The
particulars of her life are little known, as Petrarch has left few
traces of them in his letters; and it was still less likely that he
should enter upon her personal history in his sonnets, which, as they
were principally addressed to herself, made it unnecessary for him to
inform her of what she already knew.
particulars of her life are little known, as Petrarch has left few
traces of them in his letters; and it was still less likely that he
should enter upon her personal history in his sonnets, which, as they
were principally addressed to herself, made it unnecessary for him to
inform her of what she already knew.
Petrarch
A faithful
and wise friend is among the most precious gifts of fortune; but, as
friendships cannot wholly feed our affections, the heart of Petrarch, at
this ardent age, was destined to be swayed by still tenderer feelings.
He had nearly finished his twenty-third year without having ever
seriously known the passion of love. In that year he first saw Laura.
Concerning this lady, at one time, when no life of Petrarch had been yet
written that was not crude and inaccurate, his biographers launched
into the wildest speculations. One author considered her as an
allegorical being; another discovered her to be a type of the Virgin
Mary; another thought her an allegory of poetry and repentance. Some
denied her even allegorical existence, and deemed her a mere phantom
beauty, with which the poet had fallen in love, like Pygmalion with the
work of his own creation. All these caprices about Laura's history have
been long since dissipated, though the principal facts respecting her
were never distinctly verified, till De Sade, her own descendant, wrote
his memoirs of the Life of Petrarch.
Petrarch himself relates that in 1327, exactly at the first hour of the
6th of April, he first beheld Laura in the church of St. Clara of
Avignon,[A] where neither the sacredness of the place, nor the solemnity
of the day, could prevent him from being smitten for life with human
love. In that fatal hour he saw a lady, a little younger than himself[B]
in a green mantle sprinkled with violets, on which her golden hair fell
plaited in tresses. She was distinguished from all others by her proud
and delicate carriage. The impression which she made on his heart was
sudden, yet it was never effaced.
Laura, descended from a family of ancient and noble extraction, was the
daughter of Audibert de Noves, a Provencal nobleman, by his wife
Esmessenda. She was born at Avignon, probably in 1308. She had a
considerable fortune, and was married in 1325 to Hugh de Sade.
The
particulars of her life are little known, as Petrarch has left few
traces of them in his letters; and it was still less likely that he
should enter upon her personal history in his sonnets, which, as they
were principally addressed to herself, made it unnecessary for him to
inform her of what she already knew.
While many writers have erred in considering Petrarch's attachment as
visionary, others, who have allowed the reality of his passion, have
been mistaken in their opinion of its object. They allege that Petrarch
was a happy lover, and that his mistress was accustomed to meet him at
Vaucluse, and make him a full compensation for his fondness. No one at
all acquainted with the life and writings of Petrarch will need to be
told that this is an absurd fiction. Laura, a married woman, who bore
ten children to a rather morose husband, could not have gone to meet him
at Vaucluse without the most flagrant scandal. It is evident from his
writings that she repudiated his passion whenever it threatened to
exceed the limits of virtuous friendship. On one occasion, when he
seemed to presume too far upon her favour, she said to him with
severity, "I am not what you take me for. " If his love had been
successful, he would have said less about it.
Of the two persons in this love affair, I am more inclined to pity Laura
than Petrarch. Independently of her personal charms, I cannot conceive
Laura otherwise than as a kind-hearted, loveable woman, who could not
well be supposed to be totally indifferent to the devotion of the most
famous and fascinating man of his age. On the other hand, what was the
penalty that she would have paid if she had encouraged his addresses as
far as he would have carried them? Her disgrace, a stigma left on her
family, and the loss of all that character which upholds a woman in her
own estimation and in that of the world. I would not go so far as to say
that she did not at times betray an anxiety to retain him under the
spell of her fascination, as, for instance, when she is said to have
cast her eyes to the ground in sadness when he announced his intention
to leave Avignon; but still I should like to hear her own explanation
before I condemned her. And, after all, she was only anxious for the
continuance of attentions, respecting which she had made a fixed
understanding that they should not exceed the bounds of innocence.
