Criticism never stops short nor
ever wants for subjects on which to exercise itself: even if those I am
able to foresee were taken from it, it would soon have discovered others.
ever wants for subjects on which to exercise itself: even if those I am
able to foresee were taken from it, it would soon have discovered others.
La Fontaine
It may be said that I should
have done better to have suppressed certain details, or at least to have
disguised them. Nothing was more easy, but it would have weakened the
tale and taken away some of its charm: So much circumspection is only
necessary in works which promise great discretion from the beginning,
either by their subject or by the manner in which they are treated. I
confess that it is necessary to keep within certain limits, and that the
narrowest are the best; also it must be allowed me that to be too
scrupulous would spoil all. He who would wish to reduce Boccaccio to the
same modesty as Virgil, would assuredly produce nothing worth having, and
would sin against the laws of propriety by setting himself the task to
observe them. For in order that one may not make a mistake in matters
of verse and prose, extreme modesty and propriety are two very different
things. Cicero makes the latter consist in saying what is appropriate
one should say, considering the place, the time, and the persons to whom
one is speaking. This principle once admitted, it is not a fault of
judgment to entertain the people of to-day with Tales which are a little
broad. Neither do I sin in that against morality. If there is anything
in our writings which is capable of making an impression on the mind, it
is by no means the gaiety of these Tales; it passes off lightly; I should
rather fear a tranquil melancholy, into which the most chaste and modest
novels are very capable of plunging us, and which is a great preparation
for love. As to the second objection, by which people reproach me that
this book does wrong to womankind, they would be right if I were
speaking seriously: but who does not see that this is all in jest,
and consequently cannot injure? We must not be afraid on that account
that marriages in the future will be less frequent, and husbands more on
their guard. It may still be objected that these Tales are unfounded or
that they have everywhere a foundation easy to destroy; in short that
they are absurdities and have not the least tinge of probability.
I reply in a few words that I have my authorities: and besides it is
neither truth nor probability which makes the beauty and the charm of
these Tales: it is only the manner of telling them. These are the
principal points on which I have thought it necessary to defend myself.
I abandon the rest to the censors; the more so as it would be an infinite
undertaking to pretend to reply to all.
Criticism never stops short nor
ever wants for subjects on which to exercise itself: even if those I am
able to foresee were taken from it, it would soon have discovered others.
TALES AND NOVELS
OF
J. DE LA FONTAINE
. . . . . . .
JOCONDE
IN Lombardy's fair land, in days of yore,
Once dwelt a prince, of youthful charms, a store;
Each FAIR, with anxious look, his favours sought,
And ev'ry heart within his net was caught.
Quite proud of beauteous form and smart address,
In which the world was led to acquiesce,
He cried one day, while ALL attention paid,
I'll bet a million, Nature never made
Beneath the sun, another man like me,
Whose symmetry with mine can well agree.
If such exist, and here will come, I swear
I'll show him ev'ry lib'ral princely care.
A noble Roman, who the challenge heard,
This answer gave the king his soul preferr'd
--Great prince, if you would see a handsome man,
To have my brother here should be your plan;
A frame more perfect Nature never gave;
But this to prove, your courtly dames I crave;
May judge the fact, when I'm convinc'd they'll find:
Like you, the youth will please all womankind;
And since so many sweets at once may cloy,
'Twere well to have a partner in your joy.
THE king, surpris'd, expressed a wish to view
This brother, form'd by lines so very true;
We'll see, said he, if here his charms divine
Attract the heart of ev'ry nymph, like mine;
And should success attend our am'rous lord,
To you, my friend, full credit we'll accord.
AWAY the Roman flew, Joconde to get,
(So nam'd was he in whom these features met;)
'Midst woods and lawns, retir'd from city strife,
And lately wedded to a beauteous wife;
If bless'd, I know not; but with such a fair,
On him must rest the folly to despair.
