[372] The chorus
continues
to tell what it has seen on its flights.
Aristophanes
[360] Posidon appears on the stage accompanied by Heracles and a
Triballian god.
[361] An Athenian general. --Neptune is trying to give Triballus some
notions of elegance and good behaviour.
[362] Aristophanes supposes that democracy is in the ascendant in Olympus
as it is in Athens.
[363] He is addressing his servant, Manes.
[364] Heracles softens at sight of the food. --Heracles is the glutton of
the comic poets.
[365] He pretends not to have seen them at first, being so much engaged
with his cookery.
[366] He pretends to forget the presence of the ambassadors.
[367] Posidon jestingly swears by himself.
[368] The barbarian god utters some gibberish which Pisthetaerus
interprets into consent.
[369] Heracles, the god of strength, was far from being remarkable in the
way of cleverness.
[370] This was Athenian law.
[371] The poet attributes to the gods the same customs as those which
governed Athens, and according to which no child was looked upon as
legitimate unless his father had entered him on the registers of his
phratria. The phratria was a division of the tribe and consisted of
thirty families.
[372] The chorus continues to tell what it has seen on its flights.
[373] The harbour of the island of Chios; but this name is here used in
the sense of being the land of informers ([Greek: phainein], to
denounce).
[374] i. e. near the orators' platform, or [Greek: B_ema], in the Public
Assembly, or [Greek: Ekkl_esia], because there stood the [Greek:
klepsudra], or water-clock, by which speeches were limited.
[375] A coined name, made up of [Greek: gl_otta], the tongue, and [Greek:
gast_er], the stomach, and meaning those who fill their stomach with what
they gain with their tongues, to wit, the orators.
[376] [Greek: Sukon] a fig, forms part of the word, [Greek:
sukophant_es], which in Greek means an informer.
[377] Both rhetoricians.
[378] Because they consecrated it specially to the god of eloquence.
[379] Basileia, whom he brings back from heaven.
[380] Terms used in regulating a dance.
[381] Where Pisthetaerus is henceforth to reign.
THE FROGS
INTRODUCTION
Like 'The Birds' this play rather avoids politics than otherwise, its
leading _motif_, over and above the pure fun and farce for their own sake
of the burlesque descent into the infernal regions, being a literary one,
an onslaught on Euripides the Tragedian and all his works and ways.
It was produced in the year 405 B. C. , the year after 'The Birds,' and
only one year before the Peloponnesian War ended disastrously for the
Athenian cause in the capture of the city by Lysander.
