Evening, DON CARLOS and
HYPOLITO
meeting.
Longfellow
Yes; by the Darro's side
My childhood passed. I can remember still
The river, and the mountains capped with snow
The village, where, yet a little child,
I told the traveller's fortune in the street;
The smuggler's horse, the brigand and the shepherd;
The march across the moor; the halt at noon;
The red fire of the evening camp, that lighted
The forest where we slept; and, further back,
As in a dream or in some former life,
Gardens and palace walls.
Arch. 'T is the Alhambra,
Under whose towers the Gypsy camp was pitched.
But the time wears; and we would see thee dance.
Prec. Your Grace shall be obeyed.
(She lays aside her mantilla. The music of the cachucha is
played, and the dance begins. The ARCHBISHOP and the CARDINAL
look on with gravity and an occasional frown; then make signs to
each other; and, as the dance continues, become more and more
pleased and excited; and at length rise from their seats, throw
their caps in the air, and applaud vehemently as the scene
closes. )
SCENE III. -- The Prado. A long avenue of trees leading to the
gate of Atocha. On the right the dome and spires of a convent.
A fountain.
Evening, DON CARLOS and HYPOLITO meeting.
Don C. Hola! good evening, Don Hypolito.
Hyp. And a good evening to my friend, Don Carlos.
Some lucky star has led my steps this way.
I was in search of you.
Don. C. Command me always.
Hyp. Do you remember, in Quevedo's Dreams,
The miser, who, upon the Day of Judgment,
Asks if his money-bags would rise?
Don C. I do;
But what of that?
Hyp.
My childhood passed. I can remember still
The river, and the mountains capped with snow
The village, where, yet a little child,
I told the traveller's fortune in the street;
The smuggler's horse, the brigand and the shepherd;
The march across the moor; the halt at noon;
The red fire of the evening camp, that lighted
The forest where we slept; and, further back,
As in a dream or in some former life,
Gardens and palace walls.
Arch. 'T is the Alhambra,
Under whose towers the Gypsy camp was pitched.
But the time wears; and we would see thee dance.
Prec. Your Grace shall be obeyed.
(She lays aside her mantilla. The music of the cachucha is
played, and the dance begins. The ARCHBISHOP and the CARDINAL
look on with gravity and an occasional frown; then make signs to
each other; and, as the dance continues, become more and more
pleased and excited; and at length rise from their seats, throw
their caps in the air, and applaud vehemently as the scene
closes. )
SCENE III. -- The Prado. A long avenue of trees leading to the
gate of Atocha. On the right the dome and spires of a convent.
A fountain.
Evening, DON CARLOS and HYPOLITO meeting.
Don C. Hola! good evening, Don Hypolito.
Hyp. And a good evening to my friend, Don Carlos.
Some lucky star has led my steps this way.
I was in search of you.
Don. C. Command me always.
Hyp. Do you remember, in Quevedo's Dreams,
The miser, who, upon the Day of Judgment,
Asks if his money-bags would rise?
Don C. I do;
But what of that?
Hyp.