Trapeziums Rhombs
Rhomboids
Paralellograms.
Blake - Zoas
' Also according to Erdman, it was later that Blake added the numbers 1 [at insertion point], 2 [at the head of these new lines], and 3 [at the head of the section beginning 'travelling in silent majesty.
.
.
'] to confirm this as a final order.
EJC}
Travelling in silent majesty along their orderd ways
In right lined paths outmeasurd by proportions of weight & measure number weight
And measure. mathematic motion wondrous. along the deep
In fiery pyramid. or Cube. or unornamented pillar square
Of fire far shining. travelling along even to its destind end
Then falling down. a terrible space recovring in winter dire
Its wasted strength. it back returns upon a nether course
Till fired with ardour fresh recruited in its humble spring season
It rises up on high all summer till its wearied course
Turns into autumn. such the period of many worlds
Others triangular their right angled course maintain. others obtuse
Acute & oblong Scalene , in simple paths. but others move
In intricate ways biquadrate.
Trapeziums Rhombs Rhomboids Paralellograms. triple & quadruple. polygonic In their amazing fructifying hard subdued course in the vast deep
PAGE 34
And Los & Enitharmon were drawn down by their desires
Descending sweet upon the wind among soft harps & voices [Laughing and mocking ? Luvah breaking in the woes of Vala] {Erdman suggests that 'breaking' is a word from an unrelated layer of ms, and 'woes of Vala' as previously misrecognised in Ellis' transcription as 'womb of Vala' EJC}
[But soon ? he ? formd the lovely limbs of Enitharmon XXX & to lamentation of Enion ? answer for fear]
[XXX for vindication of Urizens word] [Thy name is familiar XXX] {These 2 partially recovered erased pencil lines are discerned by Erdman beneath line 3. This group of erased lines, which appeared in pencil under lines 2-4 and, partially obscured by a note by Ellis, in the right margin, are written here with Erdman's suppositions and unrecoverable sections so marked EJC}
To plant divisions in the Soul of Urizen & Ahania
To conduct the Voice of Enion to Ahanias midnight pillow
Urizen saw & envied & his imagination was filled
Repining he contemplated the past in his bright sphere
Terrified with his heart & spirit at the visions of futurity
That his dread fancy formd before him in the unformd void
For Now Los & Enitharmon walkd forth on the dewy Earth
Contracting or expanding their all flexible senses
At will to murmur in the flowers small as the honey bee
At will to stretch across the heavens & step from star to star
Or standing on the Earth erect, or on the stormy waves
Driving the storms before them or delighting in sunny beams
While round their heads the Elemental Gods kept harmony
Thus livd Los driving Enion far into the deathful infinite {According to Erdman, there is some partially recoverable erased material written above this line and in the margin: '? From ? Ahanias woe all XXX XXX only wrath & Envy follows in XXX their fXXXds / Urizen saw and aXXX. ' EJC}
That he may also draw Ahania's spirit into her Vortex {This line appears to have been inserted between 2 previously written lines EJC}
Ah happy blindness [she] Enion sees not the terrors of the uncertain
And oft thus she wails from the dark deep, the golden heavens tremble {Of the 100 lines that make up p. 34, only 19 comprise the standard text block; the rest are marginal additions, with 2 sizeable columns at the foot of the page, a 5-line stanza written up the lower righthand side of the page, and 2 additional larger stanzas appearing in the lefthand margin. Although Erdman does not address this issue in his notes, he does make some silent decisions regarding the order of the text, the most significant being his placement of this 4-line stanza at the very end of his transcription of p. 34. Given his lack of explanation, this in particular would seem somewhat arbitrary; although there do appear to be some markings on the page which could be suggestions for the re-ordering of the material, these do not seem conclusive enough to justify this silent alteration to the text as it appears in the Erdman edition. Instead, the text is shown here in the order in which it appears on the page; in agreement with Erdman, the marginal material seems to flow most logically as the bottom of the page, moving to the stanza in the right margin and then concluding with the material in the left margin EJC}
And Los said.
Travelling in silent majesty along their orderd ways
In right lined paths outmeasurd by proportions of weight & measure number weight
And measure. mathematic motion wondrous. along the deep
In fiery pyramid. or Cube. or unornamented pillar square
Of fire far shining. travelling along even to its destind end
Then falling down. a terrible space recovring in winter dire
Its wasted strength. it back returns upon a nether course
Till fired with ardour fresh recruited in its humble spring season
It rises up on high all summer till its wearied course
Turns into autumn. such the period of many worlds
Others triangular their right angled course maintain. others obtuse
Acute & oblong Scalene , in simple paths. but others move
In intricate ways biquadrate.
Trapeziums Rhombs Rhomboids Paralellograms. triple & quadruple. polygonic In their amazing fructifying hard subdued course in the vast deep
PAGE 34
And Los & Enitharmon were drawn down by their desires
Descending sweet upon the wind among soft harps & voices [Laughing and mocking ? Luvah breaking in the woes of Vala] {Erdman suggests that 'breaking' is a word from an unrelated layer of ms, and 'woes of Vala' as previously misrecognised in Ellis' transcription as 'womb of Vala' EJC}
[But soon ? he ? formd the lovely limbs of Enitharmon XXX & to lamentation of Enion ? answer for fear]
[XXX for vindication of Urizens word] [Thy name is familiar XXX] {These 2 partially recovered erased pencil lines are discerned by Erdman beneath line 3. This group of erased lines, which appeared in pencil under lines 2-4 and, partially obscured by a note by Ellis, in the right margin, are written here with Erdman's suppositions and unrecoverable sections so marked EJC}
To plant divisions in the Soul of Urizen & Ahania
To conduct the Voice of Enion to Ahanias midnight pillow
Urizen saw & envied & his imagination was filled
Repining he contemplated the past in his bright sphere
Terrified with his heart & spirit at the visions of futurity
That his dread fancy formd before him in the unformd void
For Now Los & Enitharmon walkd forth on the dewy Earth
Contracting or expanding their all flexible senses
At will to murmur in the flowers small as the honey bee
At will to stretch across the heavens & step from star to star
Or standing on the Earth erect, or on the stormy waves
Driving the storms before them or delighting in sunny beams
While round their heads the Elemental Gods kept harmony
Thus livd Los driving Enion far into the deathful infinite {According to Erdman, there is some partially recoverable erased material written above this line and in the margin: '? From ? Ahanias woe all XXX XXX only wrath & Envy follows in XXX their fXXXds / Urizen saw and aXXX. ' EJC}
That he may also draw Ahania's spirit into her Vortex {This line appears to have been inserted between 2 previously written lines EJC}
Ah happy blindness [she] Enion sees not the terrors of the uncertain
And oft thus she wails from the dark deep, the golden heavens tremble {Of the 100 lines that make up p. 34, only 19 comprise the standard text block; the rest are marginal additions, with 2 sizeable columns at the foot of the page, a 5-line stanza written up the lower righthand side of the page, and 2 additional larger stanzas appearing in the lefthand margin. Although Erdman does not address this issue in his notes, he does make some silent decisions regarding the order of the text, the most significant being his placement of this 4-line stanza at the very end of his transcription of p. 34. Given his lack of explanation, this in particular would seem somewhat arbitrary; although there do appear to be some markings on the page which could be suggestions for the re-ordering of the material, these do not seem conclusive enough to justify this silent alteration to the text as it appears in the Erdman edition. Instead, the text is shown here in the order in which it appears on the page; in agreement with Erdman, the marginal material seems to flow most logically as the bottom of the page, moving to the stanza in the right margin and then concluding with the material in the left margin EJC}
And Los said.
