me to make such? Ah no, not so simple;
Ask Apelles to paint you the ravishing dimple
Whose shifting enchantment lights Venus's cheek,
And the artist will tell you his skill is to seek; 60
Once fix it, 'tis naught, for the charm of it rises
From the sudden bopeeps of its smiling surprises.

I've tried to define it, but what mother's son
Could ever yet do what he knows should be done?
My rocket has burst, and I watch in the air
Its fast-fading heart's-blood drop back in despair;
Yet one chance is left me, and, if I am quick,
I can palm off, before you suspect me, the stick.