No More Learning

Folly, vice,
Extravagance in gesture, mien, and dress,
And all the strife of singularity, 580
Lies to the ear, and lies to every sense--
Of these, and of the living shapes they wear,
There is no end. Such candidates for regard,
Although well pleased to be where they were found,
I did not hunt after, nor greatly prize, 585
Nor made unto myself a secret boast
Of reading them with quick and curious eye;
But, as a common produce, things that are
To-day, to-morrow will be, took of them
Such willing note, as, on some errand bound 590
That asks not speed, a Traveller might bestow
On sea-shells that bestrew the sandy beach,
Or daisies swarming through the fields of June.

But foolishness and madness in parade,
Though most at home in this their dear domain, 595
Are scattered everywhere, no rarities,
Even to the rudest novice of the Schools.
Me, rather, it employed, to note, and keep
In memory, those individual sights
Of courage, or integrity, or truth, 600
Or tenderness, which there, set off by foil,
Appeared more touching. One will I select;
A Father--for he bore that sacred name--
Him saw I, sitting in an open square,
Upon a corner-stone of that low wall, 605
Wherein were fixed the iron pales that fenced
A spacious grass-plot; there, in silence, sate
This One Man, with a sickly babe outstretched
Upon his knee, whom he had thither brought
For sunshine, and to breathe the fresher air. 610
Of those who passed, and me who looked at him,
He took no heed; but in his brawny arms
(The Artificer was to the elbow bare,
And from his work this moment had been stolen)
He held the child, and, bending over it, 615
As if he were afraid both of the sun
And of the air, which he had come to seek,
Eyed the poor babe with love unutterable.

As the black storm upon the mountain top
Sets off the sunbeam in the valley, so 620
That huge fermenting mass of human-kind
Serves as a solemn back-ground, or relief,
To single forms and objects, whence they draw,
For feeling and contemplative regard,
More than inherent liveliness and power. 625
How oft, amid those overflowing streets,
Have I gone forward with the crowd, and said
Unto myself, "The face of every one
That passes by me is a mystery! "
Thus have I looked, nor ceased to look, oppressed 630
By thoughts of what and whither, when and how,
Until the shapes before my eyes became
A second-sight procession, such as glides
Over still mountains, or appears in dreams;
And once, far-travelled in such mood, beyond 635
The reach of common indication, lost
Amid the moving pageant, I was smitten
Abruptly, with the view (a sight not rare)
Of a blind Beggar, who, with upright face,
Stood, propped against a wall, upon his chest 640
Wearing a written paper, to explain
His story, whence he came, and who he was.
Caught by the spectacle my mind turned round
As with the might of waters; an apt type
This label seemed of the utmost we can know, 645
Both of ourselves and of the universe;
And, on the shape of that unmoving man,
His steadfast face and sightless eyes, I gazed,
As if admonished from another world.

