No More Learning

[3] These famous statues recline in the Sagrestia Nuova, on the tombs
of Giuliano de' Medici, third son of Lorenzo the Magnificent,
and Lorenzo of Urbino, his grandson. Strozzi's epigram on the
Night, with Michel Angelo's rejoinder, is well known.

[4] This mocking task was set by Pietro, the unworthy successor of
Lorenzo the Magnificent.

[5] Savonarola was burnt for his testimony against papal corruptions
as early as March, 1498: and, as late as our own day, it has
been a custom in Florence to strew with violets the pavement
where he suffered, in grateful recognition of the anniversary.

[6] See his description of the plague in Florence.

[7] Charles of Anjou, in his passage through Florence, was permitted
to see this picture while yet in Cimabue's "bottega. " The
populace followed the royal visitor, and, from the universal
delight and admiration, the quarter of the city in which the
artist lived was called "Borgo Allegri. " The picture was
carried in triumph to the church, and deposited there.

[8] How Cimabue found Giotto, the shepherd-boy, sketching a ram of
his flock upon a stone, is prettily told by Vasari,--who also
relates that the elder artist Margheritone died "infastidito"
of the successes of the new school.

[9] The Florentines, to whom the Ravennese refused the body of Dante
(demanded of them "in a late remorse of love"), have given a
cenotaph in this church to their divine poet. Something less
than a grave!

[10] In allusion to Mr. Kirkup's discovery of Giotto's fresco portrait
of Dante.

[11] Galileo's villa, close to Florence, is built on an eminence
called Bellosguardo.


PART II.
I wrote a meditation and a dream,
Hearing a little child sing in the street:
I leant upon his music as a theme,
Till it gave way beneath my heart's full beat
Which tried at an exultant prophecy
But dropped before the measure was complete--
Alas, for songs and hearts! O Tuscany,
O Dante's Florence, is the type too plain?
Didst thou, too, only sing of liberty
As little children take up a high strain
With unintentioned voices, and break off
To sleep upon their mothers' knees again?
Couldst thou not watch one hour? then, sleep enough--
That sleep may hasten manhood and sustain
The faint pale spirit with some muscular stuff.

But we, who cannot slumber as thou dost,
We thinkers, who have thought for thee and failed,
We hopers, who have hoped for thee and lost,
We poets, wandered round by dreams,[12] who hailed
From this Atrides' roof (with lintel-post
Which still drips blood,--the worse part hath prevailed)
The fire-voice of the beacons to declare
Troy taken, sorrow ended,--cozened through
A crimson sunset in a misty air,
What now remains for such as we, to do?
God's judgments, peradventure, will He bare
To the roots of thunder, if we kneel and sue?

From Casa Guidi windows I looked forth,
And saw ten thousand eyes of Florentines
Flash back the triumph of the Lombard north,--
Saw fifty banners, freighted with the signs
And exultations of the awakened earth,
Float on above the multitude in lines,
Straight to the Pitti. So, the vision went.
And so, between those populous rough hands
Raised in the sun, Duke Leopold outleant,
And took the patriot's oath which henceforth stands
Among the oaths of perjurers, eminent
To catch the lightnings ripened for these lands.

Why swear at all, thou false Duke Leopold?
What need to swear? What need to boast thy blood
Unspoilt of Austria, and thy heart unsold
Away from Florence? It was understood
God made thee not too vigorous or too bold;
And men had patience with thy quiet mood,
And women, pity, as they saw thee pace
Their festive streets with premature grey hairs.
We turned the mild dejection of thy face
To princely meanings, took thy wrinkling cares
For ruffling hopes, and called thee weak, not base.
Nay, better light the torches for more prayers
And smoke the pale Madonnas at the shrine,
Being still "our poor Grand-duke, our good Grand-duke,
Who cannot help the Austrian in his line,"--
Than write an oath upon a nation's book
For men to spit at with scorn's blurring brine!