By vapours, through whose threatening ominous veil
Darting his altered influence he has gained
This height of noon--from which he must decline _50
Amid the darkness of conflicting storms,
To dank extinction and to latest night.
Darting his altered influence he has gained
This height of noon--from which he must decline _50
Amid the darkness of conflicting storms,
To dank extinction and to latest night.
Shelley
Oh, kill these bitter thoughts which make the present _25
Dark as the future! --
. . .
When Avarice and Tyranny, vigilant Fear,
And open-eyed Conspiracy lie sleeping
As on Hell's threshold; and all gentle thoughts
Waken to worship Him who giveth joys _30
With His own gift.
SECOND CITIZEN:
How young art thou in this old age of time!
How green in this gray world? Canst thou discern
The signs of seasons, yet perceive no hint
Of change in that stage-scene in which thou art _35
Not a spectator but an actor? or
Art thou a puppet moved by [enginery]?
The day that dawns in fire will die in storms,
Even though the noon be calm. My travel's done,--
Before the whirlwind wakes I shall have found _40
My inn of lasting rest; but thou must still
Be journeying on in this inclement air.
Wrap thy old cloak about thy back;
Nor leave the broad and plain and beaten road,
Although no flowers smile on the trodden dust, _45
For the violet paths of pleasure. This Charles the First
Rose like the equinoctial sun,. . .
By vapours, through whose threatening ominous veil
Darting his altered influence he has gained
This height of noon--from which he must decline _50
Amid the darkness of conflicting storms,
To dank extinction and to latest night. . .
There goes
The apostate Strafford; he whose titles
whispered aphorisms _55
From Machiavel and Bacon: and, if Judas
Had been as brazen and as bold as he--
NOTES:
_33-_37 Canst. . . enginery 1870;
Canst thou not think
Of change in that low scene, in which thou art
Not a spectator but an actor? . . . 1824.
_43-_57 Wrap. . . bold as he 1870; omitted 1824.
FIRST CITIZEN:
That
Is the Archbishop.