Nothing that I ever saw in
Nature left a more delightful impression on my mind than that which I
have attempted, alas, how feebly!
Nature left a more delightful impression on my mind than that which I
have attempted, alas, how feebly!
Wordsworth - 1
ROBERT JONES, FELLOW OF ST.
JOHN'S COLLEGE, CAMBRIDGE
DEAR SIR, [B]--However desirous I might have been of giving you proofs
of the high place you hold in my esteem, I should have been cautious
of wounding your delicacy by thus publicly addressing you, had not the
circumstance of our having been companions among the Alps, seemed to
give this dedication a propriety sufficient to do away any scruples
which your modesty might otherwise have suggested. [C]
In inscribing this little work to you, I consult my heart. You know
well how great is the difference between two companions lolling in a
post-chaise, and two travellers plodding slowly along the road, side
by side, each with his little knapsack of necessaries upon his
shoulders. How much more of heart between the two latter!
I am happy in being conscious that I shall have one reader who will
approach the conclusion of these few pages with regret. You they must
certainly interest, in reminding you of moments to which you can
hardly look back without a pleasure not the less dear from a shade of
melancholy. You will meet with few images without recollecting the
spot where we observed them together; consequently, whatever is feeble
in my design, or spiritless in my colouring, will be amply supplied by
your own memory.
With still greater propriety I might have inscribed to you a
description of some of the features of your native mountains, through
which we have wandered together, in the same manner, with so much
pleasure. But the sea-sunsets, which give such splendour to the vale
of Clwyd, Snowdon, the chair of Idris, the quiet village of
Bethgelert, Menai and her Druids, the Alpine steeps of the Conway, and
the still more interesting windings of the wizard stream of the Dee,
remain yet untouched. Apprehensive that my pencil may never be
exercised on these subjects, I cannot let slip this opportunity of
thus publicly assuring you with how much affection and esteem
I am, dear Sir,
Most sincerely yours,
W. WORDSWORTH.
LONDON, 1793.
[Much the greatest part of this poem was composed during my walks upon
the banks of the Loire, in the years 1791, 1792. I will only notice
that the description of the valley filled with mist, beginning--'In
solemn shapes'--was taken from that beautiful region of which the
principal features are Lungarn and Sarnen.
Nothing that I ever saw in
Nature left a more delightful impression on my mind than that which I
have attempted, alas, how feebly! to convey to others in these lines.
Those two lakes have always interested me especially, from bearing in
their size and other features, a resemblance to those of the North of
England. It is much to be deplored that a district so beautiful should
be so unhealthy as it is. --I. F. ]
As the original text of the 'Descriptive Sketches' is printed in
Appendix I. (p. 309) to this volume--with all the notes to that edition
of 1793--it is not quoted in the footnotes to the final text in the
pages which follow, except in cases which will justify themselves.
Therefore the various readings which follow begin with the edition of
1815, which was, however, a mere fragment of the original text. Almost
the whole of the poem of 1793 was reproduced in 1820, but there were
many alterations of the text in that edition, and in those of 1827,
1832, 1836 and 1845. Wordsworth's own footnotes here reproduced are
those which he retained in the edition of 1849.
'Descriptive Sketches' was ranked among the "Juvenile Pieces" from 1815
onwards: but in 1836 it was put in a class by itself along with the
'Female Vagrant'. [D]--Ed.
'Happiness (if she had been to be found on earth) among the charms of
Nature--Pleasures of the pedestrian Traveller--Author crosses France to
the Alps--Present state of the Grande Chartreuse--Lake of Como--Time,
Sunset--Same Scene, Twilight--Same Scene, Morning; its voluptuous
Character; Old man and forest-cottage music--River Tusa--Via Mala and
Grison Gipsy--Sckellenen-thal--Lake of Uri--Stormy sunset--Chapel of
William Tell--Force of local emotion--Chamois-chaser--View of the higher
Alps--Manner of Life of a Swiss mountaineer, interspersed with views of
the higher Alps--Golden Age of the Alps--Life and views continued--Ranz
des Vaches, famous Swiss Air--Abbey of Einsiedlen and its
pilgrims--Valley of Chamouny--Mont Blanc--Slavery of Savoy--Influence of
liberty on cottage-happiness--France--Wish for the Extirpation of
slavery--Conclusion'.
* * * * *
THE POEM
Were there, below, a spot of holy ground
Where from distress a refuge might be found,
And solitude prepare the soul for heaven;
Sure, nature's God that spot to man had given [1]
Where falls the purple morning far and wide 5
In flakes of light upon the mountain-side;
Where with loud voice the power of water shakes [2]
The leafy wood, or sleeps in quiet lakes.
