THE PACK-SADDLE
A FAMOUS painter, jealous of his wife;
Whose charms he valued more than fame or life,
When going on a journey used his art,
To paint an ASS upon a certain part,
(Umbilical, 'tis said) and like a seal:
Impressive token, nothing thence to steal.
A FAMOUS painter, jealous of his wife;
Whose charms he valued more than fame or life,
When going on a journey used his art,
To paint an ASS upon a certain part,
(Umbilical, 'tis said) and like a seal:
Impressive token, nothing thence to steal.
La Fontaine
With scenes like these will Cupid oft surprise,
And frantick passion sparkle in his eyes.
SOON on the floor was seen this boorish wight;
For, whether that the chair was rather slight,
Or that the composition of the clown
Was not, like that of geese, of softest down,
Or that Theresa, by her gay discourse,
Had penetrated to the mystick source,
The am'rous pulpit suddenly gave way,
And on the ground the rustick quickly lay.
The first attempt had clearly bad success,
And fair Theresa suffered you may guess.
YE censors keep from hence your eyes prophane;
See, honest hearts, how Claudia tried amain,
To take advantage of the dire mishap,
And all she could, with eagerness entrap;
For in the fall Theresa lost her hold;
The other pushed her:--further off she rolled;
And then, what she had quitted Claudia seized;
Theresa, like a demon quite displeased,
Endeavoured to recover what she'd lost:--
Again to take her seat, but she was crossed.
The sister in possession ne'er inclined
To cede a post so pleasant to her mind;
Theresa raised her hand to give a stroke;
And what of that? --if any thing provoke
When thus engaged, unheeded it remains
Small ills are soon forgot where pleasure reigns.
IN spite of rage apparent in the face;
Of her who in the scuffle lost her place,
The other followed up the road she took;
His course the rustick also ne'er forsook.
Theresa scolded; anger marked her eyes;
In Venus' games contentions oft arise;
Their violence no parallel has seen:--
In proof, remember Menelaus' queen.
Though here to take a part Bellona 's found,
Of cuirasses I see but few around;
When Venus closes with the god of Thrace,
Her armour then appears with ev'ry grace.
The FAIR will understand: enough is said;
When beauty's goddess is to combat led,
Her body-cuirass shows superior charms;
The Cyclops rarely forge such pleasing arms.
Had Vulcan graven on Achilles' shield
The picture we've described, more praise 'twould yield.
THE nun's adventure I in verse have told,
But not in colours, like the action, bold;
And as the story in the picture fails,
The latter seems to lose in my details.
The pen and brush express not quite the same;
Eyes are not ears, however we may aim.
ENTANGLED in the net, I long have left
The fair Theresa, of her throne bereft;
Howe'er, this sister had her turn we find,
So much to please, the porter was inclined,
That both were satisfied, and felt content;
Here ends our tale, and truly I lament,
That not a word about the feast is said,
Though I've no doubt, they freely drank and fed;
And this for reasons easily conceived:
The interlude gave rest that much relieved.
In fine, 'twas well throughout, except, in truth,
The hour of meeting settled with the youth,
Which much embarrasses I will avow,
For if he never came and made his bow,
The sisters had the means, when they might please,
Completely to console themselves at ease;
And if the spark appeared, the belles could hide
Both clown and chair, or any thing beside
The lover what he wanted soon possessed,
And was as usual treated with the best.
THE PACK-SADDLE
A FAMOUS painter, jealous of his wife;
Whose charms he valued more than fame or life,
When going on a journey used his art,
To paint an ASS upon a certain part,
(Umbilical, 'tis said) and like a seal:
Impressive token, nothing thence to steal.
A BROTHER brush, enamoured of the dame;
Now took advantage, and declared his flame:
The Ass effaced, but God knows how 'twas done;
Another soon howe'er he had begun,
And finished well, upon the very spot;
In painting, few more praises ever got;
But want of recollection made him place
A saddle, where before he none could trace.
THE husband, when returned, desired to look
At what he drew, when leave he lately took.
Yes, see my dear, the wily wife replied,
The Ass is witness, faithful I abide.
Zounds! said the painter, when he got a sight,--
What! --you'd persuade me ev'ry thing is right?
I wish the witness you display so well,
And him who saddled it, were both in Hell.
THE EAR-MAKER AND THE MOULD-MENDER
WHEN William went from home (a trader styled):
Six months his better half he left with child,
A simple, comely, modest, youthful dame,
Whose name was Alice; from Champaign she came.
Her neighbour Andrew visits now would pay;
With what intention, needless 'tis to say:
A master who but rarely spread his net,
But, first or last, with full success he met;
And cunning was the bird that 'scaped his snare;
Without surrendering a feather there.
QUITE raw was Alice; for his purpose fit;
Not overburdened with a store of wit;
Of this indeed she could not be accused,
And Cupid's wiles by her were never used;
Poor lady, all with her was honest part,
And naught she knew of stratagem or art.
HER husband then away, and she alone,
This neighbour came, and in a whining tone,
To her observed, when compliments were o'er:--
I'm all astonishment, and you deplore,
To find that neighbour William's gone from hence,
And left your child's completing in suspense,
Which now you bear within, and much I fear,
That when 'tis born you'll find it wants an ear.
Your looks sufficiently the fact proclaim,
For many instances I've known the same.
Good heav'ns! replied the lady in a fright;
What say you, pray? --the infant won't be right!