No More Learning

'Or, if to me you will not hark,
By Beaver Brook a thrush is ringing
Till all the alder-coverts dark
Seem sunshine-dappled with his singing.

'Come out beneath the unmastered sky,
With its emancipating spaces,
And learn to sing as well as I,
Without premeditated graces.

'What boot your many-volumed gains,
Those withered leaves forever turning,
To win, at best, for all your pains,
A nature mummy-wrapt to learning?


'The leaves wherein true wisdom lies
On living trees the sun are drinking;
Those white clouds, drowsing through the skies,
Grew not so beautiful by thinking.

'"Come out! " with me the oriole cries,
Escape the demon that pursues you:
And, hark, the cuckoo weather-wise,
Still hiding farther onward, wooes you. '

'Alas, dear friend, that, all my days,
Hast poured from that syringa thicket
The quaintly discontinuous lays
To which I hold a season-ticket.

'A season-ticket cheaply bought
With a dessert of pilfered berries,
And who so oft my soul hast caught
With morn and evening voluntaries,

'Deem me not faithless, if all day
Among my dusty books I linger,
No pipe, like thee, for June to play
With fancy-led, half-conscious finger.

'A bird is singing in my brain
And bubbling o'er with mingled fancies,
Gay, tragic, rapt, right heart of Spain
Fed with the sap of old romances.

'I ask no ampler skies than those
His magic music rears above me,
No falser friends, no truer foes,--
And does not Dona Clara love me?

'Cloaked shapes, a twanging of guitars,
A rush of feet, and rapiers clashing,
Then silence deep with breathless stars,
And overhead a white hand flashing.

'O music of all moods and climes,
Vengeful, forgiving, sensuous, saintly,
Where still, between the Christian chimes,
The Moorish cymbal tinkles faintly!

'O life borne lightly in the hand,
For friend or foe with grace Castilian!
O valley safe in Fancy's land,
Not tramped to mud yet by the million!

'Bird of to-day, thy songs are stale
To his, my singer of all weathers,
My Calderon, my nightingale,
My Arab soul in Spanish feathers.
'Ah, friend, these singers dead so long,
And still, God knows, in purgatory,
Give its best sweetness to all song,
To Nature's self her better glory. '



IN THE TWILIGHT

Men say the sullen instrument,
That, from the Master's bow,
With pangs of joy or woe,
Feels music's soul through every fibre sent,
Whispers the ravished strings
More than he knew or meant;
Old summers in its memory glow;
The secrets of the wind it sings;
It hears the April-loosened springs;
And mixes with its mood
All it dreamed when it stood
In the murmurous pine-wood
Long ago!

The magical moonlight then
Steeped every bough and cone;
The roar of the brook in the glen
Came dim from the distance blown;
The wind through its glooms sang low,
And it swayed to and fro
With delight as it stood,
In the wonderful wood,
Long ago!

O my life, have we not had seasons
That only said, Live and rejoice?
That asked not for causes and reasons,
But made us all feeling and voice?
When we went with the winds in their blowing,
When Nature and we were peers,
And we seemed to share in the flowing
Of the inexhaustible years?
Have we not from the earth drawn juices
Too fine for earth's sordid uses?
Have I heard, have I seen
All I feel, all I know?
Doth my heart overween?
Or could it have been
Long ago?

Sometimes a breath floats by me,
An odor from Dreamland sent.
That makes the ghost seem nigh me
Of a splendor that came and went,
Of a life lived somewhere, I know not
In what diviner sphere,
Of memories that stay not and go not,
Like music heard once by an ear
That cannot forget or reclaim it,
A something so shy, it would shame it
To make it a show,
A something too vague, could I name it,
For others to know,
As if I had lived it or dreamed it,
As if I had acted or schemed it,
Long ago!

And yet, could I live it over,
This life that stirs in my brain,
Could I be both maiden and lover.
Moon and tide, bee and clover,
As I seem to have been, once again,
Could I but speak it and show it,
This pleasure more sharp than pain,
That baffles and lures me so,
The world should once more have a poet,
Such as it had
In the ages glad,
Long ago!



THE FOOT-PATH

It mounts athwart the windy hill
Through sallow slopes of upland bare,
And Fancy climbs with foot-fall still
Its narrowing curves that end in air.

By day, a warmer-hearted blue
Stoops softly to that topmost swell;
Its thread-like windings seem a clue
To gracious climes where all is well.