but both in method to use (as ladies do in
their attire) a diligent kind of negligence, and their sportive freedom;
though with some men you are not to jest, or practise tricks; yet the
delivery of the most important things may be carried with such a grace,
as that it may yield a pleasure to the conceit of the reader.
their attire) a diligent kind of negligence, and their sportive freedom;
though with some men you are not to jest, or practise tricks; yet the
delivery of the most important things may be carried with such a grace,
as that it may yield a pleasure to the conceit of the reader.
Ben Jonson - Discoveries Made Upon Men, and Some Poems
Brevity is
attained in matter by avoiding idle compliments, prefaces, protestations,
parentheses, superfluous circuit of figures and digressions: in the
composition, by omitting conjunctions [_not only_, _but also_; _both the
one and the other_, _whereby it cometh to pass_] and such like idle
particles, that have no great business in a serious letter but breaking
of sentences, as oftentimes a short journey is made long by unnessary
baits.
_Quintilian_. --But, as Quintilian saith, there is a briefness of the parts
sometimes that makes the whole long: "As I came to the stairs, I took a
pair of oars, they launched out, rowed apace, I landed at the court gate,
I paid my fare, went up to the presence, asked for my lord, I was
admitted. " All this is but, "I went to the court and spake with my
lord. " This is the fault of some Latin writers within these last hundred
years of my reading, and perhaps Seneca may be appeached of it; I accuse
him not.
2. _Perspicuitas_. --The next property of epistolary style is perspicuity,
and is oftentimes by affectation of some wit ill angled for, or
ostentation of some hidden terms of art. Few words they darken speech,
and so do too many; as well too much light hurteth the eyes, as too
little; and a long bill of chancery confounds the understanding as much
as the shortest note; therefore, let not your letters be penned like
English statutes, and this is obtained. These vices are eschewed by
pondering your business well and distinctly concerning yourself, which is
much furthered by uttering your thoughts, and letting them as well come
forth to the light and judgment of your own outward senses as to the
censure of other men's ears; for that is the reason why many good
scholars speak but fumblingly; like a rich man, that for want of
particular note and difference can bring you no certain ware readily out
of his shop. Hence it is that talkative shallow men do often content the
hearers more than the wise. But this may find a speedier redress in
writing, where all comes under the last examination of the eyes. First,
mind it well, then pen it, then examine it, then amend it, and you may be
in the better hope of doing reasonably well. Under this virtue may come
plainness, which is not to be curious in the order as to answer a letter,
as if you were to answer to interrogatories. As to the first, first; and
to the second, secondly, &c.
but both in method to use (as ladies do in
their attire) a diligent kind of negligence, and their sportive freedom;
though with some men you are not to jest, or practise tricks; yet the
delivery of the most important things may be carried with such a grace,
as that it may yield a pleasure to the conceit of the reader. There must
be store, though no excess of terms; as if you are to name store,
sometimes you may call it choice, sometimes plenty, sometimes
copiousness, or variety; but ever so, that the word which comes in lieu
have not such difference of meaning as that it may put the sense of the
first in hazard to be mistaken. You are not to cast a ring for the
perfumed terms of the time, as _accommodation_, _complement_, _spirit_
&c. , but use them properly in their place, as others.
3. _Vigor_--There followeth life and quickness, which is the strength and
sinews, as it were, of your penning by pretty sayings, similitudes, and
conceits; allusions from known history, or other common-place, such as
are in the _Courtier_, and the second book of Cicero _De Oratore_.
4. _Discretio_. --The last is, respect to discern what fits yourself, him
to whom you write, and that which you handle, which is a quality fit to
conclude the rest, because it doth include all. And that must proceed
from ripeness of judgment, which, as one truly saith, is gotten by four
means, God, nature, diligence, and conversation. Serve the first well,
and the rest will serve you.
