No More Learning

In this piece Parker
had displayed his usual zeal against the Non-
conformists with more than usual acrimony, and
pushed to the uttermost extravagance his fa-
vourite maxims of ecclesiastical tyranny. Like
his previous works on similar matters, it was
anonymous, though the author was pretty well

♦ Rehearsal Trainprosed^ vol. i. pp. 62-69.



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XXXll NOTICE OF THE AUTHOR.

known. Marvell dubs him " Mr. Bayes," under
which name the Duke of Buckingham had ridi-
culed Dryden in the well-known play of the
Rehearsal ; from the title of which Marvell de-
signated his book, The Rehearsal Transprosed.

The success of the Rehearsal was instant and
signal. " After Parker had for some years en-
tertained the nation with several virulent books,'*
says Burnet, "he was attacked by the liveliest
droll of the age, who wrote in a burlesque strain,
but with so peculiar and entertaining a conduct,
that, from the King down to the tradesman, his
books were read with great pleasure; that not
only humbled Parker, but the whole party ; for
the author of the Rehearsal Transprosed had all
the men of wit (or, as the French phrase it, all
the laughers) on his side. *'

In fact, Marvell exhibited his adversary in so
ridiculous a light, that even his own party could
not keep their countenances. The unhappy
churchman resembled Gulliver at the court of
Brobdignag, when the mischievous page stuck
him into the marrow-bone. He cut such a ridi-
culous figure, that, says the author, even the
King and his courtiers could not help laughing
at him.

The first part of the Rehearsal elicited several
answers.
They were written, for the most part,
in very unsuccessful imitation of MarvelFs style
of banter, and are now wholly forgotten. Mar-



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NOTICE OF THE ALTIIOR. XXXlll

veil gives an amusing account of the efforts which
were made to obtain effective replies, and of the
hopes of preferment which may be supposed to
have inspired their authors. Parker himself for
some time declined any reply. At last came out
his Reproof to the Rehearsal Transprosedy in which
he urged the Government to crush the pestilent
wit, the servant of Cromwell, and the friend of
Milton. ** To this work Marvell replied in the
second part of the Rehearsal, He was further
spirited to it by an anonymous letter, pleasant
and laconic enough, left for him at a friend's house,
signed ** T. G. ** and concluding with the words —
" If thou darest to print any lie or libel against
Dr. Parker, by the eternal God, I will cut thy
throat ! *' He who wrote it, whoever he was,
was ignorant of MarvelFs nature, if he thought
thereby to intimidate him into silence. His intre-
pid spirit was but further provoked by this inso-
lent threat, which he took care to publish in the
title-page of his reply. To this publication Par-
ker attempted no rejoinder. Anthony Wood him-
self tells us, that Parker "judged it more prudent
to lay down the cudgels, than to enter the lists
again with an untowardly combatant, so hugely
well versed and experienced in the then but newly
refined art ; though much in mode and fashion
ever since, of sporting and jeering buffoonery.
It was generally thought, however, by many of
those who were otherwise favourers of Parker's



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XXXIY NOTICE or THE AUTHOR,

cause, that the victory lay on Marveirs side, and
it wrought this good effect on Parker, that forever
after it took down his great spirit. " And Burnet
tells us, that he " withdrew from the town, and
ceased writii>g for some years. "

Of this greatest work of Marvell's singular
genius it is difficult, even if we had space for it,
to present the reader with any considerable ex-
tracts.