how can patience e'er
Grow weary of attending on a track
That kindles with such glory!
Grow weary of attending on a track
That kindles with such glory!
William Wordsworth
sportive and alert
And watchful, as a kitten when at play,
While winds are eddying round her, among straws 440
And rustling leaves. Enchanting age and sweet!
Romantic almost, looked at through a space,
How small, of intervening years! For then,
Though surely no mean progress had been made
In meditations holy and sublime, 445
Yet something of a girlish child-like gloss
Of novelty survived for scenes like these;
Enjoyment haply handed down from times
When at a country-playhouse, some rude barn
Tricked out for that proud use, if I perchance 450
Caught, on a summer evening through a chink
In the old wall, an unexpected glimpse
Of daylight, the bare thought of where I was
Gladdened me more than if I had been led
Into a dazzling cavern of romance, 455
Crowded with Genii busy among works
Not to be looked at by the common sun.
The matter that detains us now may seem,
To many, neither dignified enough
Nor arduous, yet will not be scorned by them, 460
Who, looking inward, have observed the ties
That bind the perishable hours of life
Each to the other, and the curious props
By which the world of memory and thought
Exists and is sustained. More lofty themes, 465
Such as at least do wear a prouder face,
Solicit our regard; but when I think
Of these, I feel the imaginative power
Languish within me; even then it slept,
When, pressed by tragic sufferings, the heart 470
Was more than full; amid my sobs and tears
It slept, even in the pregnant season of youth.
For though I was most passionately moved
And yielded to all changes of the scene
With an obsequious promptness, yet the storm 475
Passed not beyond the suburbs of the mind;
Save when realities of act and mien,
The incarnation of the spirits that move
In harmony amid the Poet's world,
Rose to ideal grandeur, or, called forth 480
By power of contrast, made me recognise,
As at a glance, the things which I had shaped,
And yet not shaped, had seen and scarcely seen,
When, having closed the mighty Shakespeare's page,
I mused, and thought, and felt, in solitude. 485
Pass we from entertainments, that are such
Professedly, to others titled higher,
Yet, in the estimate of youth at least,
More near akin to those than names imply,--
I mean the brawls of lawyers in their courts 490
Before the ermined judge, or that great stage [X]
Where senators, tongue-favoured men, perform,
Admired and envied. Oh! the beating heart,
When one among the prime of these rose up,--
One, of whose name from childhood we had heard 495
Familiarly, a household term, like those,
The Bedfords, Glosters, Salsburys, of old
Whom the fifth Harry talks of. [Y] Silence! hush!
This is no trifler, no short-flighted wit,
No stammerer of a minute, painfully 500
Delivered. No! the Orator hath yoked
The Hours, like young Aurora, to his car:
Thrice welcome Presence!
how can patience e'er
Grow weary of attending on a track
That kindles with such glory! All are charmed, 505
Astonished; like a hero in romance,
He winds away his never-ending horn;
Words follow words, sense seems to follow sense:
What memory and what logic! till the strain
Transcendent, superhuman as it seemed, 510
Grows tedious even in a young man's ear.
Genius of Burke! forgive the pen seduced
By specious wonders, and too slow to tell
Of what the ingenuous, what bewildered men,
Beginning to mistrust their boastful guides, 515
And wise men, willing to grow wiser, caught,
Rapt auditors! from thy most eloquent tongue--
Now mute, for ever mute in the cold grave.
I see him,--old, but Vigorous in age,--
Stand like an oak whose stag-horn branches start 520
Out of its leafy brow, the more to awe
The younger brethren of the grove. But some--
While he forewarns, denounces, launches forth,
Against all systems built on abstract rights,
Keen ridicule; the majesty proclaims 525
Of Institutes and Laws, hallowed by time;
Declares the vital power of social ties
Endeared by Custom; and with high disdain,
Exploding upstart Theory, insists
Upon the allegiance to which men are born--530
Some--say at once a froward multitude--
Murmur (for truth is hated, where not loved)
As the winds fret within the AEolian cave,
Galled by their monarch's chain. The times were big
With ominous change, which, night by night, provoked 535
Keen struggles, and black clouds of passion raised;
But memorable moments intervened,
When Wisdom, like the Goddess from Jove's brain,
Broke forth in armour of resplendent words,
Startling the Synod. Could a youth, and one 540
In ancient story versed, whose breast had heaved
Under the weight of classic eloquence,
Sit, see, and hear, unthankful, uninspired?
