No More Learning

In the recesses what hath stirred
Of a heart cold and cynical?
Vexation? Vanity? or strove
Again the plague of boyhood--love?

XXII

The hours once more Oneguine counts,
Impatient waits the close of day,
But ten strikes and his sledge he mounts
And gallops to her house away.
Trembling he seeks the young princess--
Tattiana finds in loneliness.
Together moments one or two
They sat, but conversation's flow
Deserted Eugene. He, distraught,
Sits by her gloomily, desponds,
Scarce to her questions he responds,
Full of exasperating thought.
He fixedly upon her stares--
She calm and unconcerned appears.

XXIII

The husband comes and interferes
With this unpleasant _tete-a-tete_,
With Eugene pranks of former years
And jests doth recapitulate.
They talked and laughed. The guests arrived.
The conversation was revived
By the coarse wit of worldly hate;
But round the hostess scintillate
Light sallies without coxcombry,
Awhile sound conversation seems
To banish far unworthy themes
And platitudes and pedantry,
And never was the ear affright
By liberties or loose or light.

XXIV

And yet the city's flower was there,
Noblesse and models of the mode,
Faces which we meet everywhere
And necessary fools allowed.
Behold the dames who once were fine
With roses, caps and looks malign;
Some marriageable maids behold,
Blank, unapproachable and cold.
Lo, the ambassador who speaks
Economy political,
And with gray hair ambrosial
The old man who has had his freaks,
Renowned for his acumen, wit,
But now ridiculous a bit.

XXV

Behold Sabouroff, whom the age
For baseness of the spirit scorns,
Saint Priest, who every album's page
With blunted pencil-point adorns.
Another tribune of the ball
Hung like a print against the wall,
Pink as Palm Sunday cherubim,(84)
Motionless, mute, tight-laced and trim.
The traveller, bird of passage he,
Stiff, overstarched and insolent,
Awakens secret merriment
By his embarrassed dignity--
Mute glances interchanged aside
Meet punishment for him provide.

[Note 84: On Palm Sunday the Russians carry branches, or used to
do so. These branches were adorned with little painted pictures
of cherubs with the ruddy complexions of tradition. Hence the
comparison. ]

XXVI

But my Oneguine the whole eve
Within his mind Tattiana bore,
Not the young timid maid, believe,
Enamoured, simple-minded, poor,
But the indifferent princess,
Divinity without access
Of the imperial Neva's shore.
O Men, how very like ye are
To Eve the universal mother,
Possession hath no power to please,
The serpent to unlawful trees
Aye bids ye in some way or other--
Unless forbidden fruit we eat,
Our paradise is no more sweet.

XXVII

Ah! how Tattiana was transformed,
How thoroughly her part she took!
How soon to habits she conformed
Which crushing dignity must brook!
Who would the maiden innocent
In the unmoved, magnificent
Autocrat of the drawing-room seek?
And he had made her heart beat quick!
'Twas he whom, amid nightly shades,
Whilst Morpheus his approach delays,
She mourned and to the moon would raise
The languid eye of love-sick maids,
Dreaming perchance in weal or woe
To end with him her path below.

XXVIII

To Love all ages lowly bend,
But the young unpolluted heart
His gusts should fertilize, amend,
As vernal storms the fields athwart.