A chamber that is like a reverie; a chamber truly _spiritual_, where the
stagnant atmosphere is lightly touched with rose and blue.
stagnant atmosphere is lightly touched with rose and blue.
Baudelaire - Poems and Prose Poems
One had said that the
approach of land only exasperated their sufferings. "When, then," they
said, "shall we cease to sleep a sleep broken by the surge, troubled by
a wind that snores louder than we? When shall we be able to eat at an
unmoving table? "
There were those who thought of their own firesides, who regretted their
sullen, faithless wives, and their noisy progeny. All so doted upon the
image of the absent land, that I believe they would have eaten grass
with as much enthusiasm as the beasts.
At length a coast was signalled, and on approaching we saw a magnificent
and dazzling land. It seemed as though the music of life flowed
therefrom in a vague murmur; and the banks, rich with all kinds of
growths, breathed, for leagues around, a delicious odour of flowers and
fruits.
Each one therefore was joyful; his evil humour left him. Quarrels were
forgotten, reciprocal wrongs forgiven, the thought of duels was blotted
out of the memory, and rancour fled away like smoke.
I alone was sad, inconceivably sad. Like a priest from whom one has torn
his divinity, I could not, without heartbreaking bitterness, leave this
so monstrously seductive ocean, this sea so infinitely various in its
terrifying simplicity, which seemed to contain in itself and represent
by its joys, and attractions, and angers, and smiles, the moods and
agonies and ecstasies of all souls that have lived, that live, and that
shall yet live.
In saying good-bye to this incomparable beauty I felt as though I had
been smitten to death; and that is why when each of my companions said:
"At last! " I could only cry "_Already! _"
Here meanwhile was the land, the land with its noises, its passions, its
commodities, its festivals: a land rich and magnificent, full of
promises, that sent to us a mysterious perfume of rose and musk, and
from whence the music of life flowed in an amorous murmuring.
THE DOUBLE CHAMBER.
A chamber that is like a reverie; a chamber truly _spiritual_, where the
stagnant atmosphere is lightly touched with rose and blue.
There the soul bathes itself in indolence made odorous with regret and
desire. There is some sense of the twilight, of things tinged with blue
and rose: a dream of delight during an eclipse. The shape of the
furniture is elongated, low, languishing; one would think it endowed
with the somnambulistic vitality of plants and minerals.
The tapestries speak an inarticulate language, like the flowers, the
skies, the dropping suns.
There are no artistic abominations upon the walls. Compared with the
pure dream, with an impression unanalysed, definite art, positive art,
is a blasphemy. Here all has the sufficing lucidity and the delicious
obscurity of music.
An infinitesimal odour of the most exquisite choice, mingled with a
floating humidity, swims in this atmosphere where the drowsing spirit is
lulled by the sensations one feels in a hothouse.
The abundant muslin flows before the windows and the couch, and spreads
out in snowy cascades. Upon the couch lies the Idol, ruler of my dreams.
But why is she here? --who has brought her? --what magical power has
installed her upon this throne of delight and reverie? What matter--she
is there; and I recognise her.
These indeed are the eyes whose flame pierces the twilight; the subtle
and terrible mirrors that I recognise by their horrifying malice.
approach of land only exasperated their sufferings. "When, then," they
said, "shall we cease to sleep a sleep broken by the surge, troubled by
a wind that snores louder than we? When shall we be able to eat at an
unmoving table? "
There were those who thought of their own firesides, who regretted their
sullen, faithless wives, and their noisy progeny. All so doted upon the
image of the absent land, that I believe they would have eaten grass
with as much enthusiasm as the beasts.
At length a coast was signalled, and on approaching we saw a magnificent
and dazzling land. It seemed as though the music of life flowed
therefrom in a vague murmur; and the banks, rich with all kinds of
growths, breathed, for leagues around, a delicious odour of flowers and
fruits.
Each one therefore was joyful; his evil humour left him. Quarrels were
forgotten, reciprocal wrongs forgiven, the thought of duels was blotted
out of the memory, and rancour fled away like smoke.
I alone was sad, inconceivably sad. Like a priest from whom one has torn
his divinity, I could not, without heartbreaking bitterness, leave this
so monstrously seductive ocean, this sea so infinitely various in its
terrifying simplicity, which seemed to contain in itself and represent
by its joys, and attractions, and angers, and smiles, the moods and
agonies and ecstasies of all souls that have lived, that live, and that
shall yet live.
In saying good-bye to this incomparable beauty I felt as though I had
been smitten to death; and that is why when each of my companions said:
"At last! " I could only cry "_Already! _"
Here meanwhile was the land, the land with its noises, its passions, its
commodities, its festivals: a land rich and magnificent, full of
promises, that sent to us a mysterious perfume of rose and musk, and
from whence the music of life flowed in an amorous murmuring.
THE DOUBLE CHAMBER.
A chamber that is like a reverie; a chamber truly _spiritual_, where the
stagnant atmosphere is lightly touched with rose and blue.
There the soul bathes itself in indolence made odorous with regret and
desire. There is some sense of the twilight, of things tinged with blue
and rose: a dream of delight during an eclipse. The shape of the
furniture is elongated, low, languishing; one would think it endowed
with the somnambulistic vitality of plants and minerals.
The tapestries speak an inarticulate language, like the flowers, the
skies, the dropping suns.
There are no artistic abominations upon the walls. Compared with the
pure dream, with an impression unanalysed, definite art, positive art,
is a blasphemy. Here all has the sufficing lucidity and the delicious
obscurity of music.
An infinitesimal odour of the most exquisite choice, mingled with a
floating humidity, swims in this atmosphere where the drowsing spirit is
lulled by the sensations one feels in a hothouse.
The abundant muslin flows before the windows and the couch, and spreads
out in snowy cascades. Upon the couch lies the Idol, ruler of my dreams.
But why is she here? --who has brought her? --what magical power has
installed her upon this throne of delight and reverie? What matter--she
is there; and I recognise her.
These indeed are the eyes whose flame pierces the twilight; the subtle
and terrible mirrors that I recognise by their horrifying malice.
