Until a
wandering
wind crept by,
Like an unwelcome thought, _110
Which from my mind's too faithful eye
Blots thy bright image out.
Like an unwelcome thought, _110
Which from my mind's too faithful eye
Blots thy bright image out.
Shelley
and come away!
To the wild woods and the plains, _25
To the pools where winter rains
Image all the roof of leaves,
Where the pine its garland weaves
Sapless, gray, and ivy dun
Round stems that never kiss the sun-- _30
To the sandhills of the sea,
Where the earliest violets be.
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead, _35
Rise, Memory, and write its praise!
And do thy wonted work and trace
The epitaph of glory fled;
For now the Earth has changed its face,
A frown is on the Heaven's brow. _40
We wandered to the Pine Forest
That skirts the Ocean's foam,
The lightest wind was in its nest,
The tempest in its home.
The whispering waves were half asleep, _45
The clouds were gone to play,
And on the woods, and on the deep
The smile of Heaven lay.
It seemed as if the day were one
Sent from beyond the skies, _50
Which shed to earth above the sun
A light of Paradise.
We paused amid the pines that stood,
The giants of the waste,
Tortured by storms to shapes as rude _55
With stems like serpents interlaced.
How calm it was--the silence there
By such a chain was bound,
That even the busy woodpecker
Made stiller by her sound _60
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
It seemed that from the remotest seat _65
Of the white mountain's waste
To the bright flower beneath our feet,
A magic circle traced;--
A spirit interfused around,
A thinking, silent life; _70
To momentary peace it bound
Our mortal nature's strife;--
And still, it seemed, the centre of
The magic circle there,
Was one whose being filled with love _75
The breathless atmosphere.
Were not the crocuses that grew
Under that ilex-tree
As beautiful in scent and hue
As ever fed the bee? _80
We stood beneath the pools that lie
Under the forest bough,
And each seemed like a sky
Gulfed in a world below;
A purple firmament of light _85
Which in the dark earth lay,
More boundless than the depth of night,
And clearer than the day--
In which the massy forests grew
As in the upper air, _90
More perfect both in shape and hue
Than any waving there.
Like one beloved the scene had lent
To the dark water's breast
Its every leaf and lineament _95
With that clear truth expressed;
There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud. _100
Sweet views, which in our world above
Can never well be seen,
Were imaged by the water's love
Of that fair forest green.
And all was interfused beneath _105
With an Elysian air,
An atmosphere without a breath,
A silence sleeping there.
Until a wandering wind crept by,
Like an unwelcome thought, _110
Which from my mind's too faithful eye
Blots thy bright image out.
For thou art good and dear and kind,
The forest ever green,
But less of peace in S--'s mind,
Than calm in waters, seen. _116.
***
WITH A GUITAR, TO JANE.
[Published by Medwin, "The Athenaeum", October 20, 1832; "Frazer's
Magazine", January 1833. There is a copy amongst the Trelawny
manuscripts. ]
Ariel to Miranda:--Take
This slave of Music, for the sake
Of him who is the slave of thee,
And teach it all the harmony
In which thou canst, and only thou, _5
Make the delighted spirit glow,
Till joy denies itself again,
And, too intense, is turned to pain;
For by permission and command
Of thine own Prince Ferdinand, _10
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit, Ariel, who,
From life to life, must still pursue
Your happiness;--for thus alone _15
Can Ariel ever find his own.
From Prospero's enchanted cell,
As the mighty verses tell,
To the throne of Naples, he
Lit you o'er the trackless sea, _20
Flitting on, your prow before,
Like a living meteor.
When you die, the silent Moon,
In her interlunar swoon,
Is not sadder in her cell
Than deserted Ariel.
When you live again on earth,
Like an unseen star of birth,
Ariel guides you o'er the sea
Of life from your nativity. _30
Many changes have been run
Since Ferdinand and you begun
Your course of love, and Ariel still
Has tracked your steps, and served your will;
Now, in humbler, happier lot, _35
This is all remembered not;
And now, alas! the poor sprite is
Imprisoned, for some fault of his,
In a body like a grave;--
From you he only dares to crave, _40
For his service and his sorrow,
A smile today, a song tomorrow.
The artist who this idol wrought,
To echo all harmonious thought,
Felled a tree, while on the steep _45
The woods were in their winter sleep,
Rocked in that repose divine
On the wind-swept Apennine;
And dreaming, some of Autumn past,
And some of Spring approaching fast, _50
And some of April buds and showers,
And some of songs in July bowers,
And all of love; and so this tree,--
O that such our death may be! --
Died in sleep, and felt no pain, _55
To live in happier form again:
From which, beneath Heaven's fairest star,
The artist wrought this loved Guitar,
And taught it justly to reply,
To all who question skilfully, _60
In language gentle as thine own;
Whispering in enamoured tone
Sweet oracles of woods and dells,
And summer winds in sylvan cells;
For it had learned all harmonies _65
Of the plains and of the skies,
Of the forests and the mountains,
And the many-voiced fountains;
The clearest echoes of the hills,
The softest notes of falling rills, _70
The melodies of birds and bees,
The murmuring of summer seas,
And pattering rain, and breathing dew,
And airs of evening; and it knew
That seldom-heard mysterious sound, _75
Which, driven on its diurnal round,
As it floats through boundless day,
Our world enkindles on its way. --
All this it knows, but will not tell
To those who cannot question well _80
The Spirit that inhabits it;
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before,
By those who tempt it to betray _85
These secrets of an elder day:
But, sweetly as its answers will
Flatter hands of perfect skill,
It keeps its highest, holiest tone
For our beloved Jane alone. _90
NOTES:
_12 Of more than ever]Of love that never 1833.
