But his mother was wroth: in a
sternness
quoth she,
"As thou play'st at the ball art thou playing with me?
"As thou play'st at the ball art thou playing with me?
Elizabeth Browning
_
FIRST PART.
I.
"Onora, Onora,"--her mother is calling,
She sits at the lattice and hears the dew falling
Drop after drop from the sycamores laden
With dew as with blossom, and calls home the maiden,
"Night cometh, Onora. "
II.
She looks down the garden-walk caverned with trees,
To the limes at the end where the green arbour is--
"Some sweet thought or other may keep where it found her,
While, forgot or unseen in the dreamlight around her,
Night cometh--Onora! "
III.
She looks up the forest whose alleys shoot on
Like the mute minster-aisles when the anthem is done
And the choristers sitting with faces aslant
Feel the silence to consecrate more than the chant--
"Onora, Onora! "
IV.
And forward she looketh across the brown heath--
"Onora, art coming? "--what is it she seeth?
Nought, nought but the grey border-stone that is wist
To dilate and assume a wild shape in the mist--
"My daughter! " Then over
V.
The casement she leaneth, and as she doth so
She is 'ware of her little son playing below:
"Now where is Onora? " He hung down his head
And spake not, then answering blushed scarlet-red,--
"At the tryst with her lover. "
VI.
But his mother was wroth: in a sternness quoth she,
"As thou play'st at the ball art thou playing with me?
When we know that her lover to battle is gone,
And the saints know above that she loveth but one
And will ne'er wed another? "
VII.
Then the boy wept aloud; 't was a fair sight yet sad
To see the tears run down the sweet blooms he had:
He stamped with his foot, said--"The saints know I lied
Because truth that is wicked is fittest to hide:
Must I utter it, mother? "
VIII.
In his vehement childhood he hurried within
And knelt at her feet as in prayer against sin,
But a child at a prayer never sobbeth as he--
"Oh! she sits with the nun of the brown rosary,
At nights in the ruin--
IX.
"The old convent ruin the ivy rots off,
Where the owl hoots by day and the toad is sun-proof,
Where no singing-birds build and the trees gaunt and grey
As in stormy sea-coasts appear blasted one way--
But is _this_ the wind's doing?
X.
"A nun in the east wall was buried alive
Who mocked at the priest when he called her to shrive,
And shrieked such a curse, as the stone took her breath,
The old abbess fell backwards and swooned unto death
With an Ave half-spoken.
XI.
"I tried once to pass it, myself and my hound,
Till, as fearing the lash, down he shivered to ground--
A brave hound, my mother! a brave hound, ye wot!
And the wolf thought the same with his fangs at her throat
In the pass of the Brocken.
XII.
"At dawn and at eve, mother, who sitteth there
With the brown rosary never used for a prayer?
FIRST PART.
I.
"Onora, Onora,"--her mother is calling,
She sits at the lattice and hears the dew falling
Drop after drop from the sycamores laden
With dew as with blossom, and calls home the maiden,
"Night cometh, Onora. "
II.
She looks down the garden-walk caverned with trees,
To the limes at the end where the green arbour is--
"Some sweet thought or other may keep where it found her,
While, forgot or unseen in the dreamlight around her,
Night cometh--Onora! "
III.
She looks up the forest whose alleys shoot on
Like the mute minster-aisles when the anthem is done
And the choristers sitting with faces aslant
Feel the silence to consecrate more than the chant--
"Onora, Onora! "
IV.
And forward she looketh across the brown heath--
"Onora, art coming? "--what is it she seeth?
Nought, nought but the grey border-stone that is wist
To dilate and assume a wild shape in the mist--
"My daughter! " Then over
V.
The casement she leaneth, and as she doth so
She is 'ware of her little son playing below:
"Now where is Onora? " He hung down his head
And spake not, then answering blushed scarlet-red,--
"At the tryst with her lover. "
VI.
But his mother was wroth: in a sternness quoth she,
"As thou play'st at the ball art thou playing with me?
When we know that her lover to battle is gone,
And the saints know above that she loveth but one
And will ne'er wed another? "
VII.
Then the boy wept aloud; 't was a fair sight yet sad
To see the tears run down the sweet blooms he had:
He stamped with his foot, said--"The saints know I lied
Because truth that is wicked is fittest to hide:
Must I utter it, mother? "
VIII.
In his vehement childhood he hurried within
And knelt at her feet as in prayer against sin,
But a child at a prayer never sobbeth as he--
"Oh! she sits with the nun of the brown rosary,
At nights in the ruin--
IX.
"The old convent ruin the ivy rots off,
Where the owl hoots by day and the toad is sun-proof,
Where no singing-birds build and the trees gaunt and grey
As in stormy sea-coasts appear blasted one way--
But is _this_ the wind's doing?
X.
"A nun in the east wall was buried alive
Who mocked at the priest when he called her to shrive,
And shrieked such a curse, as the stone took her breath,
The old abbess fell backwards and swooned unto death
With an Ave half-spoken.
XI.
"I tried once to pass it, myself and my hound,
Till, as fearing the lash, down he shivered to ground--
A brave hound, my mother! a brave hound, ye wot!
And the wolf thought the same with his fangs at her throat
In the pass of the Brocken.
XII.
"At dawn and at eve, mother, who sitteth there
With the brown rosary never used for a prayer?
