And when I answer you, some days
Vaguely and wildly, do not fear
That my love walks forbidden ways,
Breaking the ties that hold it here.
Vaguely and wildly, do not fear
That my love walks forbidden ways,
Breaking the ties that hold it here.
Abercrombie - Georgian Poetry 1920-22
.
.
Till flashes a glimpse of blue sea through the bracken asway,
And my world is again a tumult of windy sea.
* * * * *
ROBERT GRAVES
LOST LOVE
His eyes are quickened so with grief,
He can watch a grass or leaf
Every instant grow; he can
Clearly through a flint wall see,
Or watch the startled spirit flee
From the throat of a dead man.
Across two counties he can hear,
And catch your words before you speak.
The woodlouse or the maggot's weak
Clamour rings in his sad ear;
And noise so slight it would surpass
Credence:--drinking sound of grass,
Worm-talk, clashing jaws of moth
Chumbling holes in cloth:
The groan of ants who undertake
Gigantic loads for honour's sake--
Their sinews creak, their breath comes thin:
Whir of spiders when they spin,
And minute whispering, mumbling, sighs
Of idle grubs and flies.
This man is quickened so with grief,
He wanders god-like or like thief
Inside and out, below, above,
Without relief seeking lost love.
MORNING PHOENIX
In my body lives a flame,
Flame that burns me all the day;
When a fierce sun does the same,
I am charred away.
Who could keep a smiling wit,
Roasted so in heart and hide,
Turning on the sun's red spit,
Scorched by love inside?
Caves I long for and cold rocks,
Minnow-peopled country brooks,
Blundering gales of Equinox,
Sunless valley-nooks,
Daily so I might restore
Calcined heart and shrivelled skin,
A morning phoenix with proud roar
Kindled new within.
A LOVER SINCE CHILDHOOD
Tangled in thought am I,
Stumble in speech do I?
Do I blunder and blush for the reason why?
Wander aloof do I,
Lean over gates and sigh,
Making friends with the bee and the butterfly?
If thus and thus I do,
Dazed by the thought of you,
Walking my sorrowful way in the early dew,
My heart cut through and through
In this despair of you,
Starved for a word or a look will my hope renew:
Give then a thought for me
Walking so miserably,
Wanting relief in the friendship of flower or tree;
Do but remember, we
Once could in love agree,
Swallow your pride, let us be as we used to be.
SULLEN MOODS
Love, do not count your labour lost
Though I turn sullen, grim, retired
Even at your side; my thought is crossed
With fancies by old longings fired.
And when I answer you, some days
Vaguely and wildly, do not fear
That my love walks forbidden ways,
Breaking the ties that hold it here.
If I speak gruffly, this mood is
Mere indignation at my own
Shortcomings, plagues, uncertainties;
I forget the gentler tone.
'You,' now that you have come to be
My one beginning, prime and end,
I count at last as wholly 'me,'
Lover no longer nor yet friend.
Friendship is flattery, though close hid;
Must I then flatter my own mind?
And must (which laws of shame forbid)
Blind love of you make self-love blind?
. . . Do not repay me my own coin,
The sharp rebuke, the frown, the groan;
No, stir my memory to disjoin
Your emanation from my own.
Help me to see you as before
When overwhelmed and dead, almost,
I stumbled on that secret door
Which saves the live man from the ghost.
Be once again the distant light,
Promise of glory not yet known
In full perfection---wasted quite
When on my imperfection thrown.
THE PIER-GLASS
Lost manor where I walk continually
A ghost, while yet in woman's flesh and blood;
Up your broad stairs mounting with outspread fingers
And gliding steadfast down your corridors
I come by nightly custom to this room,
And even on sultry afternoons I come
Drawn by a thread of time-sunk memory.
Empty, unless for a huge bed of state
Shrouded with rusty curtains drooped awry
(A puppet theatre where malignant fancy
Peoples the wings with fear). At my right hand
A ravelled bell-pull hangs in readiness
To summon me from attic glooms above
Service of elder ghosts; here at my left
A sullen pier-glass cracked from side to side
Scorns to present the face as do new mirrors
With a lying flush, but shows it melancholy
And pale, as faces grow that look in mirrors.
