No More Learning

--And
anciently all the oracles were called Carmina; or whatever sentence was
expressed, were it much or little, it was called an Epic, Dramatic,
Lyric, Elegiac, or Epigrammatic poem.



_But how differs a Poem from what we call Poesy_?


_Poesis_. --_Artium regina_. --_Poet.
differentiae_. --_Grammatic_. --_Logic_. --_Rhetoric_. --_Ethica_. --A poem, as I
have told you, is the work of the poet; the end and fruit of his labour
and study. Poesy is his skill or craft of making; the very fiction
itself, the reason or form of the work. And these three voices differ,
as the thing done, the doing, and the doer; the thing feigned, the
feigning, and the feigner; so the poem, the poesy, and the poet. Now the
poesy is the habit or the art; nay, rather the queen of arts, which had
her original from heaven, received thence from the Hebrews, and had in
prime estimation with the Greeks transmitted to the Latins and all
nations that professed civility. The study of it (if we will trust
Aristotle) offers to mankind a certain rule and pattern of living well
and happily, disposing us to all civil offices of society.
If we will
believe Tully, it nourisheth and instructeth our youth, delights our age,
adorns our prosperity, comforts our adversity, entertains us at home,
keeps us company abroad, travels with us, watches, divides the times of
our earnest and sports, shares in our country recesses and recreations;
insomuch as the wisest and best learned have thought her the absolute
mistress of manners and nearest of kin to virtue. And whereas they
entitle philosophy to be a rigid and austere poesy, they have, on the
contrary, styled poesy a dulcet and gentle philosophy, which leads on and
guides us by the hand to action with a ravishing delight and incredible
sweetness. But before we handle the kinds of poems, with their special
differences, or make court to the art itself, as a mistress, I would lead
you to the knowledge of our poet by a perfect information what he is or
should be by nature, by exercise, by imitation, by study, and so bring
him down through the disciplines of grammar, logic, rhetoric, and the
ethics, adding somewhat out of all, peculiar to himself, and worthy of
your admittance or reception.

1.
_Ingenium_. --_Seneca_. --_Plato_. --_Aristotle_. --_Helicon_. --_Pegasus_. --
_Parnassus_. --_Ovid_. --First, we require in our poet or maker (for that
title our language affords him elegantly with the Greek) a goodness of
natural wit. For whereas all other arts consist of doctrine and
precepts, the poet must be able by nature and instinct to pour out the
treasure of his mind, and as Seneca saith, _Aliquando secundum
Anacreontem insanire jucundum esse_; by which he understands the poetical
rapture. And according to that of Plato, _Frustra poeticas fores sui
compos pulsavit_. And of Aristotle, _Nullum magnum ingenium sine mixtura
dementiae fuit_.