36_, _Challenge_, 1613, and
probably
_Devil is
an Ass_, 1616.
an Ass_, 1616.
Ben Jonson - The Devil's Association
_ 7-8
or _Gipsies_ 15-6.
. . . the bank of kisses,
Where _you say_ men gather blisses
is mentioned in _U. 36. _ 9-10. 'The passages in _DA. _ and _Gipsies_[92]
are less close. The 'valley _called_ my nest' may be a reference to
_DA. _ 2. 6. 74 f. Jonson had already spoken of the 'girdle 'bout her
waist' in _Challenge_, _2 Cup. _ _Charis_ 5 seems then to have been
written later than _U.
36_, _Challenge_, 1613, and probably _Devil is
an Ass_, 1616. The evidence is strong, though not conclusive.
_Charis_ 6 evidently refers to a marriage at Whitehall. That Cupid, who
is referred to in 2, 3, 5, had any part in the marriage of _Charis_ 6
is nowhere even intimated. That Charis led the Graces in a dance is
a conjecture equally unfounded. Jonson of course takes the obvious
opportunity (ll. 20, 26) of playing on the name Charis. That this
occasion was the same as that celebrated in 4 we have no reason to
believe. It applies equally well, for instance, to _A Challenge at
Tilt_, but we are by no means justified in so limiting it. It may have
been imaginary.
_Charis_ 7 was written before 1618, since Jonson quoted a part of it to
Drummond during his visit in Scotland (cf. _Conversations_ 5). It was
a favorite of the poet's and this furnishes sufficient reason for its
insertion here. It is worthy of note that the two sections of _Charis_,
which we know by external proof to have been in existence before 1623,
are those which give internal evidence of being interpolations.
_Summary. _ The poem was probably a late production and of composite
nature.
or _Gipsies_ 15-6.
. . . the bank of kisses,
Where _you say_ men gather blisses
is mentioned in _U. 36. _ 9-10. 'The passages in _DA. _ and _Gipsies_[92]
are less close. The 'valley _called_ my nest' may be a reference to
_DA. _ 2. 6. 74 f. Jonson had already spoken of the 'girdle 'bout her
waist' in _Challenge_, _2 Cup. _ _Charis_ 5 seems then to have been
written later than _U.
36_, _Challenge_, 1613, and probably _Devil is
an Ass_, 1616. The evidence is strong, though not conclusive.
_Charis_ 6 evidently refers to a marriage at Whitehall. That Cupid, who
is referred to in 2, 3, 5, had any part in the marriage of _Charis_ 6
is nowhere even intimated. That Charis led the Graces in a dance is
a conjecture equally unfounded. Jonson of course takes the obvious
opportunity (ll. 20, 26) of playing on the name Charis. That this
occasion was the same as that celebrated in 4 we have no reason to
believe. It applies equally well, for instance, to _A Challenge at
Tilt_, but we are by no means justified in so limiting it. It may have
been imaginary.
_Charis_ 7 was written before 1618, since Jonson quoted a part of it to
Drummond during his visit in Scotland (cf. _Conversations_ 5). It was
a favorite of the poet's and this furnishes sufficient reason for its
insertion here. It is worthy of note that the two sections of _Charis_,
which we know by external proof to have been in existence before 1623,
are those which give internal evidence of being interpolations.
_Summary. _ The poem was probably a late production and of composite
nature.
