But what matters an eternity of damnation to him who
has found in one second an eternity of enjoyment?
has found in one second an eternity of enjoyment?
Baudelaire - Poems and Prose Poems
It would have been else impossible to account for the sudden
and despotic hatred of this poor man that came upon me.
"Hello, there! " I cried, and bade him ascend. Meanwhile I reflected, not
without gaiety, that as my room was on the sixth landing, and the
stairway very narrow, the man would have some difficulty in ascending,
and in many a place would break off the corners of his fragile
merchandise.
At length he appeared. I examined all his glasses with curiosity, and
then said to him: "What, have you no coloured glasses? Glasses of rose
and crimson and blue, magical glasses, glasses of Paradise? You are
insolent. You dare to walk in mean streets when you have no glasses that
would make one see beauty in life? " And I hurried him briskly to the
staircase, which he staggered down, grumbling.
I went on to the balcony and caught up a little flower-pot, and when the
man appeared in the door-way beneath I let fall my engine of war
perpendicularly upon the edge of his pack, so that it was upset by the
shock and all his poor walking fortune broken to bits. It made a noise
like a palace of crystal shattered by lightning. Mad with my folly, I
cried furiously after him: "The life beautiful! the life beautiful! "
Such nervous pleasantries are not without peril; often enough one pays
dearly for them.
But what matters an eternity of damnation to him who
has found in one second an eternity of enjoyment?
THE WIDOWS.
Vauvenargues says that in public gardens there are alleys haunted
principally by thwarted ambition, by unfortunate inventors, by aborted
glories and broken hearts, and by all those tumultuous and contracted
souls in whom the last sighs of the storm mutter yet again, and who thus
betake themselves far from the insolent and joyous eyes of the
well-to-do. These shadowy retreats are the rendezvous of life's
cripples.
To such places above all others do the poet and philosopher direct their
avid conjectures. They find there an unfailing pasturage, for if there
is one place they disdain to visit it is, as I have already hinted, the
place of the joy of the rich. A turmoil in the void has no attractions
for them. On the contrary they feel themselves irresistibly drawn
towards all that is feeble, ruined, sorrowing, and bereft.
An experienced eye is never deceived. In these rigid and dejected
lineaments; in these eyes, wan and hollow, or bright with the last
fading gleams of the combat against fate; in these numerous profound
wrinkles and in the slow and troubled gait, the eye of experience
deciphers unnumbered legends of mistaken devotion, of unrewarded
effort, of hunger and cold humbly and silently supported.
Have you not at times seen widows sitting on the deserted benches? Poor
widows, I mean. Whether in mourning or not they are easily recognised.
Moreover, there is always something wanting in the mourning of the poor;
a lack of harmony which but renders it the more heart-breaking. It is
forced to be niggardly in its show of grief. They are the rich who
exhibit a full complement of sorrow.
and despotic hatred of this poor man that came upon me.
"Hello, there! " I cried, and bade him ascend. Meanwhile I reflected, not
without gaiety, that as my room was on the sixth landing, and the
stairway very narrow, the man would have some difficulty in ascending,
and in many a place would break off the corners of his fragile
merchandise.
At length he appeared. I examined all his glasses with curiosity, and
then said to him: "What, have you no coloured glasses? Glasses of rose
and crimson and blue, magical glasses, glasses of Paradise? You are
insolent. You dare to walk in mean streets when you have no glasses that
would make one see beauty in life? " And I hurried him briskly to the
staircase, which he staggered down, grumbling.
I went on to the balcony and caught up a little flower-pot, and when the
man appeared in the door-way beneath I let fall my engine of war
perpendicularly upon the edge of his pack, so that it was upset by the
shock and all his poor walking fortune broken to bits. It made a noise
like a palace of crystal shattered by lightning. Mad with my folly, I
cried furiously after him: "The life beautiful! the life beautiful! "
Such nervous pleasantries are not without peril; often enough one pays
dearly for them.
But what matters an eternity of damnation to him who
has found in one second an eternity of enjoyment?
THE WIDOWS.
Vauvenargues says that in public gardens there are alleys haunted
principally by thwarted ambition, by unfortunate inventors, by aborted
glories and broken hearts, and by all those tumultuous and contracted
souls in whom the last sighs of the storm mutter yet again, and who thus
betake themselves far from the insolent and joyous eyes of the
well-to-do. These shadowy retreats are the rendezvous of life's
cripples.
To such places above all others do the poet and philosopher direct their
avid conjectures. They find there an unfailing pasturage, for if there
is one place they disdain to visit it is, as I have already hinted, the
place of the joy of the rich. A turmoil in the void has no attractions
for them. On the contrary they feel themselves irresistibly drawn
towards all that is feeble, ruined, sorrowing, and bereft.
An experienced eye is never deceived. In these rigid and dejected
lineaments; in these eyes, wan and hollow, or bright with the last
fading gleams of the combat against fate; in these numerous profound
wrinkles and in the slow and troubled gait, the eye of experience
deciphers unnumbered legends of mistaken devotion, of unrewarded
effort, of hunger and cold humbly and silently supported.
Have you not at times seen widows sitting on the deserted benches? Poor
widows, I mean. Whether in mourning or not they are easily recognised.
Moreover, there is always something wanting in the mourning of the poor;
a lack of harmony which but renders it the more heart-breaking. It is
forced to be niggardly in its show of grief. They are the rich who
exhibit a full complement of sorrow.
