SIR CHARLES: Charles, Charles, how thou hast
deceived
me!
World's Greatest Books - Volume 17 - Poetry and Drama
Highwayman, but spare my child.
HARDCASTLE: Sure, Dorothy, you have lost your wits? This is one of
your tricks, you graceless rogue. Don't you remember me, and the
mulberry-tree, and the horsepond?
MRS. HARDCASTLE: I shall remember it as long as I live. And this is
your doing--you----
TONY: Ecod, mother, all the parish says you've spoilt me, so you may
take the fruits on't. [_Exeunt_.
Miss Neville thinks better of the elopement, and resolves to appeal
to Mr. Hardcastle's influence with his wife. This improved plan is
carried to a successful issue, with great satisfaction to Tony Lumpkin.
SCENE III. --_The hall_. SIR CHARLES MARLOW _and_ HARDCASTLE _witness,
from concealment, the formal proposal of_ MARLOW _to make
the supposed "poor relation" his wife. They break in_.
SIR CHARLES: Charles, Charles, how thou hast deceived me! Is this
your indifference?
HARDCASTLE: Your cold contempt? Your formal interview? What have you
to say?
MARLOW: That I'm all amazement. What does it mean?
HARDCASTLE: It means that you say and unsay things at pleasure; that
you can address a lady in private and deny it in public; that you have
one story for us and another for my daughter.
MARLOW: Daughter? This lady your daughter? Oh, the devil! Oh--!
KATE: In which of your characters may we address you? The faltering
gentleman who looks on the ground and hates hypocrisy, or the bold,
forward Agreeable Rattle of the ladies' club?
MARLOW: Zounds, this is worse than death! I must be gone.
HARDCASTLE: Sure, Dorothy, you have lost your wits? This is one of
your tricks, you graceless rogue. Don't you remember me, and the
mulberry-tree, and the horsepond?
MRS. HARDCASTLE: I shall remember it as long as I live. And this is
your doing--you----
TONY: Ecod, mother, all the parish says you've spoilt me, so you may
take the fruits on't. [_Exeunt_.
Miss Neville thinks better of the elopement, and resolves to appeal
to Mr. Hardcastle's influence with his wife. This improved plan is
carried to a successful issue, with great satisfaction to Tony Lumpkin.
SCENE III. --_The hall_. SIR CHARLES MARLOW _and_ HARDCASTLE _witness,
from concealment, the formal proposal of_ MARLOW _to make
the supposed "poor relation" his wife. They break in_.
SIR CHARLES: Charles, Charles, how thou hast deceived me! Is this
your indifference?
HARDCASTLE: Your cold contempt? Your formal interview? What have you
to say?
MARLOW: That I'm all amazement. What does it mean?
HARDCASTLE: It means that you say and unsay things at pleasure; that
you can address a lady in private and deny it in public; that you have
one story for us and another for my daughter.
MARLOW: Daughter? This lady your daughter? Oh, the devil! Oh--!
KATE: In which of your characters may we address you? The faltering
gentleman who looks on the ground and hates hypocrisy, or the bold,
forward Agreeable Rattle of the ladies' club?
MARLOW: Zounds, this is worse than death! I must be gone.