_De Poetica_. --We have spoken sufficiently of oratory, let us now make a
diversion to poetry. Poetry, in the primogeniture, had many peccant
humours, and is made to have more now, through the levity and inconstancy
of men's judgments. Whereas, indeed, it is the most prevailing
eloquence, and of the most exalted caract. Now the discredits and
disgraces are many it hath received through men's study of depravation or
calumny; their practice being to give it diminution of credit, by
lessening the professor's estimation, and making the age afraid of their
liberty; and the age is grown so tender of her fame, as she calls all
writings aspersions.
attained in matter by avoiding idle compliments, prefaces, protestations,
parentheses, superfluous circuit of figures and digressions: in the
composition, by omitting conjunctions [_not only_, _but also_; _both the
one and the other_, _whereby it cometh to pass_] and such like idle
particles, that have no great business in a serious letter but breaking
of sentences, as oftentimes a short journey is made long by unnessary
baits.
_Quintilian_. --But, as Quintilian saith, there is a briefness of the parts
sometimes that makes the whole long: "As I came to the stairs, I took a
pair of oars, they launched out, rowed apace, I landed at the court gate,
I paid my fare, went up to the presence, asked for my lord, I was
admitted. " All this is but, "I went to the court and spake with my
lord. " This is the fault of some Latin writers within these last hundred
years of my reading, and perhaps Seneca may be appeached of it; I accuse
him not.
2. _Perspicuitas_. --The next property of epistolary style is perspicuity,
and is oftentimes by affectation of some wit ill angled for, or
ostentation of some hidden terms of art. Few words they darken speech,
and so do too many; as well too much light hurteth the eyes, as too
little; and a long bill of chancery confounds the understanding as much
as the shortest note; therefore, let not your letters be penned like
English statutes, and this is obtained. These vices are eschewed by
pondering your business well and distinctly concerning yourself, which is
much furthered by uttering your thoughts, and letting them as well come
forth to the light and judgment of your own outward senses as to the
censure of other men's ears; for that is the reason why many good
scholars speak but fumblingly; like a rich man, that for want of
particular note and difference can bring you no certain ware readily out
of his shop. Hence it is that talkative shallow men do often content the
hearers more than the wise. But this may find a speedier redress in
writing, where all comes under the last examination of the eyes. First,
mind it well, then pen it, then examine it, then amend it, and you may be
in the better hope of doing reasonably well. Under this virtue may come
plainness, which is not to be curious in the order as to answer a letter,
as if you were to answer to interrogatories. As to the first, first; and
to the second, secondly, &c.
but both in method to use (as ladies do in
their attire) a diligent kind of negligence, and their sportive freedom;
though with some men you are not to jest, or practise tricks; yet the
delivery of the most important things may be carried with such a grace,
as that it may yield a pleasure to the conceit of the reader. There must
be store, though no excess of terms; as if you are to name store,
sometimes you may call it choice, sometimes plenty, sometimes
copiousness, or variety; but ever so, that the word which comes in lieu
have not such difference of meaning as that it may put the sense of the
first in hazard to be mistaken. You are not to cast a ring for the
perfumed terms of the time, as _accommodation_, _complement_, _spirit_
&c. , but use them properly in their place, as others.
3. _Vigor_--There followeth life and quickness, which is the strength and
sinews, as it were, of your penning by pretty sayings, similitudes, and
conceits; allusions from known history, or other common-place, such as
are in the _Courtier_, and the second book of Cicero _De Oratore_.
4. _Discretio_. --The last is, respect to discern what fits yourself, him
to whom you write, and that which you handle, which is a quality fit to
conclude the rest, because it doth include all. And that must proceed
from ripeness of judgment, which, as one truly saith, is gotten by four
means, God, nature, diligence, and conversation. Serve the first well,
and the rest will serve you.
_De Poetica_. --We have spoken sufficiently of oratory, let us now make a
diversion to poetry. Poetry, in the primogeniture, had many peccant
humours, and is made to have more now, through the levity and inconstancy
of men's judgments. Whereas, indeed, it is the most prevailing
eloquence, and of the most exalted caract. Now the discredits and
disgraces are many it hath received through men's study of depravation or
calumny; their practice being to give it diminution of credit, by
lessening the professor's estimation, and making the age afraid of their
liberty; and the age is grown so tender of her fame, as she calls all
writings aspersions.
