What guilty spirit, in what shrubbery dim,
Heard not the stirring summons of that hymn?
Heard not the stirring summons of that hymn?
Edgar Allen Poe
breathe on their slumber,
All softly in ear,
The musical number
They slumber'd to hear--
For what can awaken
An angel so soon
* The wild bee will not sleep in the shade if there be
moonlight. The rhyme in this verse, as in one about sixty
lines before, has an appearance of affectation. It is,
however, imitated from Sir W. Scott, or rather from Claud
Halcro--in whose mouth I admired its effect:
O! were there an island,
Tho' ever so wild
Where woman might smile, and
No man be beguil'd, &c.
Whose sleep hath been taken
Beneath the cold moon,
As the spell which no slumber
Of witchery may test,
The rythmical number
Which lull'd him to rest? "
Spirits in wing, and angels to the view,
A thousand seraphs burst th' Empyrean thro',
Young dreams still hovering on their drowsy flight--
Seraphs in all but "Knowledge," the keen light
That fell, refracted, thro' thy bounds, afar
O Death! from eye of God upon that star:
Sweet was that error--sweeter still that death--
Sweet was that error--ev'n with _us_ the breath
Of science dims the mirror of our joy--
To them 'twere the Simoom, and would destroy--
For what (to them) availeth it to know
That Truth is Falsehood--or that Bliss is Woe?
Sweet was their death--with them to die was rife
With the last ecstacy of satiate life--
Beyond that death no immortality--
But sleep that pondereth and is not "to be"--
And there--oh! may my weary spirit dwell--
*Apart from Heaven's Eternity--and yet how far from Hell!
* With the Arabians there is a medium between Heaven and
Hell, where men suffer no punishment, but yet do not attain
that tranquil and even happiness which they suppose to be
characteristic of heavenly enjoyment.
Un no rompido sueno--
Un dia puro--allegre--libre
Quiera--
Libre de amor--de zelo--
De odio--de esperanza--de rezelo. ---_Luis Ponce de Leon_.
Sorrow is not excluded from "Al Aaraaf," but it is that
sorrow which the living love to cherish for the dead, and
which, in some minds, resembles the delirium of opium. The
passionate excitement of Love and the buoyancy of spirit
attendant upon intoxication are its less holy pleasures--
the price of which, to those souls who make choice of "Al
Aaraaf" as their residence after life, is final death and
annihilation.
What guilty spirit, in what shrubbery dim,
Heard not the stirring summons of that hymn?
But two: they fell: for Heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover--
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
*Unguided Love hath fallen--'mid "tears of perfect moan. "
He was a goodly spirit--he who fell:
A wanderer by moss-y-mantled well--
A gazer on the lights that shine above--
A dreamer in the moonbeam by his love:
What wonder? For each star is eye-like there,
And looks so sweetly down on Beauty's hair--
And they, and ev'ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo--
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love--his dark eye bent
With eagle gaze along the firmament:
Now turn'd it upon her--but ever then
It trembled to the orb of EARTH again.
"Iante, dearest, see! how dim that ray!
How lovely 'tis to look so far away!
* There be tears of perfect moan
Wept for thee in Helicon. --_Milton. _
She seem'd not thus upon that autumn eve
I left her gorgeous halls--nor mourn'd to leave.
That eve--that eve--I should remember well--
The sun-ray dropp'd, in Lemnos, with a spell
On th'Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall--
And on my eye-lids--O the heavy light!
All softly in ear,
The musical number
They slumber'd to hear--
For what can awaken
An angel so soon
* The wild bee will not sleep in the shade if there be
moonlight. The rhyme in this verse, as in one about sixty
lines before, has an appearance of affectation. It is,
however, imitated from Sir W. Scott, or rather from Claud
Halcro--in whose mouth I admired its effect:
O! were there an island,
Tho' ever so wild
Where woman might smile, and
No man be beguil'd, &c.
Whose sleep hath been taken
Beneath the cold moon,
As the spell which no slumber
Of witchery may test,
The rythmical number
Which lull'd him to rest? "
Spirits in wing, and angels to the view,
A thousand seraphs burst th' Empyrean thro',
Young dreams still hovering on their drowsy flight--
Seraphs in all but "Knowledge," the keen light
That fell, refracted, thro' thy bounds, afar
O Death! from eye of God upon that star:
Sweet was that error--sweeter still that death--
Sweet was that error--ev'n with _us_ the breath
Of science dims the mirror of our joy--
To them 'twere the Simoom, and would destroy--
For what (to them) availeth it to know
That Truth is Falsehood--or that Bliss is Woe?
Sweet was their death--with them to die was rife
With the last ecstacy of satiate life--
Beyond that death no immortality--
But sleep that pondereth and is not "to be"--
And there--oh! may my weary spirit dwell--
*Apart from Heaven's Eternity--and yet how far from Hell!
* With the Arabians there is a medium between Heaven and
Hell, where men suffer no punishment, but yet do not attain
that tranquil and even happiness which they suppose to be
characteristic of heavenly enjoyment.
Un no rompido sueno--
Un dia puro--allegre--libre
Quiera--
Libre de amor--de zelo--
De odio--de esperanza--de rezelo. ---_Luis Ponce de Leon_.
Sorrow is not excluded from "Al Aaraaf," but it is that
sorrow which the living love to cherish for the dead, and
which, in some minds, resembles the delirium of opium. The
passionate excitement of Love and the buoyancy of spirit
attendant upon intoxication are its less holy pleasures--
the price of which, to those souls who make choice of "Al
Aaraaf" as their residence after life, is final death and
annihilation.
What guilty spirit, in what shrubbery dim,
Heard not the stirring summons of that hymn?
But two: they fell: for Heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover--
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
*Unguided Love hath fallen--'mid "tears of perfect moan. "
He was a goodly spirit--he who fell:
A wanderer by moss-y-mantled well--
A gazer on the lights that shine above--
A dreamer in the moonbeam by his love:
What wonder? For each star is eye-like there,
And looks so sweetly down on Beauty's hair--
And they, and ev'ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo--
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love--his dark eye bent
With eagle gaze along the firmament:
Now turn'd it upon her--but ever then
It trembled to the orb of EARTH again.
"Iante, dearest, see! how dim that ray!
How lovely 'tis to look so far away!
* There be tears of perfect moan
Wept for thee in Helicon. --_Milton. _
She seem'd not thus upon that autumn eve
I left her gorgeous halls--nor mourn'd to leave.
That eve--that eve--I should remember well--
The sun-ray dropp'd, in Lemnos, with a spell
On th'Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall--
And on my eye-lids--O the heavy light!
