No More Learning

_The Faerie Queene_, Books I, 1590 Shakespeare's _Love's
II, III, Labour's Lost_.
_Mother Hubberds Tale, Tears of 1591 Shakespeare's _Comedy of Errors,
the Muses, Ruines of Time, Henry VI_.
Daphnaida, The Visions_ 1591 Ariosto's _Orlando Furioso_, trans.
1593 Shakespeare's _Midsummer
Night's Dream_.
1593 _Richard III. _
Second marriage, 1594 Shakespeare's _Richard II_.
_Colin Clout's Come Home Again_, 1595 Shakespeare's _King John_.
_Amoretti, Epithalamion, Hymns_ 1595 Johnston's _Seven Champions
of Christendom. _
_Astrophel, Prothalamion,_ 1596 Shakespeare's _Merchant of Venice_.
_The Faerie Queene_, Books I-VI 1596 Ben Jonson's _Every Man in his
Humour. _
_Vision of the Present State of 1598 Edict of Nantes,
Ireland_ Philip III crowned.
Death of Spenser, 1599 Revolt of Irish. Expedition
of Essex to Ireland.


* * * * *

THE FAERIE QUEENE

* * * * *

LETTER TO SIR WALTER RALEIGH

A LETTER of the Authors expounding his whole intention in the course of
this worke;[1] which, for that it giveth great light to the reader, for the
better understanding is hereunto annexed.

TO THE RIGHT NOBLE AND VALOROUS

SIR WALTER RALEIGH, KNIGHT.
_Lo: Wardein of the Stanneries, and her majesties lieutenaunt of the
countie of Cornewayll. _

SIR,

Knowing how doubtfully all Allegories may be constructed, and this booke of
mine, which I have entituled _The Faery Queene_, being a continued
Allegorie, or darke conceit, I have thought good, as well for avoyding of
jealous opinions and misconstructions, as also for your better light in
reading thereof, (being so, by you commanded) to discover unto you the
generall intention and meaning, which in the whole course thereof I have
fashioned, without expressing of any particular purposes, or by-accidents
therein occasioned. The generall end therefore of all the booke, is to
fashion a gentleman or noble person in vertuous and gentle discipline.
Which for that I conceived shoulde be most plausible and pleasing, beeing
coloured with an historicall fiction, the which the most part of men
delight to read, rather for varietie of matter than for profit of the
ensample: I chose the historie of king Arthure, as most fit for the
excellencie of his person, beeing made famous by many mens former workes,
and also furthest from the danger of envie, and suspicion of present time.
In which I have followed all the antique poets historicall: first Homer,
who in the persons of Agamemnon and Ulysses hath ensampled a good governour
and a vertuous man, the one in his _Ilias_, the other in his _Odysseis_:
then Virgil, whose like intention was to doe in the person of _AEneas_:
after him Ariosto comprised them both in his _Orlando_: and lately Tasso
dissevered them againe, and formed both parts in two persons, namely, that
part which they in philosophy call _Ethice_, or vertues of a private man,
coloured in his _Rinaldo_: the other named _Politice_, in his _Godfredo_.
By ensample of which excellent Poets, I laboure to pourtraict in Arthure,
before he was king, the image of a brave knight, perfected in the twelve
private morall vertues, as Aristotle hath devised: which if I find to be
well accepted, I may be perhaps encoraged to frame the other part of
pollitike vertues in his person, after he came to bee king.

To some I know this Methode will seem displeasant, which had rather have
good discipline delivered plainly in way of precepts, or sermoned at large,
as they use, then thus clowdily enwrapped in Allegoricall devises. But
such, mee seeme, should be satisfied with the use of these dayes, seeing
all things accounted by their showes, and nothing esteemed of, that is not
delightfull and pleasing to common sense. For this cause is Xenophon
preferred before Plato, for that the one, in the exquisite depth of his
judgement, formed a Commune-wealth, such as it should be; but the other, in
the person of Cyrus and the Persians, fashioned a government, such as might
best be: So much more profitable and gracious is doctrine by ensample then
by rule. So have I laboured to do in the person of Arthure: whom I
conceive, after his long education by Timon (to whom he was by Merlin
delivered to be brought up, so soone as he was borne of the Lady Igrayne)
to have seen in a dreame or vision the Faerie Queene, with whose excellent
beautie ravished, hee awaking, resolved to seek her out: and so, being by
Merlin armed, and by Timon throughly instructed, he went to seeke her forth
in Faery land. In that Faery Queene I mean _Glory_ in my generall
intention: but in my particular I conceive the most excellent and glorious
person of our soveraine the Queene, and her kingdome in Faery land. And
yet, in some places else, I doe otherwise shadow her. For considering shee
beareth two persons, the one of a most royall Queene or Empresse, the other
of a most vertuous and beautifull lady, this latter part in some places I
doe expresse in Belphoebe, fashioning her name according to your owne
excellent conceipt of Cynthia,[2] (Phoebe and Cynthia being both names of
Diana). So in the person of Prince Arthure I sette forth magnificence in
particular, which vertue, for that (according to Aristotle and the rest) it
is the perfection of all the rest, and containeth in it them all, therefore
in the whole course I mention the deeds of Arthure appliable to the vertue,
which I write of in that booke. But of the twelve other vertues I make XII
other knights the patrons, for the more varietie of the historic: Of which
these three bookes containe three. The first, of the Knight of the Red
crosse, in whom I expresse Holinesse: the second of Sir Guyon, in whome I
set foorth Temperance: the third of Britomartis, a Lady knight, in whom I
picture Chastitie.