No More Learning

"

"The chains are for the purpose of increasing the confusion by their
jangling. You are supposed to have escaped, en masse, from your keepers.
Your majesty cannot conceive the effect produced, at a masquerade, by
eight chained ourang-outangs, imagined to be real ones by most of the
company; and rushing in with savage cries, among the crowd of delicately
and gorgeously habited men and women. The contrast is inimitable! "

"It must be," said the king: and the council arose hurriedly (as it was
growing late), to put in execution the scheme of Hop-Frog.

His mode of equipping the party as ourang-outangs was very simple, but
effective enough for his purposes. The animals in question had, at the
epoch of my story, very rarely been seen in any part of the civilized
world; and as the imitations made by the dwarf were sufficiently
beast-like and more than sufficiently hideous, their truthfulness to
nature was thus thought to be secured.

The king and his ministers were first encased in tight-fitting stockinet
shirts and drawers. They were then saturated with tar. At this stage
of the process, some one of the party suggested feathers; but the
suggestion was at once overruled by the dwarf, who soon convinced the
eight, by ocular demonstration, that the hair of such a brute as the
ourang-outang was much more efficiently represented by flu. A thick
coating of the latter was accordingly plastered upon the coating of tar.
A long chain was now procured. First, it was passed about the waist of
the king, and tied, then about another of the party, and also tied;
then about all successively, in the same manner. When this chaining
arrangement was complete, and the party stood as far apart from each
other as possible, they formed a circle; and to make all things appear
natural, Hop-Frog passed the residue of the chain in two diameters,
at right angles, across the circle, after the fashion adopted, at the
present day, by those who capture Chimpanzees, or other large apes, in
Borneo.

The grand saloon in which the masquerade was to take place, was a
circular room, very lofty, and receiving the light of the sun only
through a single window at top.
At night (the season for which the
apartment was especially designed) it was illuminated principally by a
large chandelier, depending by a chain from the centre of the sky-light,
and lowered, or elevated, by means of a counter-balance as usual; but
(in order not to look unsightly) this latter passed outside the cupola
and over the roof.

The arrangements of the room had been left to Trippetta's
superintendence; but, in some particulars, it seems, she had been guided
by the calmer judgment of her friend the dwarf. At his suggestion it was
that, on this occasion, the chandelier was removed. Its waxen drippings
(which, in weather so warm, it was quite impossible to prevent) would
have been seriously detrimental to the rich dresses of the guests, who,
on account of the crowded state of the saloon, could not all be expected
to keep from out its centre; that is to say, from under the chandelier.
Additional sconces were set in various parts of the hall, out of the
war, and a flambeau, emitting sweet odor, was placed in the right hand
of each of the Caryaides [Caryatides] that stood against the wall--some
fifty or sixty altogether.

The eight ourang-outangs, taking Hop-Frog's advice, waited patiently
until midnight (when the room was thoroughly filled with masqueraders)
before making their appearance. No sooner had the clock ceased striking,
however, than they rushed, or rather rolled in, all together--for the
impediments of their chains caused most of the party to fall, and all to
stumble as they entered.

The excitement among the masqueraders was prodigious, and filled the
heart of the king with glee. As had been anticipated, there were not
a few of the guests who supposed the ferocious-looking creatures to be
beasts of some kind in reality, if not precisely ourang-outangs. Many
of the women swooned with affright; and had not the king taken the
precaution to exclude all weapons from the saloon, his party might soon
have expiated their frolic in their blood. As it was, a general rush
was made for the doors; but the king had ordered them to be locked
immediately upon his entrance; and, at the dwarf's suggestion, the keys
had been deposited with him.

While the tumult was at its height, and each masquerader attentive only
to his own safety (for, in fact, there was much real danger from the
pressure of the excited crowd), the chain by which the chandelier
ordinarily hung, and which had been drawn up on its removal, might have
been seen very gradually to descend, until its hooked extremity came
within three feet of the floor.

Soon after this, the king and his seven friends having reeled about the
hall in all directions, found themselves, at length, in its centre, and,
of course, in immediate contact with the chain. While they were thus
situated, the dwarf, who had followed noiselessly at their heels,
inciting them to keep up the commotion, took hold of their own chain
at the intersection of the two portions which crossed the circle
diametrically and at right angles. Here, with the rapidity of thought,
he inserted the hook from which the chandelier had been wont to depend;
and, in an instant, by some unseen agency, the chandelier-chain was
drawn so far upward as to take the hook out of reach, and, as an
inevitable consequence, to drag the ourang-outangs together in close
connection, and face to face.

The masqueraders, by this time, had recovered, in some measure,
from their alarm; and, beginning to regard the whole matter as a
well-contrived pleasantry, set up a loud shout of laughter at the
predicament of the apes.