Though reared upon the base of outward things, 650
Structures like these the excited spirit mainly
Builds for herself; scenes different there are,
Full-formed, that take, with small internal help,
Possession of the faculties,--the peace
That comes with night; the deep solemnity 655
Of nature's intermediate hours of rest,
When the great tide of human life stands still;
The business of the day to come, unborn,
Of that gone by, locked up, as in the grave;
The blended calmness of the heavens and earth, 660
Moonlight and stars, and empty streets, and sounds
Unfrequent as in deserts; at late hours
Of winter evenings, when unwholesome rains
Are falling hard, with people yet astir,
The feeble salutation from the voice 665
Of some unhappy woman, now and then
Heard as we pass, when no one looks about,
Nothing is listened to. But these, I fear,
Are falsely catalogued; things that are, are not,
As the mind answers to them, or the heart 670
Is prompt, or slow, to feel. What say you, then,
To times, when half the city shall break out
Full of one passion, vengeance, rage, or fear?
To executions, to a street on fire,
Mobs, riots, or rejoicings? From these sights 675
Take one,--that ancient festival, the Fair,
Holden where martyrs suffered in past time,
And named of St.
Bartholomew; [c] there, see
A work completed to our hands, that lays,
If any spectacle on earth can do, 680
The whole creative powers of man asleep! --
For once, the Muse's help will we implore,
And she shall lodge us, wafted on her wings,
Above the press and danger of the crowd,
Upon some showman's platform. What a shock 685
For eyes and ears! what anarchy and din,
Barbarian and infernal,--a phantasma,
Monstrous in colour, motion, shape, sight, sound!
Below, the open space, through every nook
Of the wide area, twinkles, is alive 690
With heads; the midway region, and above,
Is thronged with staring pictures and huge scrolls,
Dumb proclamations of the Prodigies;
With chattering monkeys dangling from their poles,
And children whirling in their roundabouts; 695
With those that stretch the neck and strain the eyes,
And crack the voice in rivalship, the crowd
Inviting; with buffoons against buffoons
Grimacing, writhing, screaming,--him who grinds
The hurdy-gurdy, at the fiddle weaves, 700
Rattles the salt-box, thumps the kettle-drum,
And him who at the trumpet puffs his cheeks,
The silver-collared Negro with his timbrel,
Equestrians, tumblers, women, girls, and boys,
Blue-breeched, pink-vested, with high-towering plumes. --705
All moveables of wonder, from all parts,
Are here--Albinos, painted Indians, Dwarfs,
The Horse of knowledge, and the learned Pig,
The Stone-eater, the man that swallows fire,
Giants, Ventriloquists, the Invisible Girl, 710
The Bust that speaks and moves its goggling eyes,
The Wax-work, Clock-work, all the marvellous craft
Of modern Merlins, Wild Beasts, Puppet-shows,
All out-o'-the-way, far-fetched, perverted things,
All freaks of nature, all Promethean thoughts 715
Of man, his dullness, madness, and their feats
All jumbled up together, to compose
A Parliament of Monsters. Tents and Booths
Meanwhile, as if the whole were one vast mill,
Are vomiting, receiving on all sides, 720
Men, Women, three-years' Children, Babes in arms.

Oh, blank confusion! true epitome
Of what the mighty City is herself,
To thousands upon thousands of her sons,
Living amid the same perpetual whirl 725
Of trivial objects, melted and reduced
To one identity, by differences
That have no law, no meaning, and no end--
Oppression, under which even highest minds
Must labour, whence the strongest are not free. [d] 730
But though the picture weary out the eye,
By nature an unmanageable sight,
It is not wholly so to him who looks
In steadiness, who hath among least things
An under-sense of greatest; sees the parts 735
As parts, but with a feeling of the whole.
This, of all acquisitions, first awaits
On sundry and most widely different modes
Of education, nor with least delight
On that through which I passed. Attention springs, 740
And comprehensiveness and memory flow,
From early converse with the works of God
Among all regions; chiefly where appear
Most obviously simplicity and power.
Think, how the everlasting streams and woods, 745
Stretched and still stretching far and wide, exalt
The roving Indian, on his desert sands:
What grandeur not unfelt, what pregnant show
Of beauty, meets the sun-burnt Arab's eye:
And, as the sea propels, from zone to zone, 750
Its currents; magnifies its shoals of life
Beyond all compass; spreads, and sends aloft
Armies of clouds,--even so, its powers and aspects
Shape for mankind, by principles as fixed,
The views and aspirations of the soul 755
To majesty. Like virtue have the forms
Perennial of the ancient hills; nor less
The changeful language of their countenances
Quickens the slumbering mind, and aids the thoughts,
However multitudinous, to move 760
With order and relation. This, if still,
As hitherto, in freedom I may speak,
Not violating any just restraint,
As may be hoped, of real modesty,--
This did I feel, in London's vast domain. 765
The Spirit of Nature was upon me there;
The soul of Beauty and enduring Life
Vouchsafed her inspiration, and diffused,
Through meagre lines and colours, and the press
Of self-destroying, transitory things, 770
Composure, and ennobling Harmony.