No palace, with a lofty gate, he wants,
T' admit the tides of early visitants,
With eager eyes devouring, as they pass,
The breathing figures of Corinthian brass;
No statues threaten, from high pedestals;
No Persian arras hides his homely walls,
With antic vests, which, through their shady fold,
Betray the streaks of ill-dissembled gold:
He boasts no wool, whose native white is dy'd
With purple poison of Assyrian pride:
No costly drugs of Araby defile,
With foreign scents, the sweetness of his oil:
But easy quiet, a secure retreat,
A harmless life that knows not how to cheat,
With home-bred plenty, the rich owner bless;
And rural pleasures crown his happiness.
T' admit the tides of early visitants,
With eager eyes devouring, as they pass,
The breathing figures of Corinthian brass;
No statues threaten, from high pedestals;
No Persian arras hides his homely walls,
With antic vests, which, through their shady fold,
Betray the streaks of ill-dissembled gold:
He boasts no wool, whose native white is dy'd
With purple poison of Assyrian pride:
No costly drugs of Araby defile,
With foreign scents, the sweetness of his oil:
But easy quiet, a secure retreat,
A harmless life that knows not how to cheat,
With home-bred plenty, the rich owner bless;
And rural pleasures crown his happiness.
Oxford Book of Latin Verse
H.
WARREN.
I append Clough's _Lines Written in a Lecture Room_. The theme is that
of Vergil inverted. But the mood in either poet is the same--that mood
of passionate revolt against academicism which never comes to some
people and never departs from others:
AWAY, haunt thou not me,
Thou dull Philosophy!
Little hast thou bestead,
Save to perplex the head
And leave the spirit dead.
Unto thy broken cisterns wherefore go,
While from the secret treasure-depths below,
Fed by the skiey shower,
And clouds that sink and rest on hill-tops high,
Wisdom at once and Power,
Are welling, bubbling forth, unseen, incessantly?
Why labour at the dull mechanic oar,
When the fresh breeze is blowing,
And the strong current flowing,
Right onward to the Eternal Shore?
A. H. CLOUGH.
_116_
Dryden's version of this piece shows him at his best as a translator of
Vergil. 'Methinks I come,' he writes, 'like a malefactor, to make a
speech upon the gallows, and to warn all other poets, by my sad example,
from the sacrilege of translating Vergil. ' But in the _Georgics_, at any
rate, which he reckons 'more perfect in their kind than even the divine
Aeneids,' he can challenge comparison with most of his rivals.
O HAPPY, if he knew his happy state,
The swain, who, free from bus'ness and debate,
Receives his easy food from Nature's hand,
And just returns of cultivated land!
No palace, with a lofty gate, he wants,
T' admit the tides of early visitants,
With eager eyes devouring, as they pass,
The breathing figures of Corinthian brass;
No statues threaten, from high pedestals;
No Persian arras hides his homely walls,
With antic vests, which, through their shady fold,
Betray the streaks of ill-dissembled gold:
He boasts no wool, whose native white is dy'd
With purple poison of Assyrian pride:
No costly drugs of Araby defile,
With foreign scents, the sweetness of his oil:
But easy quiet, a secure retreat,
A harmless life that knows not how to cheat,
With home-bred plenty, the rich owner bless;
And rural pleasures crown his happiness.
Unvex'd with quarrels, undisturb'd with noise,
The country king his peaceful realm enjoys--
Cool grots, and living lakes, the flow'ry pride
Of meads, and streams that through the valley glide,
And shady groves that easy sleep invite,
And, after toilsome days, a sweet repose at night.
Wild beasts of nature in his woods abound;
And youth of labour patient, plough the ground,
Inur'd to hardship, and to homely fare.
Nor venerable age is wanting there,
In great examples to the youthful train;
Nor are the gods ador'd with rites profane.
From hence Astraea took her flight, and here
The prints of her departing steps appear.
Ye sacred muses! with whose beauty fir'd,
My soul is ravish'd, and my brain inspir'd--
Whose priest I am, whose holy fillets wear--
Would you your poet's first petition hear;
Give me the ways of wand'ring stars to know,
The depths of heav'n above, and earth below:
Teach me the various labours of the moon,
And whence proceed th' eclipses of the sun;
Why flowing tides prevail upon the main,
And in what dark recess they shrink again;
What shakes the solid earth; what cause delays
The summer nights, and shortens winter days.
But if my heavy blood restrain the flight
Of my free soul, aspiring to the height
Of nature, and unclouded fields of light--
My next desire is, void of care and strife,
To lead a soft, secure, inglorious life--
A country cottage near a crystal flood,
A winding valley, and a lofty wood.
Some god conduct me to the sacred shades,
Where Bacchanals are sung by Spartan maids,
Or lift me high to Haemus' hilly crown,
Or in the plains of Tempe lay me down,
Or lead me to some solitary place,
And cover my retreat from human race.
Happy the man, who, studying Nature's laws,
Through known effects can trace the secret cause--
His mind possessing in a quiet state,
Fearless of Fortune, and resign'd to Fate!
And happy too is he, who decks the bow'rs
Of sylvans, and adores the rural pow'rs--
Whose mind, unmov'd, the bribes of courts can see,
Their glitt'ring baits, and purple slavery--
Nor hopes the people's praise, nor fears their frown,
Nor, when contending kindred tear the crown,
Will set up one, or pull another down.
Without concern he hears, but hears from far,
Of tumults, and descents, and distant war;
Nor with a superstitious fear is aw'd,
For what befalls at home or what abroad.
