Its literal meaning is, he
who walks, or the walker; but the ideas conveyed by it are, he who
walks by night to pilfer corn.
who walks, or the walker; but the ideas conveyed by it are, he who
walks by night to pilfer corn.
Longfellow
412.
Wagemin, the thief of cornfields,
Paimosaid, who steals the maize-ear.
"If one of the young female huskers finds a red ear of corn, it is
typical of a brave admirer, and is regarded as a fitting present to
some young warrior. But if the ear be crooked, and tapering to a
point, no matter what color, the whole circle is set in a roar, and
wa-ge-min is the word shouted aloud. It is the symbol of a thief in
the cornfield. It is considered as the image of an old man stooping
as he enters the lot. Had the chisel of Praxiteles been employed to
produce this image, it could not more vividly bring to the minds of
the merry group the idea of a pilferer of their favorite
mondamin. . . .
"The literal meaning of the term is, a mass, or crooked ear of
grain; but the ear of corn so called is a conventional type of a
little old man pilfering ears of corn in a cornfield. It is in this
manner that a single word or term, in these curious languages,
becomes the fruitful parent of many ideas. And we can thus perceive
why it is that the word wagemin is alone competent to excite
merriment in the husking circle.
"This term is taken as the basis of the cereal chorus, or corn song,
as sung by the Northern Algonquin tribes. It is coupled with the
phrase Paimosaid,--a permutative form of the Indian substantive,
made from the verb pim-o-sa, to walk.
Its literal meaning is, he
who walks, or the walker; but the ideas conveyed by it are, he who
walks by night to pilfer corn. It offers, therefore, a kind of
parallelism in expression to the preceding term. " -- Oneota, p.
254.
Pugasaing, with thirteen pieces.
This Game of the Bowl is the principal game of hazard among the
Northern tribes of Indians. Mr. Schoolcraft gives a particular
account of it in Oneota, p. 85. "This game," he says, "is very
fascinating to some portions of the Indians. They stake at it their
ornaments, weapons, clothing, canoes, horses, everything in fact
they possess; and have been known, it is said, to set up their wives
and children and even to forfeit their own liberty. Of such
desperate stakes I have seen no examples, nor do I think the game
itself in common use. It is rather confined to certain persons, who
hold the relative rank of gamblers in Indian society,--men who are
not noted as hunters or warriors, or steady providers for their
families. Among these are persons who bear the term of Iena-dizze-
wug, that is, wanderers about the country, braggadocios, or fops.
It can hardly be classed with the popular games of amusement, by
which skill and dexterity are acquired. I have generally found the
chiefs and graver men of the tribes, who encouraged the young men to
play ball, and are sure to be present at the customary sports, to
witness, and sanction, and applaud them, speak lightly and
disparagingly of this game of hazard.
Wagemin, the thief of cornfields,
Paimosaid, who steals the maize-ear.
"If one of the young female huskers finds a red ear of corn, it is
typical of a brave admirer, and is regarded as a fitting present to
some young warrior. But if the ear be crooked, and tapering to a
point, no matter what color, the whole circle is set in a roar, and
wa-ge-min is the word shouted aloud. It is the symbol of a thief in
the cornfield. It is considered as the image of an old man stooping
as he enters the lot. Had the chisel of Praxiteles been employed to
produce this image, it could not more vividly bring to the minds of
the merry group the idea of a pilferer of their favorite
mondamin. . . .
"The literal meaning of the term is, a mass, or crooked ear of
grain; but the ear of corn so called is a conventional type of a
little old man pilfering ears of corn in a cornfield. It is in this
manner that a single word or term, in these curious languages,
becomes the fruitful parent of many ideas. And we can thus perceive
why it is that the word wagemin is alone competent to excite
merriment in the husking circle.
"This term is taken as the basis of the cereal chorus, or corn song,
as sung by the Northern Algonquin tribes. It is coupled with the
phrase Paimosaid,--a permutative form of the Indian substantive,
made from the verb pim-o-sa, to walk.
Its literal meaning is, he
who walks, or the walker; but the ideas conveyed by it are, he who
walks by night to pilfer corn. It offers, therefore, a kind of
parallelism in expression to the preceding term. " -- Oneota, p.
254.
Pugasaing, with thirteen pieces.
This Game of the Bowl is the principal game of hazard among the
Northern tribes of Indians. Mr. Schoolcraft gives a particular
account of it in Oneota, p. 85. "This game," he says, "is very
fascinating to some portions of the Indians. They stake at it their
ornaments, weapons, clothing, canoes, horses, everything in fact
they possess; and have been known, it is said, to set up their wives
and children and even to forfeit their own liberty. Of such
desperate stakes I have seen no examples, nor do I think the game
itself in common use. It is rather confined to certain persons, who
hold the relative rank of gamblers in Indian society,--men who are
not noted as hunters or warriors, or steady providers for their
families. Among these are persons who bear the term of Iena-dizze-
wug, that is, wanderers about the country, braggadocios, or fops.
It can hardly be classed with the popular games of amusement, by
which skill and dexterity are acquired. I have generally found the
chiefs and graver men of the tribes, who encouraged the young men to
play ball, and are sure to be present at the customary sports, to
witness, and sanction, and applaud them, speak lightly and
disparagingly of this game of hazard.
