Hassan, come hither;
Bring me the Turkish scimitar that hangs
Beneath the picture yonder.
Bring me the Turkish scimitar that hangs
Beneath the picture yonder.
Longfellow
FRA SEBASTIANO.
A most strange adventure;
A tale as marvellous and full of wonder
As any in Boccaccio or Sacchetti;
Almost incredible!
IPPOLITO.
Were I a painter
I should not want a better theme than that:
The lovely lady fleeing through the night
In wild disorder; and the brigands' camp
With the red fire-light on their swarthy faces.
Could you not paint it for me?
FRA SEBASTIANO.
No, not I.
It is not in my line.
IPPOLITO.
Then you shall paint
The portrait of the corsair, when we bring him
A prisoner chained to Naples: for I feel
Something like admiration for a man
Who dared this strange adventure.
FRA SEBASTIANO.
I will do it.
But catch the corsair first.
IPPOLITO.
You may begin
To-morrow with the sword.
Hassan, come hither;
Bring me the Turkish scimitar that hangs
Beneath the picture yonder. Now unsheathe it.
'T is a Damascus blade; you see the inscription
In Arabic: La Allah illa Allah,--
There is no God but God.
FRA SEBASTIANO.
How beautiful
In fashion and in finish! It is perfect.
The Arsenal of Venice can not boast
A finer sword.
IPPOLITO.
You like it? It is yours.
FRA SEBASTIANO.
You do not mean it.
IPPOLITO.
I am not a Spaniard,
To say that it is yours and not to mean it.
I have at Itri a whole armory
Full of such weapons. When you paint the portrait
Of Barbarossa, it will be of use.