Quenched in his blood,
the lamp he had trimmed with a skilful hand gave no more light; the
language of Tully and Virgil soon ceased to be spoken; and many ages
were to pass away, before learned diligence restored its purity, and the
union of genius with imitation taught a few modern writers to surpass in
eloquence the Latinity of Boethius.
the lamp he had trimmed with a skilful hand gave no more light; the
language of Tully and Virgil soon ceased to be spoken; and many ages
were to pass away, before learned diligence restored its purity, and the
union of genius with imitation taught a few modern writers to surpass in
eloquence the Latinity of Boethius.
Chaucer - Boethius
has _thilke_[I-13] and
_-nesse_.
For further differences the reader may consult the numerous collations
at the foot of the page.
If the Chaucer Society obtains that amount of patronage from the
literary public which it deserves, but unfortunately has yet not
succeeded in getting, so that it may be enabled to go on with the great
work which has been so successfully commenced, then the time may come
when I shall have the opportunity of editing the Camb. MS. of Chaucer's
Boethius for that Society, and lovers of Early English Literature will
have two texts instead of one.
[Footnote I-11: See pages 39, 50, 61, 94, 111, 133, 149, 153,
159. ]
[Footnote I-12: In the Canterbury Tales we find participles in
_-ynge_. ]
[Footnote I-13: It is nearly always _thilke_ in the Canterbury
Tales. ]
APPENDIX TO INTRODUCTION.
The last of the ancients, and one who forms a link between the classical
period of literature and that of the middle ages, in which he was a
favourite author, is Boethius, a man of fine genius, and interesting
both from his character and his death. It is well known that after
filling the dignities of Consul and Senator in the court of Theodoric,
he fell a victim to the jealousy of a sovereign, from whose memory, in
many respects glorious, the stain of that blood has never been effaced.
The _Consolation of Philosophy_, the chief work of Boethius, was written
in his prison. Few books are more striking from the circumstances of
their production. Last of the classic writers, in style not impure,
though displaying too lavishly that poetic exuberance which had
distinguished the two or three preceding centuries, in elevation of
sentiment equal to any of the philosophers, and mingling a Christian
sanctity with their lessons, he speaks from his prison in the swan-like
tones of dying eloquence. The philosophy that consoled him in bonds, was
soon required in the sufferings of a cruel death.
Quenched in his blood,
the lamp he had trimmed with a skilful hand gave no more light; the
language of Tully and Virgil soon ceased to be spoken; and many ages
were to pass away, before learned diligence restored its purity, and the
union of genius with imitation taught a few modern writers to surpass in
eloquence the Latinity of Boethius. --(Hallam's _Literature of Europe_,
i. 2, 4th ed. 1854. )
The Senator Boethius is the last of the Romans whom Cato or Tully could
have acknowledged for their countryman. As a wealthy orphan, he
inherited the patrimony and honours of the Anician family, a name
ambitiously assumed by the kings and emperors of the age; and the
appellation of Manlius asserted his genuine or fabulous descent from a
race of consuls and dictators, who had repulsed the Gauls from the
Capitol, and sacrificed their sons to the discipline of the Republic. In
the youth of Boethius the studies of Rome were not totally abandoned; a
Virgil is now extant, corrected by the hand of a consul; and the
professors of grammar, rhetoric, and jurisprudence, were maintained in
their privileges and pensions by the liberality of the Goths. But the
erudition of the Latin language was insufficient to satiate his ardent
curiosity; and Boethius is said to have employed eighteen laborious
years in the schools of Athens, which were supported by the zeal, the
learning, and the diligence of Proclus and his disciples. The reason and
piety of their Roman pupil were fortunately saved from the contagion of
mystery and magic, which polluted the groves of the Academy, but he
imbibed the spirit, and imitated the method, of his dead and living
masters, who attempted to reconcile the strong and subtle sense of
Aristotle with the devout contemplation and sublime fancy of Plato.
After his return to Rome, and his marriage with the daughter of his
friend, the patrician Symmachus, Boethius still continued, in a palace
of ivory and [glass] to prosecute the same studies. The Church was
edified by his profound defence of the orthodox creed against the Arian,
the Eutychian, and the Nestorian heresies; and the Catholic unity was
explained or exposed in a formal treatise by the _indifference_ of three
distinct though consubstantial persons. For the benefit of his Latin
readers, his genius submitted to teach the first elements of the arts
and sciences of Greece. The geometry of Euclid, the music of Pythagoras,
the arithmetic of Nicomachus, the mechanics of Archimedes, the astronomy
of Ptolemy, the theology of Plato, and the logic of Aristotle, with the
commentary of Porphyry, were translated and illustrated by the
indefatigable pen of the Roman senator. And he alone was esteemed
capable of describing the wonders of art, a sun-dial, a water-clock, or
a sphere which represented the motions of the planets. From these
abstruse speculations, Boethius stooped, or, to speak more truly, he
rose to the social duties of public and private life: the indigent were
relieved by his liberality; and his eloquence, which flattery might
compare to the voice of Demosthenes or Cicero, was uniformly exerted in
the cause of innocence and humanity. Such conspicuous merit was felt and
rewarded by a discerning prince: the dignity of Boethius was adorned
with the titles of consul and patrician, and his talents were usefully
employed in the important station of master of the offices.