We have no distinct account how her husband regarded the homage of
Petrarch to his wife--whether it flattered his vanity, or moved his
wrath. As tradition gives him no very good character for temper, the
latter supposition is the more probable.
and wise friend is among the most precious gifts of fortune; but, as
friendships cannot wholly feed our affections, the heart of Petrarch, at
this ardent age, was destined to be swayed by still tenderer feelings.
He had nearly finished his twenty-third year without having ever
seriously known the passion of love. In that year he first saw Laura.
Concerning this lady, at one time, when no life of Petrarch had been yet
written that was not crude and inaccurate, his biographers launched
into the wildest speculations. One author considered her as an
allegorical being; another discovered her to be a type of the Virgin
Mary; another thought her an allegory of poetry and repentance. Some
denied her even allegorical existence, and deemed her a mere phantom
beauty, with which the poet had fallen in love, like Pygmalion with the
work of his own creation. All these caprices about Laura's history have
been long since dissipated, though the principal facts respecting her
were never distinctly verified, till De Sade, her own descendant, wrote
his memoirs of the Life of Petrarch.
Petrarch himself relates that in 1327, exactly at the first hour of the
6th of April, he first beheld Laura in the church of St. Clara of
Avignon,[A] where neither the sacredness of the place, nor the solemnity
of the day, could prevent him from being smitten for life with human
love. In that fatal hour he saw a lady, a little younger than himself[B]
in a green mantle sprinkled with violets, on which her golden hair fell
plaited in tresses. She was distinguished from all others by her proud
and delicate carriage. The impression which she made on his heart was
sudden, yet it was never effaced.
Laura, descended from a family of ancient and noble extraction, was the
daughter of Audibert de Noves, a Provencal nobleman, by his wife
Esmessenda. She was born at Avignon, probably in 1308. She had a
considerable fortune, and was married in 1325 to Hugh de Sade.
The
particulars of her life are little known, as Petrarch has left few
traces of them in his letters; and it was still less likely that he
should enter upon her personal history in his sonnets, which, as they
were principally addressed to herself, made it unnecessary for him to
inform her of what she already knew.
While many writers have erred in considering Petrarch's attachment as
visionary, others, who have allowed the reality of his passion, have
been mistaken in their opinion of its object. They allege that Petrarch
was a happy lover, and that his mistress was accustomed to meet him at
Vaucluse, and make him a full compensation for his fondness. No one at
all acquainted with the life and writings of Petrarch will need to be
told that this is an absurd fiction. Laura, a married woman, who bore
ten children to a rather morose husband, could not have gone to meet him
at Vaucluse without the most flagrant scandal. It is evident from his
writings that she repudiated his passion whenever it threatened to
exceed the limits of virtuous friendship. On one occasion, when he
seemed to presume too far upon her favour, she said to him with
severity, "I am not what you take me for. " If his love had been
successful, he would have said less about it.
Of the two persons in this love affair, I am more inclined to pity Laura
than Petrarch. Independently of her personal charms, I cannot conceive
Laura otherwise than as a kind-hearted, loveable woman, who could not
well be supposed to be totally indifferent to the devotion of the most
famous and fascinating man of his age. On the other hand, what was the
penalty that she would have paid if she had encouraged his addresses as
far as he would have carried them? Her disgrace, a stigma left on her
family, and the loss of all that character which upholds a woman in her
own estimation and in that of the world. I would not go so far as to say
that she did not at times betray an anxiety to retain him under the
spell of her fascination, as, for instance, when she is said to have
cast her eyes to the ground in sadness when he announced his intention
to leave Avignon; but still I should like to hear her own explanation
before I condemned her. And, after all, she was only anxious for the
continuance of attentions, respecting which she had made a fixed
understanding that they should not exceed the bounds of innocence.
We have no distinct account how her husband regarded the homage of
Petrarch to his wife--whether it flattered his vanity, or moved his
wrath. As tradition gives him no very good character for temper, the
latter supposition is the more probable.
