No More Learning

Poor Muse, alas, what ails thee, then, to-day?
Thy hollow eyes with midnight visions burn,
Upon thy brow in alternation play,
Folly and Horror, cold and taciturn.

Have the green lemure and the goblin red,
Poured on thee love and terror from their urn?
Or with despotic hand the nightmare dread
Deep plunged thee in some fabulous Minturne?

Would that thy breast where so deep thoughts arise,
Breathed forth a healthful perfume with thy sighs;
Would that thy Christian blood ran wave by wave

In rhythmic sounds the antique numbers gave,
When Phoebus shared his alternating reign
With mighty Pan, lord of the ripening grain.




THE VENAL MUSE.


Muse of my heart, lover of palaces,
When January comes with wind and sleet,
During the snowy eve's long wearinesses,
Will there be fire to warm thy violet feet?

Wilt thou reanimate thy marble shoulders
In the moon-beams that through the window fly?
Or when thy purse dries up, thy palace moulders,
Reap the far star-gold of the vaulted sky?

For thou, to keep thy body to thy soul,
Must swing a censer, wear a holy stole,
And chaunt Te Deums with unbelief between.

Or, like a starving mountebank, expose
Thy beauty and thy tear-drowned smile to those
Who wait thy jeste to drive away thy spleen.




THE EVIL MONK.


The ancient cloisters on their lofty walls
Had holy Truth in painted frescoes shown,
And, seeing these, the pious in those halls
Felt their cold, lone austereness less alone.

At that time when Christ's seed flowered all around,
More than one monk, forgotten in his hour,
Taking for studio the burial-ground,
Glorified Death with simple faith and power.

And my soul is a sepulchre where I,
Ill cenobite, have spent eternity:
On the vile cloister walls no pictures rise.
O when may I cast off this weariness,
And make the pageant of my old distress
For these hands labour, pleasure for these eyes?




THE TEMPTATION.


The Demon, in my chamber high.
This morning came to visit me,
And, thinking he would find some fault,
He whispered: "I would know of thee

Among the many lovely things
That make the magic of her face,
Among the beauties, black and rose,
That make her body's charm and grace,

Which is most fair? " Thou didst reply
To the Abhorred, O soul of mine:
"No single beauty is the best
When she is all one flower divine.

When all things charm me I ignore
Which one alone brings most delight;
She shines before me like the dawn,
And she consoles me like the night.

The harmony is far too great,
That governs all her body fair,
For impotence to analyse
And say which note is sweetest there.

O mystic metamorphosis!
My senses into one sense flow--
Her voice makes perfume when she speaks,
Her breath is music faint and low! "




THE IRREPARABLE.


Can we suppress the old Remorse
Who bends our heart beneath his stroke,
Who feeds, as worms feed on the corse,
Or as the acorn on the oak?
Can we suppress the old Remorse!

Ah, in what philtre, wine, or spell,
May we drown this our ancient foe,
Destructive glutton, gorging well,
Patient as the ants, and slow?
What wine, what philtre, or what spell?

Tell it, enchantress, if you can,
Tell me, with anguish overcast,
Wounded, as a dying man,
Beneath the swift hoofs hurrying past.
Tell it, enchantress, if you can,

To him the wolf already tears
Who sees the carrion pinions wave,
This broken warrior who despairs
To have a cross above his grave--
This wretch the wolf already tears.