No More Learning

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Quiet as a grave beneath a spire
I lie and watch the pointed climbing fire,
I lie and watch the smoky weather-cock
That climbs too high, and bends to the breeze's shock,
And breaks, and dances off across the skies
Gay as a flurry of blue butterflies.

But presently the evening shadows in,
Heralded by the night-jar's solitary din
And the quick bat's squeak among the trees;
--Who sudden rises, darting across the air
To weave her filmy web in the Sun's bright hair
That slowly sinks dejected on his knees. . . .

Now is he vanished: the bewildered skies
Flame out a desperate and last surmise;
Then yield to Night, their sudden conqueror.

From pole to pole the shadow of the world
Creeps over heaven, till itself is lit
By the very many stars that wake in it:
Sleep, like a messenger of great import,
Lays quiet and compelling hands athwart
The easy idlenesses of my mind.
--There is a breeze above me, and around:
There is a fire before me, and behind:
But Sleep doth hold me, and I hear no sound.

In the far West the clouds are mustering,
Without hurry, noise, or blustering:
And soon as Body's nightly Sentinel
Himself doth nod, I open furtive eyes. . . .

With darkling hook the Farmer of the Skies
Goes reaping stars: they flicker, one by one,
Nodding a little; tumble,--and are gone.



POETS, PAINTERS, PUDDINGS

Poets, painters, and puddings; these three
Make up the World as it ought to be.

Poets make faces
And sudden grimaces:
They twit you, and spit you
On words: then admit you
To heaven or hell
By the tales that they tell.
Painters are gay
As young rabbits in May:
They buy jolly mugs,
Bowls, pictures, and jugs:
The things round their necks
Are lively with checks,
(For they like something red
As a frame for the head):
Or they'll curse you with oaths,
That tear holes in your clothes.
(With nothing to mend them
You'd best not offend them. )

Puddings should be
Full of currants, for me:
Boiled in a pail,
Tied in the tail
Of an old bleached shirt:
So hot that they hurt,
So huge that they last
From the dim, distant past
Until the crack o' doom
Lift the roof off the room.

Poets, painters, and puddings; these three
Crown the day as it crowned should be.





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WILLIAM KERR



IN MEMORIAM D. O. M.

Chestnut candles are lit again
For the dead that died in spring:
Dead lovers walk the orchard ways,
And the dead cuckoos sing.

Is it they who live and we who are dead?
Hardly the springtime knows
For which today the cuckoo calls,
And the white blossom blows.

Listen and hear the happy wind
Whisper and lightly pass:
'Your love is sweet as hawthorn is,
Your hope green as the grass.

'The hawthorn's faint and quickly gone,
The grass in autumn dies;
Put by your life, and see the spring
With everlasting eyes. '



PAST AND PRESENT

Daisies are over Nyren, and Hambledon
Hardly remembers any summer gone:
And never again the Kentish elms shall see
Mynn, or Fuller Pilch, or Colin Blythe.
--Nor shall I see them, unless perhaps a ghost
Watching the elder ghosts beyond the moon.
But here in common sunshine I have seen
George Hirst, not yet a ghost, substantial,
His off-drives mellow as brown ale, and crisp
Merry late cuts, and brave Chaucerian pulls;
Waddington's fury and the patience of Dipper;
And twenty easy artful overs of Rhodes,
So many stanzas of the Faerie Queen.



THE AUDIT

Mere living wears the most of life away:
Even the lilies take thought for many things,
For frost in April and for drought in May,
And from no careless heart the skylark sings.