No More Learning

His biographers extol the magnanimity of Laura for
displaying no anger at our poet for what they choose to call this
discovery of his infidelity to her; but, as we have no reason to suppose
that Laura ever bestowed one favour on Petrarch beyond a pleasant look,
it is difficult to perceive her right to command his unspotted faith. At
all events, she would have done no good to her own reputation if she had
stormed at the lapse of her lover's virtue.

In a small city like Avignon, the scandal of his intrigue would
naturally be a matter of regret to his friends and of triumph to his
enemies. Petrarch felt his situation, and, unable to calm his mind
either by the advice of his friend Dionisio dal Borgo, or by the perusal
of his favourite author, St. Augustine, he resolved to seek a rural
retreat, where he might at least hide his tears and his mortification.
Unhappily he chose a spot not far enough from Laura--namely, Vaucluse,
which is fifteen Italian, or about fourteen English, miles from Avignon.

Vaucluse, or Vallis Clausa, the shut-up valley, is a most beautiful
spot, watered by the windings of the Sorgue. Along the river there are
on one side most verdant plains and meadows, here and there shadowed by
trees. On the other side are hills covered with corn and vineyards.
Where the Sorgue rises, the view terminates in the cloud-capt ridges of
the mountains Luberoux and Ventoux. This was the place which Petrarch
had visited with such delight when he was a schoolboy, and at the sight
of which he exclaimed "that he would prefer it as a residence to the
most splendid city. "

It is, indeed, one of the loveliest seclusions in the world. It
terminates in a semicircle of rocks of stupendous height, that seem to
have been hewn down perpendicularly. At the head and centre of the vast
amphitheatre, and at the foot of one of its enormous rocks, there is a
cavern of proportional size, hollowed out by the hand of nature. Its
opening is an arch sixty feet high; but it is a double cavern, there
being an interior one with an entrance thirty feet high.
In the midst of
these there is an oval basin, having eighteen fathoms for its longest
diameter, and from this basin rises the copious stream which forms the
Sorgue. The surface of the fountain is black, an appearance produced by
its depth, from the darkness of the rocks, and the obscurity of the
cavern; for, on being brought to light, nothing can be clearer than its
water. Though beautiful to the eye, it is harsh to the taste, but is
excellent for tanning and dyeing; and it is said to promote the growth
of a plant which fattens oxen and is good for hens during incubation.
Strabo and Pliny the naturalist both speak of its possessing this
property.

The river Sorgue, which issues from this cavern, divides in its progress
into various branches; it waters many parts of Provence, receives
several tributary streams, and, after reuniting its branches, falls into
the Rhone near Avignon.

Resolving to fix his residence here, Petrarch bought a little cottage
and an adjoining field, and repaired to Vaucluse with no other
companions than his books. To this day the ruins of a small house are
shown at Vaucluse, which tradition says was his habitation.

If his object was to forget Laura, the composition of sonnets upon her
in this hermitage was unlikely to be an antidote to his recollections.
It would seem as if he meant to cherish rather than to get rid of his
love. But, if he nursed his passion, it was a dry-nursing; for he led a
lonely, ascetic, and, if it were not for his studies, we might say a
savage life. In one of his letters, written not long after his settling
at Vaucluse, he says, "Here I make war upon my senses, and treat them as
my enemies. My eyes, which have drawn me into a thousand difficulties,
see no longer either gold, or precious stones, or ivory, or purple; they
behold nothing save the water, the firmament, and the rocks. The only
female who comes within their sight is a swarthy old woman, dry and
parched as the Lybian deserts. My ears are no longer courted by those
harmonious instruments and voices which have so often transported my
soul: they hear nothing but the lowing of cattle, the bleating of sheep,
the warbling of birds, and the murmurs of the river.

"I keep silence from noon till night. There is no one to converse with;
for the good people, employed in spreading their nets, or tending their
vines and orchards, are no great adepts at conversation.