Secundus
endeavours to dissuade Maternus from thinking any more
of dramatic composition.
of dramatic composition.
Tacitus
MAWMAN; J. MURRAY; J. RICHARDSON; R. BALDWIN; AND J. FAULDER.
1811.
A DIALOGUE CONCERNING ORATORY,
OR THE CAUSES OF CORRUPT ELOQUENCE.
VOL. VIII.
CONTENTS.
I. General introduction, with the reasons for writing an account of
the following discourse.
II. The persons engaged in the dialogue; at first, Curiatius Maternus,
Julius Secundus, and Marcus Aper.
III.
Secundus endeavours to dissuade Maternus from thinking any more
of dramatic composition.
IV. Maternus gives his reasons for persisting.
V. Aper condemns his resolution, and, in point of utility, real
happiness, fame and dignity, contends that the oratorical profession
is preferable to the poetical.
VIII. He cites the example of Eprius Marcellus and Crispus Vibius, who
raised themselves by their eloquence to the highest honours.
IX. Poetical fame brings with it no advantage.
X. He exhorts Maternus to relinquish the muses, and devote his whole
to eloquence and the business of the bar.
XI. Maternus defends his favourite studies; the pleasures arising from
poetry are in their nature innocent and sublime; the fame is extensive
and immortal. The poet enjoys the most delightful intercourse with his
friends, whereas the life of the public orator is a state of warfare
and anxiety.
XIV. Vipstanius Messala enters the room.