(2) In the second class I place manuscripts which are, or aim at
being, complete collections of Donne's poems.
being, complete collections of Donne's poems.
John Donne
23229 in the British Museum contains a single
folio which must have been torn from a manuscript identical with _W_.
The handwriting is slightly different, but the order of the poems and
their text prove the identity.
_A23. _ This same manuscript (Addl. MS. 23229), which is a very
miscellaneous collection of fragments, presented to the Museum by John
Wilson Croker, contains two other portions of what seem to have been
similar small 'books' of Donne's poems. The one is a fragment of what
seems to have been a carefully written copy of the _Epithalamion_,
with introductory _Eclogue_, written for the marriage of the Earl of
Somerset. Probably it was one of those prepared and circulated at
the time. The other consists of some leaves from a collection of the
_Satyres_ finely written on large quarto sheets.
_G. _ This is a manuscript containing only the _Metempsychosis_, or
_Progresse of the Soule_, now in the possession of Mr. Gosse, who
(_Life &c. of John Donne_, i. 141) states that it 'belonged to a
certain Bradon, and passed into the Phillipps Collection'. It is not
without errors, but its text is, on the whole, more correct than that
of the manuscript source from which the version of 1633 was set up in
the first instance.
(2) In the second class I place manuscripts which are, or aim at
being, complete collections of Donne's poems. Most of these belong to
the years between 1620 and 1633. They vary considerably in accuracy of
text, and in the care which has been taken to include only poems that
are authentic. They were made probably by professional copyists,
and some of those whose calligraphy is most attractive show that the
scribe must have paid the smallest attention to the meaning of what he
was writing.
Of those which I have examined, two groups of manuscripts seem to me
especially noteworthy, because both show that their collectors had a
clear idea of what were, and what were not, Donne's poems, and because
of the general accuracy with which the poems in one of them are
transcribed. Taken with the edition of 1633 they form an invaluable
starting-point for the determination of the canon of Donne's poems.
The first of these is represented by three manuscripts which I
have examined, _D_ (Dowden), _H49_ (Harleian MS. 4955), and _Lec_
(Leconfield).
_D_ is a small quarto manuscript, neatly written in a thin, clear hand
and in ordinary script. It was formerly in the Haslewood collection,
and is now in the possession of Professor Edward Dowden, Trinity
College, Dublin, by whose kindness I have had it by me almost all the
time that I have been at work on my edition.
_H49_ is a collection of Donne's poems, in the British Museum, bound
up with some by Ben Jonson and others. It is a large folio written
throughout apparently in the same hand. It opens with some poems and
masques by Jonson. A certain Doctor Andrewes' poems occupy folios
57-87. They are signed _Franc: Andrilla. London August 14.
folio which must have been torn from a manuscript identical with _W_.
The handwriting is slightly different, but the order of the poems and
their text prove the identity.
_A23. _ This same manuscript (Addl. MS. 23229), which is a very
miscellaneous collection of fragments, presented to the Museum by John
Wilson Croker, contains two other portions of what seem to have been
similar small 'books' of Donne's poems. The one is a fragment of what
seems to have been a carefully written copy of the _Epithalamion_,
with introductory _Eclogue_, written for the marriage of the Earl of
Somerset. Probably it was one of those prepared and circulated at
the time. The other consists of some leaves from a collection of the
_Satyres_ finely written on large quarto sheets.
_G. _ This is a manuscript containing only the _Metempsychosis_, or
_Progresse of the Soule_, now in the possession of Mr. Gosse, who
(_Life &c. of John Donne_, i. 141) states that it 'belonged to a
certain Bradon, and passed into the Phillipps Collection'. It is not
without errors, but its text is, on the whole, more correct than that
of the manuscript source from which the version of 1633 was set up in
the first instance.
(2) In the second class I place manuscripts which are, or aim at
being, complete collections of Donne's poems. Most of these belong to
the years between 1620 and 1633. They vary considerably in accuracy of
text, and in the care which has been taken to include only poems that
are authentic. They were made probably by professional copyists,
and some of those whose calligraphy is most attractive show that the
scribe must have paid the smallest attention to the meaning of what he
was writing.
Of those which I have examined, two groups of manuscripts seem to me
especially noteworthy, because both show that their collectors had a
clear idea of what were, and what were not, Donne's poems, and because
of the general accuracy with which the poems in one of them are
transcribed. Taken with the edition of 1633 they form an invaluable
starting-point for the determination of the canon of Donne's poems.
The first of these is represented by three manuscripts which I
have examined, _D_ (Dowden), _H49_ (Harleian MS. 4955), and _Lec_
(Leconfield).
_D_ is a small quarto manuscript, neatly written in a thin, clear hand
and in ordinary script. It was formerly in the Haslewood collection,
and is now in the possession of Professor Edward Dowden, Trinity
College, Dublin, by whose kindness I have had it by me almost all the
time that I have been at work on my edition.
_H49_ is a collection of Donne's poems, in the British Museum, bound
up with some by Ben Jonson and others. It is a large folio written
throughout apparently in the same hand. It opens with some poems and
masques by Jonson. A certain Doctor Andrewes' poems occupy folios
57-87. They are signed _Franc: Andrilla. London August 14.