THE Roman courtier came, his business told
The brilliant offers from the monarch bold;
His mission had success, but still the youth
Distraction felt, which 'gan to shake his truth;
A pow'rful monarch's favour there he view'd;
A partner here, with melting tears bedew'd;
And while he wavered on the painful choice,
She thus address'd her spouse with plaintive voice:
CAN you, Joconde, so truly cruel prove,
To quit my fervent love in courts to move?
have done better to have suppressed certain details, or at least to have
disguised them. Nothing was more easy, but it would have weakened the
tale and taken away some of its charm: So much circumspection is only
necessary in works which promise great discretion from the beginning,
either by their subject or by the manner in which they are treated. I
confess that it is necessary to keep within certain limits, and that the
narrowest are the best; also it must be allowed me that to be too
scrupulous would spoil all. He who would wish to reduce Boccaccio to the
same modesty as Virgil, would assuredly produce nothing worth having, and
would sin against the laws of propriety by setting himself the task to
observe them. For in order that one may not make a mistake in matters
of verse and prose, extreme modesty and propriety are two very different
things. Cicero makes the latter consist in saying what is appropriate
one should say, considering the place, the time, and the persons to whom
one is speaking. This principle once admitted, it is not a fault of
judgment to entertain the people of to-day with Tales which are a little
broad. Neither do I sin in that against morality. If there is anything
in our writings which is capable of making an impression on the mind, it
is by no means the gaiety of these Tales; it passes off lightly; I should
rather fear a tranquil melancholy, into which the most chaste and modest
novels are very capable of plunging us, and which is a great preparation
for love. As to the second objection, by which people reproach me that
this book does wrong to womankind, they would be right if I were
speaking seriously: but who does not see that this is all in jest,
and consequently cannot injure? We must not be afraid on that account
that marriages in the future will be less frequent, and husbands more on
their guard. It may still be objected that these Tales are unfounded or
that they have everywhere a foundation easy to destroy; in short that
they are absurdities and have not the least tinge of probability.
I reply in a few words that I have my authorities: and besides it is
neither truth nor probability which makes the beauty and the charm of
these Tales: it is only the manner of telling them. These are the
principal points on which I have thought it necessary to defend myself.
I abandon the rest to the censors; the more so as it would be an infinite
undertaking to pretend to reply to all.
Criticism never stops short nor
ever wants for subjects on which to exercise itself: even if those I am
able to foresee were taken from it, it would soon have discovered others.
TALES AND NOVELS
OF
J. DE LA FONTAINE
. . . . . . .
JOCONDE
IN Lombardy's fair land, in days of yore,
Once dwelt a prince, of youthful charms, a store;
Each FAIR, with anxious look, his favours sought,
And ev'ry heart within his net was caught.
Quite proud of beauteous form and smart address,
In which the world was led to acquiesce,
He cried one day, while ALL attention paid,
I'll bet a million, Nature never made
Beneath the sun, another man like me,
Whose symmetry with mine can well agree.
If such exist, and here will come, I swear
I'll show him ev'ry lib'ral princely care.
A noble Roman, who the challenge heard,
This answer gave the king his soul preferr'd
--Great prince, if you would see a handsome man,
To have my brother here should be your plan;
A frame more perfect Nature never gave;
But this to prove, your courtly dames I crave;
May judge the fact, when I'm convinc'd they'll find:
Like you, the youth will please all womankind;
And since so many sweets at once may cloy,
'Twere well to have a partner in your joy.
THE king, surpris'd, expressed a wish to view
This brother, form'd by lines so very true;
We'll see, said he, if here his charms divine
Attract the heart of ev'ry nymph, like mine;
And should success attend our am'rous lord,
To you, my friend, full credit we'll accord.
AWAY the Roman flew, Joconde to get,
(So nam'd was he in whom these features met;)
'Midst woods and lawns, retir'd from city strife,
And lately wedded to a beauteous wife;
If bless'd, I know not; but with such a fair,
On him must rest the folly to despair.
THE Roman courtier came, his business told
The brilliant offers from the monarch bold;
His mission had success, but still the youth
Distraction felt, which 'gan to shake his truth;
A pow'rful monarch's favour there he view'd;
A partner here, with melting tears bedew'd;
And while he wavered on the painful choice,
She thus address'd her spouse with plaintive voice:
CAN you, Joconde, so truly cruel prove,
To quit my fervent love in courts to move?