[332] Shafts aimed at certain poets, who used their renown as a means of
seducing young men to grant them pederastic favours.
seducing young men to grant them pederastic favours.
Aristophanes
C.
, the first year of the war, at the age of
ninety-seven.
[325] Opora was the goddess of fruits.
[326] The Scholiast says fruit may be eaten with impunity in great
quantities if care is taken to drink a decoction of this herb afterwards.
[327] Theoria is confided to the care of the Senate, because it was this
body who named the [Greek: The_orhoi], deputies appointed to go and
consult the oracles beyond the Attic borders or to be present at feasts
and games.
[328] The great festivals, e. g. the Dionysia, lasted three days. Those in
honour of the return of Peace, which was so much desired, could not last
a shorter time.
[329] In spite of what he says, Aristophanes has not always disdained
this sort of low comedy--for instance, his Heracles in 'The Birds. '
[330] A celebrated Athenian courtesan of Aristophanes' day.
[331] Cleon. These four verses are here repeated from the parabasis of
'The Wasps,' produced 423 B. C. , the year before this play.
[332] Shafts aimed at certain poets, who used their renown as a means of
seducing young men to grant them pederastic favours.
[333] The poet supplied everything needful for the production of his
piece--vases, dresses, masks, etc.
[334] Aristophanes was bald himself, it would seem.
[335] Carcinus and his three sons were both poets and dancers. (_See_ the
closing scene of 'The Wasps. ') Perhaps relying little on the literary
value of their work, it seems that they sought to please the people by
the magnificence of its staging.
[336] He had written a piece called 'The Mice,' which he succeeded with
great difficulty in getting played, but it met with no success.
[337] This passage really follows on the invocation, "_Oh, Muse! drive
the War_," etc. , from which indeed it is only divided by the interpolated
criticism aimed at Carcinus.
[338] The Scholiast informs us that these verses are borrowed from a poet
of the sixth century B. C.
[339] Sons of Philocles, of the family of Aeschylus, tragic writers,
derided by Aristophanes as bad poets and notorious gluttons.
[340] The Gorgons were represented with great teeth, and therefore the
same name was given to gluttons. The Harpies, to whom the two voracious
poets are also compared, were monsters with the face of a woman, the body
of a vulture and hooked beak and claws.
[341] A tragic and dithyrambic poet, who had written many pieces, which
had met with great success at Athens.
ninety-seven.
[325] Opora was the goddess of fruits.
[326] The Scholiast says fruit may be eaten with impunity in great
quantities if care is taken to drink a decoction of this herb afterwards.
[327] Theoria is confided to the care of the Senate, because it was this
body who named the [Greek: The_orhoi], deputies appointed to go and
consult the oracles beyond the Attic borders or to be present at feasts
and games.
[328] The great festivals, e. g. the Dionysia, lasted three days. Those in
honour of the return of Peace, which was so much desired, could not last
a shorter time.
[329] In spite of what he says, Aristophanes has not always disdained
this sort of low comedy--for instance, his Heracles in 'The Birds. '
[330] A celebrated Athenian courtesan of Aristophanes' day.
[331] Cleon. These four verses are here repeated from the parabasis of
'The Wasps,' produced 423 B. C. , the year before this play.
[332] Shafts aimed at certain poets, who used their renown as a means of
seducing young men to grant them pederastic favours.
[333] The poet supplied everything needful for the production of his
piece--vases, dresses, masks, etc.
[334] Aristophanes was bald himself, it would seem.
[335] Carcinus and his three sons were both poets and dancers. (_See_ the
closing scene of 'The Wasps. ') Perhaps relying little on the literary
value of their work, it seems that they sought to please the people by
the magnificence of its staging.
[336] He had written a piece called 'The Mice,' which he succeeded with
great difficulty in getting played, but it met with no success.
[337] This passage really follows on the invocation, "_Oh, Muse! drive
the War_," etc. , from which indeed it is only divided by the interpolated
criticism aimed at Carcinus.
[338] The Scholiast informs us that these verses are borrowed from a poet
of the sixth century B. C.
[339] Sons of Philocles, of the family of Aeschylus, tragic writers,
derided by Aristophanes as bad poets and notorious gluttons.
[340] The Gorgons were represented with great teeth, and therefore the
same name was given to gluttons. The Harpies, to whom the two voracious
poets are also compared, were monsters with the face of a woman, the body
of a vulture and hooked beak and claws.
[341] A tragic and dithyrambic poet, who had written many pieces, which
had met with great success at Athens.