Nor did the Pulpit's oratory fail
To achieve its higher triumph. Not unfelt 545
Were its admonishments, nor lightly heard
The awful truths delivered thence by tongues
Endowed with various power to search the soul;
Yet ostentation, domineering, oft
Poured forth harangues, how sadly out of place! --550
There have I seen a comely bachelor,
Fresh from a toilette of two hours, ascend
His rostrum, with seraphic glance look up,
And, in a tone elaborately low
Beginning, lead his voice through many a maze 555
A minuet course; and, winding up his mouth,
From time to time, into an orifice
Most delicate, a lurking eyelet, small,
And only not invisible, again
Open it out, diffusing thence a smile 560
Of rapt irradiation, exquisite.
Meanwhile the Evangelists, Isaiah, Job,
Moses, and he who penned, the other day,
The Death of Abel, [Z] Shakespeare, and the Bard
Whose genius spangled o'er a gloomy theme 565
With fancies thick as his inspiring stars, [a]
And Ossian (doubt not, 'tis the naked truth)
Summoned from streamy Morven [b]--each and all
Would, in their turns, lend ornaments and flowers
To entwine the crook of eloquence that helped 570
This pretty Shepherd, pride of all the plains,
To rule and guide his captivated flock.
I glance but at a few conspicuous marks,
Leaving a thousand others, that, in hall,
Court, theatre, conventicle, or shop, 575
In public room or private, park or street,
Each fondly reared on his own pedestal,
Looked out for admiration. Folly, vice,
Extravagance in gesture, mien, and dress,
And all the strife of singularity, 580
Lies to the ear, and lies to every sense--
Of these, and of the living shapes they wear,
There is no end.
And watchful, as a kitten when at play,
While winds are eddying round her, among straws 440
And rustling leaves. Enchanting age and sweet!
Romantic almost, looked at through a space,
How small, of intervening years! For then,
Though surely no mean progress had been made
In meditations holy and sublime, 445
Yet something of a girlish child-like gloss
Of novelty survived for scenes like these;
Enjoyment haply handed down from times
When at a country-playhouse, some rude barn
Tricked out for that proud use, if I perchance 450
Caught, on a summer evening through a chink
In the old wall, an unexpected glimpse
Of daylight, the bare thought of where I was
Gladdened me more than if I had been led
Into a dazzling cavern of romance, 455
Crowded with Genii busy among works
Not to be looked at by the common sun.
The matter that detains us now may seem,
To many, neither dignified enough
Nor arduous, yet will not be scorned by them, 460
Who, looking inward, have observed the ties
That bind the perishable hours of life
Each to the other, and the curious props
By which the world of memory and thought
Exists and is sustained. More lofty themes, 465
Such as at least do wear a prouder face,
Solicit our regard; but when I think
Of these, I feel the imaginative power
Languish within me; even then it slept,
When, pressed by tragic sufferings, the heart 470
Was more than full; amid my sobs and tears
It slept, even in the pregnant season of youth.
For though I was most passionately moved
And yielded to all changes of the scene
With an obsequious promptness, yet the storm 475
Passed not beyond the suburbs of the mind;
Save when realities of act and mien,
The incarnation of the spirits that move
In harmony amid the Poet's world,
Rose to ideal grandeur, or, called forth 480
By power of contrast, made me recognise,
As at a glance, the things which I had shaped,
And yet not shaped, had seen and scarcely seen,
When, having closed the mighty Shakespeare's page,
I mused, and thought, and felt, in solitude. 485
Pass we from entertainments, that are such
Professedly, to others titled higher,
Yet, in the estimate of youth at least,
More near akin to those than names imply,--
I mean the brawls of lawyers in their courts 490
Before the ermined judge, or that great stage [X]
Where senators, tongue-favoured men, perform,
Admired and envied. Oh! the beating heart,
When one among the prime of these rose up,--
One, of whose name from childhood we had heard 495
Familiarly, a household term, like those,
The Bedfords, Glosters, Salsburys, of old
Whom the fifth Harry talks of. [Y] Silence! hush!
