No More Learning

=The Lover's Tale=
1833

[It was originally intended by Tennyson that this poem should
form part of his 1833 volume. It was put in type and, according to
custom, copies were distributed among his friends, when, on the eve of
publication, he decided to omit it. Again, in 1869, it was sent to
press with a new third part added, and was again withdrawn, the third
part only--'The Golden Supper,' founded on a story in Boccaccio's
_Decameron_--being published in the volume, 'The Holy Grail. ' In 1866,
1870 and 1875, attempts had been made by Mr Herne Shepherd to publish
editions of 'The Lover's Tale,' reprinted from stray proof copies of
the 1833 printing. Each of these attempts was repressed by Tennyson,
and at last in 1879 the complete poem, as now included in the
collected Works, was issued, with an apologetic reference to the
necessity of reprinting the poem to prevent its circulation in an
unauthorised form. But the 1879 issue is considerably altered from the
original issue of 1833, as written by Tennyson in his nineteenth year.
Since only as a product of Tennyson's youth does the poem merit any
attention, it has seemed good to reprint it here as originally
written. ]

A FRAGMENT

The Poem of the Lover's Tale (the lover is supposed to be himself a
poet) was written in my nineteenth year, and consequently contains
nearly as many faults as words. That I deemed it not wholly unoriginal
is my only apology for its publication--an apology lame and poor, and
somewhat impertinent to boot: so that if its infirmities meet with
more laughter than charity in the world, I shall not raise my voice in
its defence. I am aware how deficient the Poem is in point of art, and
it is not without considerable misgivings that I have ventured to
publish even this fragment of it. 'Enough,' says the old proverb, 'is
as good as a feast. '--(Tennyson's original introductory note. )

Here far away, seen from the topmost cliff,
Filling with purple gloom the vacancies
Between the tufted hills the sloping seas
Hung in mid-heaven, and half-way down rare sails,
White as white clouds, floated from sky to sky.
Oh! pleasant breast of waters, quiet bay,
Like to a quiet mind in the loud world,
Where the chafed breakers of the outer sea
Sunk powerless, even as anger falls aside,
And withers on the breast of peaceful love,
Thou didst receive that belt of pines, that fledged
The hills that watch'd thee, as Love watcheth Love,--
In thine own essence, and delight thyself
To make it wholly thine on sunny days.
Keep thou thy name of 'Lover's bay': See, Sirs,
Even now the Goddess of the Past, that takes
The heart, and sometimes toucheth but one string,
That quivers, and is silent, and sometimes
Sweeps suddenly all its half-moulder'd chords
To an old melody, begins to play
On those first-moved fibres of the brain.
I come, Great mistress of the ear and eye:
Oh! lead me tenderly, for fear the mind
Rain thro' my sight, and strangling sorrow weigh
Mine utterance with lameness. Tho' long years
Have hallowed out a valley and a gulf
Betwixt the native land of Love and me,
Breathe but a little on me, and the sail
Will draw me to the rising of the sun,
The lucid chambers of the morning star,
And East of life.
Permit me, friend, I prithee,
To pass my hand across my brows, and muse
On those dear hills, that nevermore will meet
The sight that throbs and aches beneath my touch,
As tho' there beat a heart in either eye;
For when the outer lights are darken'd thus,
The memory's vision hath a keener edge.
It grows upon me now--the semicircle
Of dark blue waters and the narrow fringe
Of curving beach--its wreaths of dripping green--
Its pale pink shells--the summer-house aloft
That open'd on the pines with doors of glass,
A mountain nest the pleasure boat that rock'd
Light-green with its own shadow, keel to keel,
Upon the crispings of the dappled waves
That blanched upon its side.
O Love, O Hope,
They come, they crowd upon me all at once,
Moved from the cloud of unforgotten things,
That sometimes on the horizon of the mind
Lies folded--often sweeps athwart in storm--
They flash across the darkness of my brain,
The many pleasant days, the moolit nights,
The dewy dawnings and the amber eyes,
When thou and I, Camilla, thou and I
Were borne about the bay, or safely moor'd
Beneath some low brow'd cavern, where the wave
Plash'd sapping its worn ribs (the while without,
And close above us, sang the wind-tost pine,
And shook its earthly socket, for we heard,
In rising and in falling with the tide,
Close by our ears, the huge roots strain and creak),
Eye feeding upon eye with deep intent;
And mine, with love too high to be express'd
Arrested in its sphere, and ceasing from
All contemplation of all forms, did pause
To worship mine own image, laved in light,
The centre of the splendours, all unworthy
Of such a shrine--mine image in her eyes,
By diminution made most glorious,
Moved with their motions, as those eyes were moved
With motions of the soul, as my heart beat
Twice to the melody of hers. Her face
Was starry-fair, not pale, tenderly flush'd
As 'twere with dawn. She was dark-hair'd, dark-eyed;
Oh, such dark eyes! A single glance of them
Will govern a whole life from birth to death,
Careless of all things else, led on with light
In trances and in visions: look at them,
You lose yourself in utter ignorance,
You cannot find their depth; for they go back,
And farther back, and still withdraw themselves
Quite into the deep soul, that evermore,
Fresh springing from her fountains in the brain,
Still pouring thro', floods with redundant light
Her narrow portals.

Trust me, long ago
I should have died, if it were possible
To die in gazing on that perfectness
Which I do bear within me; I had died
But from my farthest lapse, my latest ebb,
Thine image, like a charm of light and strength
Upon the waters, pushed me back again
On these deserted sands of barren life.
Tho' from the deep vault, where the heart of hope
Fell into dust, and crumbled in the dark--
Forgetting who to render beautiful
Her countenance with quick and healthful blood--
Thou didst not sway me upward, could I perish
With such a costly casket in the grasp
Of memory? He, that saith it, hath o'erstepp'd
The slippery footing of his narrow wit,
And fall'n away from judgment. Thou art light,
To which my spirit leaneth all her flowers,
And length of days, and immortality
Of thought, and freshness ever self-renew'd.
For Time and Grief abode too long with Life,
And like all other friends i' the world, at last
They grew aweary of her fellowship:
So Time and Grief did beckon unto Death,
And Death drew nigh and beat the doors of Life;
But thou didst sit alone in the inner house,
A wakeful port'ress and didst parle with Death,
'This is a charmed dwelling which I hold';
So Death gave back, and would no further come.
Yet is my life nor in the present time,
Nor in the present place.