That night Duessa holds a secret
conference
with the
Saracen knight.
Saracen knight.
Spenser - Faerie Queene - 1
19.
Explain the ambiguous construction
in l. 165. 20. Parse _her_ in l. 262. 21. Note careless use of relative in
l. 288.
CANTO IV
I. _The Plot:_ In this and the following canto the adventures of the
Redcross Knight are continued from Canto II. Guided by Duessa, he enters
the House of Pride. There he sees Lucifera, the Queen of Pride, attended by
her sinful court. Her six Counselors are described in detail, with an
account of a pleasure trip taken by the Queen and her court. Sansjoy
unexpectedly arrives and challenges the Knight to mortal combat for the
shield of Sansfoy.
That night Duessa holds a secret conference with the
Saracen knight.
II. _The Allegory:_ 1. The Christian Soldier, under the influence of false
ideals (Duessa), is exposed to the temptations of the Seven Deadly Sins,
chief among which is Pride. In the midst of these sinful pleasures, he is
assailed by Joylessness, on whose side is Falsehood secretly.
2. The religious and political allegory is here vague and somewhat
discontinuous. There is a hint, however, of the attempts of Mary Queen of
Scots to bring England back to Romanism. The pride and corruption of the
false church and its clergy are set forth. There is also a suggestion of
the perilous position of the English in Ireland.
20. OF EACH DEGREE AND PLACE, of every rank and order of society.
21. HAVING SCAPED HARD, having escaped with difficulty.
24. LAZARS.
in l. 165. 20. Parse _her_ in l. 262. 21. Note careless use of relative in
l. 288.
CANTO IV
I. _The Plot:_ In this and the following canto the adventures of the
Redcross Knight are continued from Canto II. Guided by Duessa, he enters
the House of Pride. There he sees Lucifera, the Queen of Pride, attended by
her sinful court. Her six Counselors are described in detail, with an
account of a pleasure trip taken by the Queen and her court. Sansjoy
unexpectedly arrives and challenges the Knight to mortal combat for the
shield of Sansfoy.
That night Duessa holds a secret conference with the
Saracen knight.
II. _The Allegory:_ 1. The Christian Soldier, under the influence of false
ideals (Duessa), is exposed to the temptations of the Seven Deadly Sins,
chief among which is Pride. In the midst of these sinful pleasures, he is
assailed by Joylessness, on whose side is Falsehood secretly.
2. The religious and political allegory is here vague and somewhat
discontinuous. There is a hint, however, of the attempts of Mary Queen of
Scots to bring England back to Romanism. The pride and corruption of the
false church and its clergy are set forth. There is also a suggestion of
the perilous position of the English in Ireland.
20. OF EACH DEGREE AND PLACE, of every rank and order of society.
21. HAVING SCAPED HARD, having escaped with difficulty.
24. LAZARS.
