No More Learning

Poor fever-broken devil from Mozambique:
Came on half tight: the doctor calls it heat-stroke.
Why do they travel steerage? It's the exchange:
So many million 'reis' to the pound!
What did he look like? No one ever saw him:
Took to his bunk, and drank and drank and died.
They're ready! Silence!
We clustered to the rail,
Curious and half-ashamed. The well-deck spread
A comfortable gulf of segregation
Between ourselves and death. 'Burial at sea' . . .
The master holds a black book at arm's length;
His droning voice comes for'ard: 'This our brother . . .
We therefore commit his body to the deep
To be turned into corruption' . . . The bo's'n whispers
Hoarsely behind his hand: 'Now, all together! '
The hatch-cover is tilted; a mummy of sailcloth
Well ballasted with iron shoots clear of the poop;
Falls, like a diving gannet. The green sea closes
Its burnished skin; the snaky swell smoothes over . . .
While he, the man of the steerage, goes down, down,
Feet foremost, sliding swiftly down the dim water,
Swift to escape
Those plunging shapes with pale, empurpled bellies
That swirl and veer about him. He goes down
Unerringly, as though he knew the way
Through green, through gloom, to absolute watery darkness,
Where no weed sways nor curious fin quivers:
To the sad, sunless deeps where, endlessly,
A downward drift of death spreads its wan mantle
In the wave-moulded valleys that shall enfold him
Till the sea give up its dead.

There shall he lie dispersed amid great riches:
Such gold, such arrogance, so many bold hearts!
All the sunken armadas pressed to powder
By weight of incredible seas! That mingled wrack
No livening sun shall visit till the crust
Of earth be riven, or this rolling planet
Reel on its axis; till the moon-chained tides,
Unloosed, deliver up that white Atlantis
Whose naked peaks shall bleach above the slaked
Thirst of Sahara, fringed by weedy tangles
Of Atlas's drown'd cedars, frowning eastward
To where the sands of India lie cold,
And heap'd Himalaya's a rib of coral
Slowly uplifted, grain on grain. . . .