The reason is to be found in the
ubiquitous presence of offensive men and women.
ubiquitous presence of offensive men and women.
World's Greatest Books - Volume 17 - Poetry and Drama
While
still a youngster, he went a-fighting in the Low Countries, returning
to London about 1592. In 1598 he emerged as a dramatic author with
the play "Every Man in His Humour. " This was the first of a series of
comedies, tragedies, and masques, which rank highly. In human interest,
however, none surpassed his first success. Unlike Shakespeare, with
whom he consorted among the famous gatherings of wits at the Mermaid
Tavern, Jonson regarded himself as the exponent of a theory of dramatic
art. He was steeped in classical learning, which he is wont to display
somewhat excessively. Besides his dramas, Jonson wrote many lyrical
pieces, including some admirable songs, and produced sundry examples of
other forms of versification. He died on August 6, 1637.
JUVENAL[Q]
Satires
_I. --Of Satire and its Subjects_
Still shall I hear and never pay the score,
Stunned with hoarse Codrus' "Theseid" o'er and o'er?
Shall this man's elegies and the other's play
Unpunished murder a long summer day?
The poet exclaims against the dreary commonplaces in contemporary
poetry, and against recitations fit to crack the very statues and
colonnades of the neighbourhood! But _he_ also underwent his training
in rhetoric.
So, since the world with writing is possessed,
_I'll versify in spite_, and do my best
To make as much wastepaper as the rest!
It may be asked, why write satire?
The reason is to be found in the
ubiquitous presence of offensive men and women. It would goad anyone
into fury to note the social abuses, the mannish women, and the
wealthy upstarts of the imperial city.
When the soft eunuch weds, and the bold fair
Tilts at the Tuscan boar with bosom bare,
When all our lords are by his wealth outvied
Whose razor on my callow beard was tried,
When I behold the spawn of conquered Nile,
Crispinus, both in birth and manners vile,
Pacing in pomp with cloak of purple dye--
I cannot keep from satire, though I try!
There is an endless succession of figures to annoy: the too successful
lawyer, the treacherous spy, the legacy-hunter. How one's anger blazes
when a ward is driven to evil courses by the unscrupulous knavery of a
guardian, or when a guilty governor gets a merely nominal sentence!
Marius, who pilled his province, 'scapes the laws,
And keeps his money, though he lost his cause:
His fine begged off, contemns his infamy,
Can rise at twelve, and get him drunk ere three--
Enjoys his exile, and, condemned in vain,
Leaves thee, victorious province, to complain!
Such villainies roused Horace into wrath,
And 'tis more noble to pursue his path
Than an old tale of Trojan brave to treat,
Or Hercules, or Labyrinth of Crete.
It is no time to write fabulous epics when cuckolds connive at
a wife's dishonour, and when horse-racing ne'er-do-wells expect
commissions in the army. One is tempted to fill volumes in the open
street about such figures as the forger carried by his slaves in a
handsome litter, or about the wealthy widow acquainted with the mode
of getting rid of a husband by poison.
Wouldst thou to honours and preferment climb?
Be bold in mischief--dare some mighty crime,
Which dungeons, death, or banishment deserves,
For virtue is but drily praised--and starves.
To crime men owe a mansion, park, and state,
Their goblets richly chased and antique plate.
Say, who can find a night's repose at need,
When a son's wife is bribed to sin for greed,
When brides are frail, and youths turn paramours?
If nature can't, then wrath our verse ensures!
Count from the time since old Deucalion's boat,
Raised by the flood, did on Parnassus float:
Whatever since that golden age was done,
What human kind desires, and what they shun,
Joy, sorrow, fear, love, hatred, transport, rage,
Shall form the motley subject of my page.
And when could Satire boast so fair a field?
still a youngster, he went a-fighting in the Low Countries, returning
to London about 1592. In 1598 he emerged as a dramatic author with
the play "Every Man in His Humour. " This was the first of a series of
comedies, tragedies, and masques, which rank highly. In human interest,
however, none surpassed his first success. Unlike Shakespeare, with
whom he consorted among the famous gatherings of wits at the Mermaid
Tavern, Jonson regarded himself as the exponent of a theory of dramatic
art. He was steeped in classical learning, which he is wont to display
somewhat excessively. Besides his dramas, Jonson wrote many lyrical
pieces, including some admirable songs, and produced sundry examples of
other forms of versification. He died on August 6, 1637.
JUVENAL[Q]
Satires
_I. --Of Satire and its Subjects_
Still shall I hear and never pay the score,
Stunned with hoarse Codrus' "Theseid" o'er and o'er?
Shall this man's elegies and the other's play
Unpunished murder a long summer day?
The poet exclaims against the dreary commonplaces in contemporary
poetry, and against recitations fit to crack the very statues and
colonnades of the neighbourhood! But _he_ also underwent his training
in rhetoric.
So, since the world with writing is possessed,
_I'll versify in spite_, and do my best
To make as much wastepaper as the rest!
It may be asked, why write satire?
The reason is to be found in the
ubiquitous presence of offensive men and women. It would goad anyone
into fury to note the social abuses, the mannish women, and the
wealthy upstarts of the imperial city.
When the soft eunuch weds, and the bold fair
Tilts at the Tuscan boar with bosom bare,
When all our lords are by his wealth outvied
Whose razor on my callow beard was tried,
When I behold the spawn of conquered Nile,
Crispinus, both in birth and manners vile,
Pacing in pomp with cloak of purple dye--
I cannot keep from satire, though I try!
There is an endless succession of figures to annoy: the too successful
lawyer, the treacherous spy, the legacy-hunter. How one's anger blazes
when a ward is driven to evil courses by the unscrupulous knavery of a
guardian, or when a guilty governor gets a merely nominal sentence!
Marius, who pilled his province, 'scapes the laws,
And keeps his money, though he lost his cause:
His fine begged off, contemns his infamy,
Can rise at twelve, and get him drunk ere three--
Enjoys his exile, and, condemned in vain,
Leaves thee, victorious province, to complain!
Such villainies roused Horace into wrath,
And 'tis more noble to pursue his path
Than an old tale of Trojan brave to treat,
Or Hercules, or Labyrinth of Crete.
It is no time to write fabulous epics when cuckolds connive at
a wife's dishonour, and when horse-racing ne'er-do-wells expect
commissions in the army. One is tempted to fill volumes in the open
street about such figures as the forger carried by his slaves in a
handsome litter, or about the wealthy widow acquainted with the mode
of getting rid of a husband by poison.
Wouldst thou to honours and preferment climb?
Be bold in mischief--dare some mighty crime,
Which dungeons, death, or banishment deserves,
For virtue is but drily praised--and starves.
To crime men owe a mansion, park, and state,
Their goblets richly chased and antique plate.
Say, who can find a night's repose at need,
When a son's wife is bribed to sin for greed,
When brides are frail, and youths turn paramours?
If nature can't, then wrath our verse ensures!
Count from the time since old Deucalion's boat,
Raised by the flood, did on Parnassus float:
Whatever since that golden age was done,
What human kind desires, and what they shun,
Joy, sorrow, fear, love, hatred, transport, rage,
Shall form the motley subject of my page.
And when could Satire boast so fair a field?
