Not without cause therefore
some both Italian and Spanish Poets of prime note have rejected Rime
both in longer and shorter Works, as have also long since our best
English Tragedies, as a thing of it self, to all judicious eares,
triveal and of no true musical delight: which consists only in apt
Numbers, fit quantity of Syllables, and the sense variously drawn out
from one Verse into another, not in the jingling sound of like endings,
a fault avoyded by the learned Ancients both in Poetry and all good
Oratory This neglect then of Rime so little is to be taken for a defect
though it may seem so perhaps to vulgar Readers, that it rather is to be
esteem'd an example set, the first in English, of ancient liberty
recover'd to Heroic Poem from the troublesom and modern bondage of
Rimeing.
some both Italian and Spanish Poets of prime note have rejected Rime
both in longer and shorter Works, as have also long since our best
English Tragedies, as a thing of it self, to all judicious eares,
triveal and of no true musical delight: which consists only in apt
Numbers, fit quantity of Syllables, and the sense variously drawn out
from one Verse into another, not in the jingling sound of like endings,
a fault avoyded by the learned Ancients both in Poetry and all good
Oratory This neglect then of Rime so little is to be taken for a defect
though it may seem so perhaps to vulgar Readers, that it rather is to be
esteem'd an example set, the first in English, of ancient liberty
recover'd to Heroic Poem from the troublesom and modern bondage of
Rimeing.
Milton
Note: On Paradise Lost] Added in the second edition 1674.
The Printer to the Reader.
Courteous Reader, there was no Argument at first intended to the Book,
but for the satisfaction of many that have desired it, I have procur'd
it, and withall a reason of that which stumbled many others, why the
Poem Rimes not. S. Simmons.
Notes: The Printer to the Reader] Added in 1668 to the copies then
remaining of the first edition, amended in 1669, and omitted in 1670. I
have procur'd it, and. . . . not. 1669] is procured. 1668.
THE VERSE.
THE measure is English Heroic Verse without Rime as that of Homer in
Greek, and of Virgil in Latin; Rime being no necessary Adjunct or true
Ornament of Poem or good Verse, in longer Works especially, but the
Invention of a barbarous Age, to set off wretched matter and lame
Meeter; grac't indeed since by the use of some famous modern Poets,
carried away by Custom, but much to thir own vexation, hindrance, and
constraint to express many things otherwise, and for the most part worse
then else they would have exprest them.
Not without cause therefore
some both Italian and Spanish Poets of prime note have rejected Rime
both in longer and shorter Works, as have also long since our best
English Tragedies, as a thing of it self, to all judicious eares,
triveal and of no true musical delight: which consists only in apt
Numbers, fit quantity of Syllables, and the sense variously drawn out
from one Verse into another, not in the jingling sound of like endings,
a fault avoyded by the learned Ancients both in Poetry and all good
Oratory This neglect then of Rime so little is to be taken for a defect
though it may seem so perhaps to vulgar Readers, that it rather is to be
esteem'd an example set, the first in English, of ancient liberty
recover'd to Heroic Poem from the troublesom and modern bondage of
Rimeing.
Note: The Verse] Added in 1668 to the copies then remaining of the first
edition; together with the Argument. In the second edition (1674) the
Argument, with the necessary adjustment to the division made in Books
vii and x, was distributed through the several books of the poem, as it
is here printed.
BOOK I.
THE ARGUMENT.
THIS first Book proposes first in brief the whole Subject, Mans
disobedience, and the loss thereupon of Paradise wherein he was plac't:
Then touches the prime cause of his fall, the Serpent, or rather Satan
in the Serpent; who revolting from God, and drawing to his side many
Legions of Angels, was by the command of God driven out of Heaven with
all his Crew into the great Deep. Which action past over, the Poem hasts
into the midst of things, presenting Satan with his Angels now fallen
into Hell describ'd here, not in the Center (for Heaven and Earth may be
suppos'd as yet not made, certainly not yet accurst) but in a place of
utter darknesse, fitliest call'd Chaos: Here Satan with his Angels lying
on the burning Lake, thunder-struck and astonisht, after a certain space
recovers, as from confusion, calls up him who next in Order and Dignity
lay by him; they confer of thir miserable fall. Satan awakens all his
Legions, who lay till then in the same manner confounded; They rise,
thir Numbers, array of Battel, thir chief Leaders nam'd according to the
Idols known afterwards in Canaan and the Countries adjoyning. To these
Satan directs his Speech, comforts them with hope yet of gaining Heaven,
but tells them lastly of a new World and new kind of Creature to be
created, according to an ancient Prophesie or report in Heaven; for that
Angels were long before this visible Creation, was the opinion of many
ancient Fathers. To find out the truth of this Prophesie, and what to
determin thereon he refers to a full councell. What his Associates
thence attempt. Pandemonium the palace of Satan rises, suddenly built
out of the Deep: The infernal Peers there sit in Counsel.
Of Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heav'nly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav'ns and Earth
Rose out of Chaos: Or if Sion Hill 10
Delight thee more, and Siloa's Brook that flow'd
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th' Aonian Mount, while it pursues
Things unattempted yet in Prose or Rhime.
And chiefly Thou O Spirit, that dost prefer
Before all Temples th' upright heart and pure,
Instruct me, for Thou know'st; Thou from the first
Wast present, and with mighty wings outspread 20
Dove-like satst brooding on the vast Abyss
And mad'st it pregnant: What in me is dark
Illumine, what is low raise and support;
That to the highth of this great Argument
I may assert th' Eternal Providence,
And justifie the wayes of God to men.
Say first, for Heav'n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov'd our Grand Parents in that happy State,
Favour'd of Heav'n so highly, to fall off 30
From their Creator, and transgress his Will
For one restraint, Lords of the World besides?
Who first seduc'd them to that fowl revolt?