DEAR SIR, [B]--However desirous I might have been of giving you proofs
of the high place you hold in my esteem, I should have been cautious
of wounding your delicacy by thus publicly addressing you, had not the
circumstance of our having been companions among the Alps, seemed to
give this dedication a propriety sufficient to do away any scruples
which your modesty might otherwise have suggested. [C]
In inscribing this little work to you, I consult my heart. You know
well how great is the difference between two companions lolling in a
post-chaise, and two travellers plodding slowly along the road, side
by side, each with his little knapsack of necessaries upon his
shoulders. How much more of heart between the two latter!
I am happy in being conscious that I shall have one reader who will
approach the conclusion of these few pages with regret. You they must
certainly interest, in reminding you of moments to which you can
hardly look back without a pleasure not the less dear from a shade of
melancholy. You will meet with few images without recollecting the
spot where we observed them together; consequently, whatever is feeble
in my design, or spiritless in my colouring, will be amply supplied by
your own memory.
With still greater propriety I might have inscribed to you a
description of some of the features of your native mountains, through
which we have wandered together, in the same manner, with so much
pleasure. But the sea-sunsets, which give such splendour to the vale
of Clwyd, Snowdon, the chair of Idris, the quiet village of
Bethgelert, Menai and her Druids, the Alpine steeps of the Conway, and
the still more interesting windings of the wizard stream of the Dee,
remain yet untouched. Apprehensive that my pencil may never be
exercised on these subjects, I cannot let slip this opportunity of
thus publicly assuring you with how much affection and esteem
I am, dear Sir,
Most sincerely yours,
W. WORDSWORTH.
LONDON, 1793.
[Much the greatest part of this poem was composed during my walks upon
the banks of the Loire, in the years 1791, 1792. I will only notice
that the description of the valley filled with mist, beginning--'In
solemn shapes'--was taken from that beautiful region of which the
principal features are Lungarn and Sarnen.
Nothing that I ever saw in
Nature left a more delightful impression on my mind than that which I
have attempted, alas, how feebly! to convey to others in these lines.
Those two lakes have always interested me especially, from bearing in
their size and other features, a resemblance to those of the North of
England. It is much to be deplored that a district so beautiful should
be so unhealthy as it is. --I. F. ]
As the original text of the 'Descriptive Sketches' is printed in
Appendix I. (p. 309) to this volume--with all the notes to that edition
of 1793--it is not quoted in the footnotes to the final text in the
pages which follow, except in cases which will justify themselves.
Therefore the various readings which follow begin with the edition of
1815, which was, however, a mere fragment of the original text. Almost
the whole of the poem of 1793 was reproduced in 1820, but there were
many alterations of the text in that edition, and in those of 1827,
1832, 1836 and 1845. Wordsworth's own footnotes here reproduced are
those which he retained in the edition of 1849.
'Descriptive Sketches' was ranked among the "Juvenile Pieces" from 1815
onwards: but in 1836 it was put in a class by itself along with the
'Female Vagrant'. [D]--Ed.
'Happiness (if she had been to be found on earth) among the charms of
Nature--Pleasures of the pedestrian Traveller--Author crosses France to
the Alps--Present state of the Grande Chartreuse--Lake of Como--Time,
Sunset--Same Scene, Twilight--Same Scene, Morning; its voluptuous
Character; Old man and forest-cottage music--River Tusa--Via Mala and
Grison Gipsy--Sckellenen-thal--Lake of Uri--Stormy sunset--Chapel of
William Tell--Force of local emotion--Chamois-chaser--View of the higher
Alps--Manner of Life of a Swiss mountaineer, interspersed with views of
the higher Alps--Golden Age of the Alps--Life and views continued--Ranz
des Vaches, famous Swiss Air--Abbey of Einsiedlen and its
pilgrims--Valley of Chamouny--Mont Blanc--Slavery of Savoy--Influence of
liberty on cottage-happiness--France--Wish for the Extirpation of
slavery--Conclusion'.
* * * * *
THE POEM
Were there, below, a spot of holy ground
Where from distress a refuge might be found,
And solitude prepare the soul for heaven;
Sure, nature's God that spot to man had given [1]
Where falls the purple morning far and wide 5
In flakes of light upon the mountain-side;
Where with loud voice the power of water shakes [2]
The leafy wood, or sleeps in quiet lakes.