Is here no life, nothing but the thin shadow
And blank foreboding, never a wainscot rat
Rasping a crust? Or at the window pane
No fly, no bluebottle, no starveling spider?
Till flashes a glimpse of blue sea through the bracken asway,
And my world is again a tumult of windy sea.
* * * * *
ROBERT GRAVES
LOST LOVE
His eyes are quickened so with grief,
He can watch a grass or leaf
Every instant grow; he can
Clearly through a flint wall see,
Or watch the startled spirit flee
From the throat of a dead man.
Across two counties he can hear,
And catch your words before you speak.
The woodlouse or the maggot's weak
Clamour rings in his sad ear;
And noise so slight it would surpass
Credence:--drinking sound of grass,
Worm-talk, clashing jaws of moth
Chumbling holes in cloth:
The groan of ants who undertake
Gigantic loads for honour's sake--
Their sinews creak, their breath comes thin:
Whir of spiders when they spin,
And minute whispering, mumbling, sighs
Of idle grubs and flies.
This man is quickened so with grief,
He wanders god-like or like thief
Inside and out, below, above,
Without relief seeking lost love.
MORNING PHOENIX
In my body lives a flame,
Flame that burns me all the day;
When a fierce sun does the same,
I am charred away.
Who could keep a smiling wit,
Roasted so in heart and hide,
Turning on the sun's red spit,
Scorched by love inside?
Caves I long for and cold rocks,
Minnow-peopled country brooks,
Blundering gales of Equinox,
Sunless valley-nooks,
Daily so I might restore
Calcined heart and shrivelled skin,
A morning phoenix with proud roar
Kindled new within.
A LOVER SINCE CHILDHOOD
Tangled in thought am I,
Stumble in speech do I?
Do I blunder and blush for the reason why?
Wander aloof do I,
Lean over gates and sigh,
Making friends with the bee and the butterfly?
If thus and thus I do,
Dazed by the thought of you,
Walking my sorrowful way in the early dew,
My heart cut through and through
In this despair of you,
Starved for a word or a look will my hope renew:
Give then a thought for me
Walking so miserably,
Wanting relief in the friendship of flower or tree;
Do but remember, we
Once could in love agree,
Swallow your pride, let us be as we used to be.
SULLEN MOODS
Love, do not count your labour lost
Though I turn sullen, grim, retired
Even at your side; my thought is crossed
With fancies by old longings fired.
And when I answer you, some days
Vaguely and wildly, do not fear
That my love walks forbidden ways,
Breaking the ties that hold it here.
If I speak gruffly, this mood is
Mere indignation at my own
Shortcomings, plagues, uncertainties;
I forget the gentler tone.
'You,' now that you have come to be
My one beginning, prime and end,
I count at last as wholly 'me,'
Lover no longer nor yet friend.
Friendship is flattery, though close hid;
Must I then flatter my own mind?
And must (which laws of shame forbid)
Blind love of you make self-love blind?
. . . Do not repay me my own coin,
The sharp rebuke, the frown, the groan;
No, stir my memory to disjoin
Your emanation from my own.
Help me to see you as before
When overwhelmed and dead, almost,
I stumbled on that secret door
Which saves the live man from the ghost.
Be once again the distant light,
Promise of glory not yet known
In full perfection---wasted quite
When on my imperfection thrown.
THE PIER-GLASS
Lost manor where I walk continually
A ghost, while yet in woman's flesh and blood;
Up your broad stairs mounting with outspread fingers
And gliding steadfast down your corridors
I come by nightly custom to this room,
And even on sultry afternoons I come
Drawn by a thread of time-sunk memory.
Empty, unless for a huge bed of state
Shrouded with rusty curtains drooped awry
(A puppet theatre where malignant fancy
Peoples the wings with fear). At my right hand
A ravelled bell-pull hangs in readiness
To summon me from attic glooms above
Service of elder ghosts; here at my left
A sullen pier-glass cracked from side to side
Scorns to present the face as do new mirrors
With a lying flush, but shows it melancholy
And pale, as faces grow that look in mirrors.
Is here no life, nothing but the thin shadow
And blank foreboding, never a wainscot rat
Rasping a crust? Or at the window pane
No fly, no bluebottle, no starveling spider?
