No More Learning

THE STAND.


For what is life, if measured by the space
Not by the act?
Or masked man, if valued by his face,
Above his fact?
Here's one outlived his peers,
And told forth fourscore years;
He vexed time, and busied the whole state;
Troubled both foes and friends;
But ever to no ends:
What did this stirrer but die late?
How well at twenty had he fallen or stood!
For three of his fourscore he did no good.


II.

THE TURN


He entered well, by virtuous parts,
Got up, and thrived with honest arts;
He purchased friends, and fame, and honours then,
And had his noble name advanced with men:
But weary of that flight,
He stooped in all men's sight
To sordid flatteries, acts of strife,
And sunk in that dead sea of life,
So deep, as he did then death's waters sup,
But that the cork of title buoyed him up.


THE COUNTER-TURN


Alas! but Morison fell young:
He never fell,--thou fall'st, my tongue.
He stood a soldier to the last right end,
A perfect patriot, and a noble friend;
But most, a virtuous son.
All offices were done
By him, so ample, full, and round,
In weight, in measure, number, sound,
As, though his age imperfect might appear,
His life was of humanity the sphere.


THE STAND


Go now, and tell out days summed up with fears,
And make them years;
Produce thy mass of miseries on the stage,
To swell thine age;
Repeat of things a throng,
To show thou hast been long,
Not lived: for life doth her great actions spell.
By what was done and wrought
In season, and so brought
To light: her measures are, how well
Each syllabe answered, and was formed, how fair;
These make the lines of life, and that's her air!


III.
THE TURN


It is not growing like a tree
In bulk, doth make men better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sear:
A lily of a day,
Is fairer far in May,
Although it fall and die that night;
It was the plant, and flower of light.
In small proportions we just beauties see;
And in short measures, life may perfect be.


THE COUNTER-TURN


Call, noble Lucius, then for wine,
And let thy looks with gladness shine:
Accept this garland, plant it on thy head
And think, nay know, thy Morison's not dead
He leaped the present age,
Possessed with holy rage
To see that bright eternal day;
Of which we priests and poets say,
Such truths, as we expect for happy men:
And there he lives with memory and Ben.


THE STAND


Jonson, who sung this of him, ere he went,
Himself to rest,
Or taste a part of that full joy he meant
To have expressed,
In this bright Asterism!
Where it were friendship's schism,
Were not his Lucius long with us to tarry,
To separate these twi-
Lights, the Dioscouri;
And keep the one half from his Harry,
But fate doth so alternate the design
Whilst that in heaven, this light on earth must shine.


IV.

THE TURN


And shine as you exalted are;
Two names of friendship, but one star:
Of hearts the union, and those not by chance
Made, or indenture, or leased out t'advance
The profits for a time.
No pleasures vain did chime,
Of rhymes, or riots, at your feasts,
Orgies of drink, or feigned protests:
But simple love of greatness and of good,
That knits brave minds and manners more than blood.


THE COUNTER-TURN


This made you first to know the why
You liked, then after, to apply
That liking; and approach so one the t'other,
Till either grew a portion of the other:
Each styled by his end,
The copy of his friend.
You lived to be the great sir-names,
And titles, by which all made claims
Unto the virtue; nothing perfect done,
But as a Cary, or a Morison.


THE STAND


And such a force the fair example had,
As they that saw
The good, and durst not practise it, were glad
That such a law
Was left yet to mankind;
Where they might read and find
Friendship, indeed, was written not in words;
And with the heart, not pen,
Of two so early men,
Whose lines her rolls were, and records;
Who, ere the first down bloomed upon the chin,
Had sowed these fruits, and got the harvest in.


PRAELUDIUM.


AND must I sing? What subject shall I choose!
Or whose great name in poets' heaven use,
For the more countenance to my active muse?

Hercules?