_-nesse_.
For further differences the reader may consult the numerous collations
at the foot of the page.
If the Chaucer Society obtains that amount of patronage from the
literary public which it deserves, but unfortunately has yet not
succeeded in getting, so that it may be enabled to go on with the great
work which has been so successfully commenced, then the time may come
when I shall have the opportunity of editing the Camb. MS. of Chaucer's
Boethius for that Society, and lovers of Early English Literature will
have two texts instead of one.
[Footnote I-11: See pages 39, 50, 61, 94, 111, 133, 149, 153,
159. ]
[Footnote I-12: In the Canterbury Tales we find participles in
_-ynge_. ]
[Footnote I-13: It is nearly always _thilke_ in the Canterbury
Tales. ]
APPENDIX TO INTRODUCTION.
The last of the ancients, and one who forms a link between the classical
period of literature and that of the middle ages, in which he was a
favourite author, is Boethius, a man of fine genius, and interesting
both from his character and his death. It is well known that after
filling the dignities of Consul and Senator in the court of Theodoric,
he fell a victim to the jealousy of a sovereign, from whose memory, in
many respects glorious, the stain of that blood has never been effaced.
The _Consolation of Philosophy_, the chief work of Boethius, was written
in his prison. Few books are more striking from the circumstances of
their production. Last of the classic writers, in style not impure,
though displaying too lavishly that poetic exuberance which had
distinguished the two or three preceding centuries, in elevation of
sentiment equal to any of the philosophers, and mingling a Christian
sanctity with their lessons, he speaks from his prison in the swan-like
tones of dying eloquence. The philosophy that consoled him in bonds, was
soon required in the sufferings of a cruel death.
Quenched in his blood,
the lamp he had trimmed with a skilful hand gave no more light; the
language of Tully and Virgil soon ceased to be spoken; and many ages
were to pass away, before learned diligence restored its purity, and the
union of genius with imitation taught a few modern writers to surpass in
eloquence the Latinity of Boethius. --(Hallam's _Literature of Europe_,
i. 2, 4th ed. 1854. )
The Senator Boethius is the last of the Romans whom Cato or Tully could
have acknowledged for their countryman. As a wealthy orphan, he
inherited the patrimony and honours of the Anician family, a name
ambitiously assumed by the kings and emperors of the age; and the
appellation of Manlius asserted his genuine or fabulous descent from a
race of consuls and dictators, who had repulsed the Gauls from the
Capitol, and sacrificed their sons to the discipline of the Republic. In
the youth of Boethius the studies of Rome were not totally abandoned; a
Virgil is now extant, corrected by the hand of a consul; and the
professors of grammar, rhetoric, and jurisprudence, were maintained in
their privileges and pensions by the liberality of the Goths. But the
erudition of the Latin language was insufficient to satiate his ardent
curiosity; and Boethius is said to have employed eighteen laborious
years in the schools of Athens, which were supported by the zeal, the
learning, and the diligence of Proclus and his disciples. The reason and
piety of their Roman pupil were fortunately saved from the contagion of
mystery and magic, which polluted the groves of the Academy, but he
imbibed the spirit, and imitated the method, of his dead and living
masters, who attempted to reconcile the strong and subtle sense of
Aristotle with the devout contemplation and sublime fancy of Plato.
After his return to Rome, and his marriage with the daughter of his
friend, the patrician Symmachus, Boethius still continued, in a palace
of ivory and [glass] to prosecute the same studies. The Church was
edified by his profound defence of the orthodox creed against the Arian,
the Eutychian, and the Nestorian heresies; and the Catholic unity was
explained or exposed in a formal treatise by the _indifference_ of three
distinct though consubstantial persons. For the benefit of his Latin
readers, his genius submitted to teach the first elements of the arts
and sciences of Greece. The geometry of Euclid, the music of Pythagoras,
the arithmetic of Nicomachus, the mechanics of Archimedes, the astronomy
of Ptolemy, the theology of Plato, and the logic of Aristotle, with the
commentary of Porphyry, were translated and illustrated by the
indefatigable pen of the Roman senator. And he alone was esteemed
capable of describing the wonders of art, a sun-dial, a water-clock, or
a sphere which represented the motions of the planets. From these
abstruse speculations, Boethius stooped, or, to speak more truly, he
rose to the social duties of public and private life: the indigent were
relieved by his liberality; and his eloquence, which flattery might
compare to the voice of Demosthenes or Cicero, was uniformly exerted in
the cause of innocence and humanity. Such conspicuous merit was felt and
rewarded by a discerning prince: the dignity of Boethius was adorned
with the titles of consul and patrician, and his talents were usefully
employed in the important station of master of the offices.