Nor envies he the rich their happy store,
Nor his own peace disturbs with pity for the poor.
He feeds on fruits, which of their own accord,
The willing ground and laden trees afford.
From his lov'd home no lucre him can draw;
The senate's mad decrees he never saw:
Nor heard, at bawling bars, corrupted law.
Some to the seas, and some to camps, resort;
And some with impudence invade the court:
In foreign countries, others seek renown;
With wars and taxes, others waste their own,
And houses burn, and household gods deface,
To drink in bowls which glitt'ring gems enchase,
To loll on couches, rich with citron steds,
And lay their guilty limbs on Tyrian beds.
I append Clough's _Lines Written in a Lecture Room_. The theme is that
of Vergil inverted. But the mood in either poet is the same--that mood
of passionate revolt against academicism which never comes to some
people and never departs from others:
AWAY, haunt thou not me,
Thou dull Philosophy!
Little hast thou bestead,
Save to perplex the head
And leave the spirit dead.
Unto thy broken cisterns wherefore go,
While from the secret treasure-depths below,
Fed by the skiey shower,
And clouds that sink and rest on hill-tops high,
Wisdom at once and Power,
Are welling, bubbling forth, unseen, incessantly?
Why labour at the dull mechanic oar,
When the fresh breeze is blowing,
And the strong current flowing,
Right onward to the Eternal Shore?
A. H. CLOUGH.
_116_
Dryden's version of this piece shows him at his best as a translator of
Vergil. 'Methinks I come,' he writes, 'like a malefactor, to make a
speech upon the gallows, and to warn all other poets, by my sad example,
from the sacrilege of translating Vergil. ' But in the _Georgics_, at any
rate, which he reckons 'more perfect in their kind than even the divine
Aeneids,' he can challenge comparison with most of his rivals.
O HAPPY, if he knew his happy state,
The swain, who, free from bus'ness and debate,
Receives his easy food from Nature's hand,
And just returns of cultivated land!
No palace, with a lofty gate, he wants,
T' admit the tides of early visitants,
With eager eyes devouring, as they pass,
The breathing figures of Corinthian brass;
No statues threaten, from high pedestals;
No Persian arras hides his homely walls,
With antic vests, which, through their shady fold,
Betray the streaks of ill-dissembled gold:
He boasts no wool, whose native white is dy'd
With purple poison of Assyrian pride:
No costly drugs of Araby defile,
With foreign scents, the sweetness of his oil:
But easy quiet, a secure retreat,
A harmless life that knows not how to cheat,
With home-bred plenty, the rich owner bless;
And rural pleasures crown his happiness.
Unvex'd with quarrels, undisturb'd with noise,
The country king his peaceful realm enjoys--
Cool grots, and living lakes, the flow'ry pride
Of meads, and streams that through the valley glide,
And shady groves that easy sleep invite,
And, after toilsome days, a sweet repose at night.
Wild beasts of nature in his woods abound;
And youth of labour patient, plough the ground,
Inur'd to hardship, and to homely fare.
Nor venerable age is wanting there,
In great examples to the youthful train;
Nor are the gods ador'd with rites profane.
From hence Astraea took her flight, and here
The prints of her departing steps appear.
Ye sacred muses! with whose beauty fir'd,
My soul is ravish'd, and my brain inspir'd--
Whose priest I am, whose holy fillets wear--
Would you your poet's first petition hear;
Give me the ways of wand'ring stars to know,
The depths of heav'n above, and earth below:
Teach me the various labours of the moon,
And whence proceed th' eclipses of the sun;
Why flowing tides prevail upon the main,
And in what dark recess they shrink again;
What shakes the solid earth; what cause delays
The summer nights, and shortens winter days.
But if my heavy blood restrain the flight
Of my free soul, aspiring to the height
Of nature, and unclouded fields of light--
My next desire is, void of care and strife,
To lead a soft, secure, inglorious life--
A country cottage near a crystal flood,
A winding valley, and a lofty wood.
Some god conduct me to the sacred shades,
Where Bacchanals are sung by Spartan maids,
Or lift me high to Haemus' hilly crown,
Or in the plains of Tempe lay me down,
Or lead me to some solitary place,
And cover my retreat from human race.
Happy the man, who, studying Nature's laws,
Through known effects can trace the secret cause--
His mind possessing in a quiet state,
Fearless of Fortune, and resign'd to Fate!
And happy too is he, who decks the bow'rs
Of sylvans, and adores the rural pow'rs--
Whose mind, unmov'd, the bribes of courts can see,
Their glitt'ring baits, and purple slavery--
Nor hopes the people's praise, nor fears their frown,
Nor, when contending kindred tear the crown,
Will set up one, or pull another down.
Without concern he hears, but hears from far,
Of tumults, and descents, and distant war;
Nor with a superstitious fear is aw'd,
For what befalls at home or what abroad.
Nor envies he the rich their happy store,
Nor his own peace disturbs with pity for the poor.
He feeds on fruits, which of their own accord,
The willing ground and laden trees afford.
From his lov'd home no lucre him can draw;
The senate's mad decrees he never saw:
Nor heard, at bawling bars, corrupted law.
Some to the seas, and some to camps, resort;
And some with impudence invade the court:
In foreign countries, others seek renown;
With wars and taxes, others waste their own,
And houses burn, and household gods deface,
To drink in bowls which glitt'ring gems enchase,
To loll on couches, rich with citron steds,
And lay their guilty limbs on Tyrian beds.