To the wild woods and the plains, _25
To the pools where winter rains
Image all the roof of leaves,
Where the pine its garland weaves
Sapless, gray, and ivy dun
Round stems that never kiss the sun-- _30
To the sandhills of the sea,
Where the earliest violets be.
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead, _35
Rise, Memory, and write its praise!
And do thy wonted work and trace
The epitaph of glory fled;
For now the Earth has changed its face,
A frown is on the Heaven's brow. _40
We wandered to the Pine Forest
That skirts the Ocean's foam,
The lightest wind was in its nest,
The tempest in its home.
The whispering waves were half asleep, _45
The clouds were gone to play,
And on the woods, and on the deep
The smile of Heaven lay.
It seemed as if the day were one
Sent from beyond the skies, _50
Which shed to earth above the sun
A light of Paradise.
We paused amid the pines that stood,
The giants of the waste,
Tortured by storms to shapes as rude _55
With stems like serpents interlaced.
How calm it was--the silence there
By such a chain was bound,
That even the busy woodpecker
Made stiller by her sound _60
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
It seemed that from the remotest seat _65
Of the white mountain's waste
To the bright flower beneath our feet,
A magic circle traced;--
A spirit interfused around,
A thinking, silent life; _70
To momentary peace it bound
Our mortal nature's strife;--
And still, it seemed, the centre of
The magic circle there,
Was one whose being filled with love _75
The breathless atmosphere.
Were not the crocuses that grew
Under that ilex-tree
As beautiful in scent and hue
As ever fed the bee? _80
We stood beneath the pools that lie
Under the forest bough,
And each seemed like a sky
Gulfed in a world below;
A purple firmament of light _85
Which in the dark earth lay,
More boundless than the depth of night,
And clearer than the day--
In which the massy forests grew
As in the upper air, _90
More perfect both in shape and hue
Than any waving there.
Like one beloved the scene had lent
To the dark water's breast
Its every leaf and lineament _95
With that clear truth expressed;
There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud. _100
Sweet views, which in our world above
Can never well be seen,
Were imaged by the water's love
Of that fair forest green.
And all was interfused beneath _105
With an Elysian air,
An atmosphere without a breath,
A silence sleeping there.
Until a wandering wind crept by,
Like an unwelcome thought, _110
Which from my mind's too faithful eye
Blots thy bright image out.
For thou art good and dear and kind,
The forest ever green,
But less of peace in S--'s mind,
Than calm in waters, seen. _116.
***
WITH A GUITAR, TO JANE.
[Published by Medwin, "The Athenaeum", October 20, 1832; "Frazer's
Magazine", January 1833. There is a copy amongst the Trelawny
manuscripts. ]
Ariel to Miranda:--Take
This slave of Music, for the sake
Of him who is the slave of thee,
And teach it all the harmony
In which thou canst, and only thou, _5
Make the delighted spirit glow,
Till joy denies itself again,
And, too intense, is turned to pain;
For by permission and command
Of thine own Prince Ferdinand, _10
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit, Ariel, who,
From life to life, must still pursue
Your happiness;--for thus alone _15
Can Ariel ever find his own.
From Prospero's enchanted cell,
As the mighty verses tell,
To the throne of Naples, he
Lit you o'er the trackless sea, _20
Flitting on, your prow before,
Like a living meteor.
When you die, the silent Moon,
In her interlunar swoon,
Is not sadder in her cell
Than deserted Ariel.
When you live again on earth,
Like an unseen star of birth,
Ariel guides you o'er the sea
Of life from your nativity. _30
Many changes have been run
Since Ferdinand and you begun
Your course of love, and Ariel still
Has tracked your steps, and served your will;
Now, in humbler, happier lot, _35
This is all remembered not;
And now, alas! the poor sprite is
Imprisoned, for some fault of his,
In a body like a grave;--
From you he only dares to crave, _40
For his service and his sorrow,
A smile today, a song tomorrow.
The artist who this idol wrought,
To echo all harmonious thought,
Felled a tree, while on the steep _45
The woods were in their winter sleep,
Rocked in that repose divine
On the wind-swept Apennine;
And dreaming, some of Autumn past,
And some of Spring approaching fast, _50
And some of April buds and showers,
And some of songs in July bowers,
And all of love; and so this tree,--
O that such our death may be! --
Died in sleep, and felt no pain, _55
To live in happier form again:
From which, beneath Heaven's fairest star,
The artist wrought this loved Guitar,
And taught it justly to reply,
To all who question skilfully, _60
In language gentle as thine own;
Whispering in enamoured tone
Sweet oracles of woods and dells,
And summer winds in sylvan cells;
For it had learned all harmonies _65
Of the plains and of the skies,
Of the forests and the mountains,
And the many-voiced fountains;
The clearest echoes of the hills,
The softest notes of falling rills, _70
The melodies of birds and bees,
The murmuring of summer seas,
And pattering rain, and breathing dew,
And airs of evening; and it knew
That seldom-heard mysterious sound, _75
Which, driven on its diurnal round,
As it floats through boundless day,
Our world enkindles on its way. --
All this it knows, but will not tell
To those who cannot question well _80
The Spirit that inhabits it;
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before,
By those who tempt it to betray _85
These secrets of an elder day:
But, sweetly as its answers will
Flatter hands of perfect skill,
It keeps its highest, holiest tone
For our beloved Jane alone. _90
NOTES:
_12 Of more than ever]Of love that never 1833.