No More Learning

Prythee, why so pale?

Why so dull and mute, young sinner?
Prythee, why so mute?
Will, when speaking well can't win her,
Saying nothing do't?
Prythee, why so mute?

Quit, quit for shame! This will not move,
This cannot take her;
If of herself she will not love,
Nothing can make her:
The D----l take her!

SIR J. SUCKLING.




102. A SUPPLICATION.

Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.

Hark! how the strings awake:
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.

Weak Lyre! thy virtue sure
Is useless here, since thou art only found
To cure, but not to wound,
And she to wound, but not to cure.
Too weak too wilt thou prove
My passion to remove;
Physic to other ills, thou'rt nourishment to love.

Sleep, sleep again my Lyre!
For thou canst never tell my humble tale
In sounds that will prevail,
Nor gentle thoughts in her inspire;
All thy vain mirth lay by,
Bid thy strings silent lie,
Sleep, sleep again, my Lyre, and let thy master die.

A. COWLEY.




103. THE MANLY HEART.

Shall I, wasting in despair,
Die because a woman's fair?
Or my cheeks make pale with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flowery meads in May--
If she be not so to me,
What care I how fair she be?

Shall my foolish heart be pined
'Cause I see a woman kind;
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?

Shall a woman's virtues move
Me to perish for her love?