This is no trifler, no short-flighted wit,
No stammerer of a minute, painfully 500
Delivered. No! the Orator hath yoked
The Hours, like young Aurora, to his car:
Thrice welcome Presence!
how can patience e'er
Grow weary of attending on a track
That kindles with such glory! All are charmed, 505
Astonished; like a hero in romance,
He winds away his never-ending horn;
Words follow words, sense seems to follow sense:
What memory and what logic! till the strain
Transcendent, superhuman as it seemed, 510
Grows tedious even in a young man's ear.
Genius of Burke! forgive the pen seduced
By specious wonders, and too slow to tell
Of what the ingenuous, what bewildered men,
Beginning to mistrust their boastful guides, 515
And wise men, willing to grow wiser, caught,
Rapt auditors! from thy most eloquent tongue--
Now mute, for ever mute in the cold grave.
I see him,--old, but Vigorous in age,--
Stand like an oak whose stag-horn branches start 520
Out of its leafy brow, the more to awe
The younger brethren of the grove. But some--
While he forewarns, denounces, launches forth,
Against all systems built on abstract rights,
Keen ridicule; the majesty proclaims 525
Of Institutes and Laws, hallowed by time;
Declares the vital power of social ties
Endeared by Custom; and with high disdain,
Exploding upstart Theory, insists
Upon the allegiance to which men are born--530
Some--say at once a froward multitude--
Murmur (for truth is hated, where not loved)
As the winds fret within the AEolian cave,
Galled by their monarch's chain. The times were big
With ominous change, which, night by night, provoked 535
Keen struggles, and black clouds of passion raised;
But memorable moments intervened,
When Wisdom, like the Goddess from Jove's brain,
Broke forth in armour of resplendent words,
Startling the Synod. Could a youth, and one 540
In ancient story versed, whose breast had heaved
Under the weight of classic eloquence,
Sit, see, and hear, unthankful, uninspired?
Nor did the Pulpit's oratory fail
To achieve its higher triumph. Not unfelt 545
Were its admonishments, nor lightly heard
The awful truths delivered thence by tongues
Endowed with various power to search the soul;
Yet ostentation, domineering, oft
Poured forth harangues, how sadly out of place! --550
There have I seen a comely bachelor,
Fresh from a toilette of two hours, ascend
His rostrum, with seraphic glance look up,
And, in a tone elaborately low
Beginning, lead his voice through many a maze 555
A minuet course; and, winding up his mouth,
From time to time, into an orifice
Most delicate, a lurking eyelet, small,
And only not invisible, again
Open it out, diffusing thence a smile 560
Of rapt irradiation, exquisite.
Meanwhile the Evangelists, Isaiah, Job,
Moses, and he who penned, the other day,
The Death of Abel, [Z] Shakespeare, and the Bard
Whose genius spangled o'er a gloomy theme 565
With fancies thick as his inspiring stars, [a]
And Ossian (doubt not, 'tis the naked truth)
Summoned from streamy Morven [b]--each and all
Would, in their turns, lend ornaments and flowers
To entwine the crook of eloquence that helped 570
This pretty Shepherd, pride of all the plains,
To rule and guide his captivated flock.
I glance but at a few conspicuous marks,
Leaving a thousand others, that, in hall,
Court, theatre, conventicle, or shop, 575
In public room or private, park or street,
Each fondly reared on his own pedestal,
Looked out for admiration. Folly, vice,
Extravagance in gesture, mien, and dress,
And all the strife of singularity, 580
Lies to the ear, and lies to every sense--
Of these, and of the living shapes they wear,
There is no end.