No More Learning

They are not made
Frailly by earth or hands, but immortal in our dream.

We may touch the faint violets with the hands of thought,
Or lay the pale core of the wild arum bare;
And for ever in our minds the white wild cherry is caught,
Cloudy against the sky and melting into air.

This which we have seen is eternally ours,
No others shall tread in the glade which now we see;
Their hands shall not touch the frail tranquil flowers,
Nor their hearts faint in wonder at the wild white tree.



MEMORY

In silence and in darkness memory wakes
Her million sheathèd buds, and breaks
That day-long winter when the light and noise
And hard bleak breath of the outward-looking will
Made barren her tender soil, when every voice
Of her million airy birds was muffled or still.

One bud-sheath breaks:
One sudden voice awakes.

What change grew in our hearts, seeing one night
That moth-winged ship drifting across the bay,
Her broad sail dimly white
On cloudy waters and hills as vague as they?
Some new thing touched our spirits with distant delight,
Half-seen, half-noticed, as we loitered down,
Talking in whispers, to the little town,
Down from the narrow hill
--Talking in whispers, for the air so still
Imposed its stillness on our lips, and made
A quiet equal with the equal shade
That filled the slanting walk. That phantom now
Slides with slack canvas and unwhispering prow
Through the dark sea that this dark room has made.

Or the night of the closed eyes will turn to day,
And all day's colours start out of the gray.
The sun burns on the water. The tall hills
Push up their shady groves into the sky,
And fail and cease where the intense light spills
Its parching torrent on the gaunt and dry
Rock of the further mountains, whence the snow
That softened their harsh edges long is gone,
And nothing tempers now
The hot flood falling on the barren stone.

O memory, take and keep
All that my eyes, your servants, bring you home--
Those other days beneath the low white dome
Of smooth-spread clouds that creep
As slow and soft as sleep,
When shade grows pale and the cypress stands upright,
Distinct in the cool light,
Rigid and solid as a dark hewn stone;
And many another night,
That melts in darkness on the narrow quays,
And changes every colour and every tone,
And soothes the waters to a softer ease,
When under constellations coldly bright
The homeward sailors sing their way to bed
On ships that motionless in harbour float.
The circling harbour-lights flash green and red;
And, out beyond, a steady travelling boat,
Breaking the swell with slow industrious oars,
At each stroke pours
Pale lighted water from the lifted blade.
Now in the painted houses all around
Slow-darkening windows call
The empty unwatched middle of the night.
The tide's few inches rise without a sound.
On the black promontory's windless head,
The last awake, the fireflies rise and fall
And tangle up their dithering skeins of light.

O memory, take and keep
All that my eyes, your servants, bring you home!
Thick through the changing year
The unexpected, rich-charged moments come,
That you twixt wake and sleep
In the lids of the closed eyes shall make appear.

This is life's certain good,
Though in the end it be not good at all
When the dark end arises,
And the stripped, startled spirit must let fall
The amulets that could
Prevail with life's but not death's sad devices.

Then, like a child from whom an older child
Forces its gathered treasures,
Its beads and shells and strings of withered flowers,
Tokens of recent pleasures,
The soul must lose in eyes weeping and wild
Those prints of vanished hours.



WOMAN'S SONG

No more upon my bosom rest thee,
Too often have my hands caressed thee,
My lips thou knowest well, too well;
Lean to my heart no more thine ear
My spirit's living truth to hear
--It has no more to tell.

In what dark night, in what strange night,
Burnt to the butt the candle's light
That lit our room so long?
I do not know, I thought I knew
How love could be both sweet and true:
I also thought it strong.

Where has the flame departed? Where,
Amid the empty waste of air,
Is that which dwelt with us?
Was it a fancy? Did we make
Only a show for dead love's sake,
It being so piteous?

No more against my bosom press thee,
Seek no more that my hands caress thee,
Leave the sad lips thou hast known so well;
If to my heart thou lean thine ear,
There grieving thou shalt only hear
Vain murmuring of an empty shell.



THE WIND

Blow harder, wind, and drive
My blood from hands and face back to the heart.
Cry over ridges and down tapering coombs,
Carry the flying dapple of the clouds
Over the grass, over the soft-grained plough,
Stroke with ungentle hand the hill's rough hair
Against its usual set.
Snatch at the reins in my dead hands and push me
Out of my saddle, blow my labouring pony
Across the track.